“This is the one: the next must-read, must-recommend, must-discuss, must-re-read novel. A miraculous literary thriller, shocking, daring, moving, haunting, infinitely rewarding— as though Kate Atkinson and Ruth Rendell had joined forces.”—A.J. Finn, #1 New York Times bestselling author of The Woman in the Window and End of Story
A heart-wrenching mystery about sisters, lovers, and a dinner party gone wrong.
Twenty-five years ago, a young girl left home to walk to school. Her younger sister soon followed. But one of them arrived, and one of them didn’t.
Her sister’s disappearance has defined Willa’s life. Everyone thinks her sister is dead, but Willa knows she isn’t. Because there are some things that only sisters know about each other—and some bonds only sisters can break.
Willa sees fragments of her sister everywhere — the way that woman on the train turns her head, the gait of that woman in Paris. If there’s the slightest resemblance, Willa drops everything, and everyone, and tries to see if it is her.
When Willa is invited to a dinner party thrown by her first love, she has no reason to expect it will be anything other than an ordinary evening. Both of them have moved on, ancient history. But nothing about Willa’s life has been ordinary since the day her sister disappeared, and that’s not about to change tonight.
Sarah Easter Collins has written an extraordinary novel about memory, lost love, and long-buried secrets that sometimes see the light of day.
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"I will be thinking about Things Don’t Break on Their Own for years. I loved it. I thought there were such echoes of Meg Mason in it. It’s a beautiful debut, thoughtful, quirky, rich in character. A clever thriller told through the lens of memory, and within that multiple recollections of a dinner party gone wrong. Collins asks the reader what we choose to hold in our minds, and what we might forget, too. It deserves to be huge."
— Gillian McAllister, New York Times bestselling author of Wrong Place Wrong Time
So, so, so, good. An elegant, twisting story of loss and longing, of the ache of the unknown and the drowning weight of past trauma. A very special debut.
— Chris Whitaker, New York Times bestselling author of We Begin at the EndA poignant, engrossing novel filled with characters I can't stop thinking about. Not just an absorbing mystery, but a heartfelt exploration of memory and family. I enjoyed it so much I didn't want it to end!
— Amy Tintera, author of the forthcoming Listen for the LieThis is The One: the next must-read, must-recommend, must-discuss, must-re-read novel. A miraculous literary thriller, shocking, daring, moving, haunting, infinitely rewarding—as though Kate Atkinson and Ruth Rendell had joined forces. This, I hope, is the future of suspense writing.
— A.J. Finn, #1 New York Times bestselling author of The Woman in the Window and End of StoryThis is The One: the next must-read, must-recommend, must-discuss, must-re-read novel. A miraculous literary thriller, shocking, daring, moving, haunting, infinitely rewarding—as though Kate Atkinson and Ruth Rendell had joined forces. This, I hope, is the future of suspense writing.
— A.J. Finn, #1 New York Times bestselling author of The Woman in the Window and End of StoryI couldn’t stop reading until it was finished. An enthralling mystery about the enduring love between sisters and the power of female friendship . . . Unmissable. Brava Sarah Easter Collins.
— Emilia Hart, New York Times bestselling author of WeywardThis is the One: the next must-read, must-recommend, must-discuss, must-re-read novel. A miraculous literary thriller, shocking, daring, moving, haunting, infinitely rewarding—as though Kate Atkinson and Ruth Rendell had joined forces. This, I hope, is the future of suspense writing.
— A.J. Finn, #1 New York Times bestselling author of The Woman in the Window and End of StoryCleverly crafted and deeply moving, this beautiful book is a genuine page-turner. It was original, it was gripping, it was shocking, and I loved it.
— Alice Feeney, New York Times bestselling author of Rock Paper Scissors and Daisy DarkerA captivating, haunting, and twisty story that explores the nature of loss and trauma, and the tricks that our memories play on us. A terrific debut from a promising talent.
— Karin Slaughter, the New York Times and #1 international bestselling authorFamily secrets, female friendships and a finely crafted plot . . . A compelling read.
— Claire Fuller, author of Unsettled GroundFamily secrets, female friendships, and a finely crafted plot . . . A compelling read.
— Claire Fuller, author of Unsettled GroundFamily secrets, female friendships, and a finely crafted plot . . . A compelling read.
— Claire Fuller, author of Unsettled GroundA stray comment at a dinner party proves seismic in Easter Collins’s devastating debut. . . . evocative prose holds the whole thing together, and Easter Collins enriches the mystery with some thoughtful reflections on the rippling effects of domestic violence. It’s an auspicious start.
— Publishers WeeklyA stray comment at a dinner party proves seismic in Easter Collins’s devastating debut. . . . [E]vocative prose holds the whole thing together, and Easter Collins enriches the mystery with some thoughtful reflections on the rippling effects of domestic violence. It’s an auspicious start.
— Publishers WeeklyBe the first to write a review about this audiobook!
Emily Lucienne is an actress and assistant director.