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This Is Your Brain on Music (Abridged): The Science of a Human Obsession Audiobook, by Daniel J. Levitin Play Audiobook Sample

This Is Your Brain on Music (Abridged): The Science of a Human Obsession Audiobook

This Is Your Brain on Music (Abridged): The Science of a Human Obsession Audiobook, by Daniel J. Levitin Play Audiobook Sample
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Read By: Edward Herrmann Publisher: Penguin Audio Listen Time: at 1.0x Speed 4.17 hours at 1.5x Speed 3.13 hours at 2.0x Speed Release Date: August 2007 Format: Abridged Audiobook ISBN: 9781429586917

Quick Stats About this Audiobook

Total Audiobook Chapters:

71

Longest Chapter Length:

07:39 minutes

Shortest Chapter Length:

20 seconds

Average Chapter Length:

05:13 minutes

Audiobooks by this Author:

8

Other Audiobooks Written by Daniel J. Levitin: > View All...

Publisher Description

What can music teach us about the brain? What can the brain teach us about music? And what can both teach us about ourselves?   In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin (The World in Six Songs and The Organized Mind) explores the connection between music—its performance, its composition, how we listen to it, why we enjoy it—and the human brain. Drawing on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen, Levitin reveals:   • How composers produce some of the most pleasurable effects of listening to music by exploiting the way our brains make sense of the world • Why we are so emotionally attached to the music we listened to as teenagers, whether it was Fleetwood Mac, U2, or Dr. Dre • That practice, rather than talent, is the driving force behind musical expertise • How those insidious little jingles (called earworms) get stuck in our head   Taking on prominent thinkers who argue that music is nothing more than an evolutionary accident, Levitin poses that music is fundamental to our species, perhaps even more so than language. A Los Angeles Times Book Award finalist, This is Your Brain on Music will attract readers of Oliver Sacks and David Byrne, as it is an unprecedented, eye-opening investigation into an obsession at the heart of human nature.

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"If you love music or even are interested in dance, how we communicate, how chuildren respond in the womb, and a myriad of related topics, you will likely be fascinated by this book which (to greatly simplify it) attempts to explain how we respond to music, why it is so important to socities for so long, etc. Levitin relates music to language, movement, opioid rushes, and even sex and "mating displays" . Levitin is brilliant--not only in his knowledge (which stretches over a large number of subjects--which he manages to inter-relate) but also in his ability to make some very complicated concepts accessible (by and large) to the average reader. He discusses music in terms of almost every conceivable type of artist--and seems to know the Stones' stuff as intimately as classical, or Santana. This is a DENSELY packed book--I appreciated it more by reading only a few pages at a time. But it is an absolutely original book, which will open your eyes (and ears) to something so fundamental and critical to our lives (music), but that most of us have never been able to get our arms around, no less put into words. A brilliant work."

— Stew (4 out of 5 stars)

Awards

  • A New York Times bestseller
  • A 2006 Los Angeles Times Book Prize Nominee for Science & Technology

This Is Your Brain on Music Listener Reviews

Overall Performance: 3.5925925925925926 out of 53.5925925925925926 out of 53.5925925925925926 out of 53.5925925925925926 out of 53.5925925925925926 out of 5 (3.59)
5 Stars: 4
4 Stars: 11
3 Stars: 10
2 Stars: 1
1 Stars: 1
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  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " i learned more about the functionality of the brain from this musician / cognitive scientist than i did when i was heartily studying cognition in 2004-2005 with respect to ADHD. good stuff in here. helps me understand why music moves so many of us the way it does. the language of my soul...not sure i buy all of the evolutionary theory levitin holds though, he really goes out on a limb there. "

    — Lorie, 2/14/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " So technically, I didn't read this. I opted for the audiobook after nearly picking the paper version for years. The primary reason for doing so was that I saw it included audio samples. Granted, there weren't any original recordings of the songs he wrote about, but it was easier to stay engaged when a watered down musical clip helped serve as a demonstration. To whatever point was being addressed. Good information and entertaining anecdotes. "

    — Jordan, 1/28/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " After a life of teaching and performing music, this book helped me break through to new and deeper understandings. This is such an important book which explain the power of music on the structure of the human brain For instance, the concept of "Chunking" is at the core of they way the brain can store a great deal of information in one plac for instantaneous recall and use.. "Okay, eight bar blues in Eb on Take Me Out to the Ball Game, I'll start, 1234"....will illicit hours of music. That little bit of information calls up a lifetime of knowledge and a musician doesn't even have to deal with each individual component. "

    — Stephenstomps, 1/24/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Dense reading. Some wonderful clear explanations of music structure as well as an exploration of the emotional impact and value of music to humans. "

    — Debby, 1/23/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Fascinating! A great mixture of science, psychology and music. The author does a great job explaining complicated music and science topics in easy to understand language. A must read for lovers of music or the brain. "

    — Sandy, 1/20/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Good book, the author tends to be repetitive and the content is not always easy. Nonetheless reading this book was a good experience "

    — Federico, 12/29/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Some concepts too simplified and made too 'pop-science', but some of the conclusions drawn were excellent. "

    — Hadrian, 12/11/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Some interesting theories about how the brain reacts to music, but the writing is a little too technical at times. "

    — Joan, 10/7/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I got distracted reading other books so it took me forever to finish the last two chapters. I should have put this book in the bathroom to finish it sooner! "

    — Mareklamo, 8/10/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Has fascinating nuggets, but the structure is a complete mess with personal history, intellectual discovery, science history and music theory unsuccesfully wowen together. Readable and interesting at times but I was left thinking that there must be superior alternative takes on the subject. "

    — Jonas, 7/18/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Music appreciation can be taught, skill can be learned but mastery is dependant upon genetics. "

    — Jim, 5/17/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I'm actually only partway through this, as I got distracted, but plan to finish it. Fascinating insights from the leading edge of brain, cognitive, and psych research into what music actually is and why we love it. "

    — Christian, 4/17/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Music and the brain. Super excited on this one "

    — Jakes, 3/15/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " So interesting. The psychology, physicology, and sociology of music. The point I remember best is that the complexity of the music you like is tied to how you think. "

    — Ashleigh, 12/23/2012
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This book is sooo technical that its a tough one to read, but very interesting none-the-less. "

    — Kristin, 11/20/2012
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Whoever said that writing about music is like dancing about architecture was right. But this book did have some insights I found interesting. "

    — Wendy, 10/2/2012
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Fascinating information on the neurological reasons for the human reaction to music. A bit of a tough read if you are musically impaired (like me!) "

    — Debra, 9/3/2012
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " The chapter on "What makes a musician" was especially insightful! "

    — Gregory, 7/8/2012
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " this book is amazing so far...can't wait to finish it! "

    — Carlye.peterson, 2/22/2012
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Some of the concepts are not the easiest to grasp, but the effort is well worth it, especially for the music lover. "

    — Kevin, 8/8/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This was pretty interesting. Though I'm generally opposed to abridgments, I really liked having this as an audio book because the audio examples were very helpful. I particularly liked the final disk which discussed the development of musical ability from the womb through life. "

    — Greg, 7/28/2011
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " A fascinating read. I particularly enjoyed the chapter on musicians' brains. "

    — Heather, 6/23/2011
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " &quot;Life is dangerous; there are a lot of opportunities to get whacked in the head and potentially lose some brain function&quot; (180-81) <br/> "

    — Jen, 6/11/2011
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Ugh, couldn't even finish it. The first chapter was interesting but its just so dense, and I am both familiar with music and biology. "

    — Dennis, 6/8/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Liked it, but very science-based. The parts I could follow were really good. Skimmed a good chunk of it.<br/> "

    — Erin, 5/19/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Another one I finished during &quot;TAKS Testing&quot; week. Gotta be a band director, musician, or serious nerd (or all three) to get into this one. "

    — Brian, 5/4/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Very interesting but different than I anticipated. More of a psychology or science book than a book for music lovers. "

    — Derek, 4/19/2011

About Daniel J. Levitin

Daniel J. Levitin, PhD, is dean of social sciences at the Minerva Schools at KGI in San Francisco and a faculty member at the Center for Executive Education in the Haas School of Business at the University of California at Berkeley. He is the author of This Is Your Brain on Music, The World in Six Songs, The Organized Mind, and A Field Guide to Lies.

About Edward Herrmann

Edward Herrmann (1943–2014) was one of America’s top audiobook narrators. He won multiple Audie Awards and twenty-two Earphones Awards, and his narration of the King James version of the Bible remains a benchmark in the industry.