Two Shakespearean actors in an unconventional marriage get caught up in a renowned director’s scheme that will bring them closer than ever or rip them apart for good.
Up-and-coming stage actress Margaret Shoard has just taken a bow as Lady Macbeth, the role she has always believed was destined for her. At home, she plays wife to her best friend Wesley, even if she doesn’t hold his sole attention romantically. After a public breakdown threatens all she holds dear, Margaret’s doctor prescribes her uppers—just a little help to get through the days.
When Wesley is invited by eccentric director Vaughn Kline to join the cast for an inaugural Shakespeare performance in the New Mexico desert, Margaret decides to accompany him in hopes the time away will set her back to rights . . . but the world she finds in Vaughn’s company is filled with duplicity and betrayal. Margaret and Wesley, embroiled in an affair with a man who may not be all he seems, must find a way forward together before their story becomes the real tragedy.
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"In this engaging historical novel, Arsén brings to life a captivating protagonist, Margaret Wolf, a passionate Shakespearean stage actress wrestling with inner demons . . . As in her debut, Shoot the Moon, Arsén injects light magical Realism . . . When Margaret and Wesley—richly dimensional, sympathetic, and invariably thirsty players with plenty to lose—are thrust into dangerous territory, they are forced to perform the best dramatic performance of their lives."
— Booklist (starred review)
The Unbecoming of Margaret Wolf is a triumph of genre-melding: a Shakespearean revenge plot by way of a flinty-eyed Western standoff with noir-inflected stakes (and crackling dialogue to match). An absorbing page-turner about a woman always determined to obliterate herself in the performance of her next role, and the people who refuse to let her.
— Olivia Wolfgang-Smith, author of Mutual Interest and GlassworksThe Unbecoming of Margaret Wolf is a triumph of genre-melding: a Shakespearean revenge plot by way of a flinty-eyed Western standoff with noir-inflected stakes (and crackling dialogue to match). An absorbing page-turner about a woman always determined to obliterate herself in the performance of her next role, and the people who refuse to let her.
— Olivia Wolfgang-Smith, author of Mutual Interest and GlassworksIsa Arsén’s The Unbecoming of Margaret Wolf is one of the smartest books I've read this year. Arsén’s deft portrayal of Margaret and Wesley's unconventional relationship, set against a fascinating theatrical backdrop and laced with Shakespearean drama, makes for a gripping, heartfelt and poignant read.
— Kelly Rimmer, author of The Things We Cannot SayThe Unbecoming of Margaret Wolf is an easy-to-devour page-turner that spins themes of an unconventional marriage, Shakespearean theatre, and the unraveling of a woman not made for her time into a deeply moving, gripping story.
— Juliet McDaniel, author of Mr. And Mrs. American PieArsén writes with tender attention to her characters' moods and follies. An intimate rendition of one woman on the edge, and an indelible portrait of mid-century theatre, of performance and artifice alike. The Unbecoming of Margaret Wolf is an incandescent work of drama.
— C. Michelle Lindley, author of The NudeWith exquisite writing and vivid emotion, Arsén pulls you into the 50s in a way that is both atmospheric and thrilling, setting you right on stage alongside Margaret through not only her performances, but also her life. The Unbecoming of Margaret Wolf is a book that will stay with you long after you read the last page.
— Madeline Martin, author of The Keeper of Hidden BooksIsa Arsén’s The Unbecoming of Margaret Wolf is one of the smartest books I've read this year. Arsén’s deft portrayal of Margaret and Wesley's unconventional relationship, set against a fascinating theatrical backdrop and laced with Shakespearean drama, makes for a gripping, heartfelt and poignant read.
— Kelly Rimmer, author of The Things We Cannot SayThe Unbecoming of Margaret Wolf got under my skin in the best kind of way. A captivating, bewitching and utterly original read.
— Tova Mirvis, author of The Book of SeparationMargaret Wolf is an astonishing character; the narrator's wry observations and Arsén's lush prose lull you into a false sense of security as Margaret spends a summer exploring suppressed desires and struggling to define herself against midcentury American expectations of women . . . just up until the shocking conclusion.
— Emily Dunlay, author of TeddyWith sensitivity to a range of queer relationships as well as to Margaret’s unraveling psyche, Arsén paints a vivid portrait of 1950s backstage culture. The demands and compulsions of theater life create a satisfying backdrop for historical fiction that works as a page-turner. The play’s not the only thing here; Arsén’s players intrigue as well.
— Kirkus ReviewsWith exquisite writing and vivid emotion, Arsén pulls you into the 50s in a way that is both atmospheric and thrilling, setting you right on stage alongside Margaret through not only her performances, but also her life. The Unbecoming of Margaret Wolf is a book that will stay with you long after you read the last page.
— Madeline Martin, author of The Last Bookshop in London"The Unbecoming of Margaret Wolf is a juicy portrait of a troubled artist and her unconventional life. Isa Arsén's novel is a window into the mind of a talented actress who is thwarted by the limitations and expectations of her era. Arsén writes with so much sympathy and precision. I've never read anything quite like it. Every chapter is a jewel.
— Lauren Fox, author of Send for MeThe Unbecoming of Margaret Wolf got under my skin in the best kind of way. A captivating, bewitching and utterly original read.
— Tova Mirvis, author of The Ladies of AuxilliaryThe Unbecoming of Margaret Wolf is a triumph of genre-melding: a Shakespearean revenge plot by way of a flinty-eyed Western standoff with noir-inflected stakes (and crackling dialogue to match). An absorbing page-turner about a woman always determined to obliterate herself in the performance of her next role, and the people who refuse to let her.
— Olivia Wolfgang-Smith, author of Mutual Interest and GlassworksArsén writes with tender attention to her characters' moods and follies. An intimate rendition of one woman on the edge, and an indelible portrait of mid-century theatre, of performance and artifice alike. The Unbecoming of Margaret Wolf is an incandescent work of drama.
— C. Michelle Lindley, author of The NudeArsén writes with ferocious intensity about identity, desire, and what it meant to a woman in mid-century America. The Unbecoming of Margaret Wolf is a dark, fascinating character study that will stay with you long after its final page.
— Rowan Beaird, author of The DivorcéesOne of Brit & Co’s Most Anticipated Books for 2025
Arsén writes with ferocious intensity about identity, desire, and what it meant to a woman in mid-century America. The Unbecoming of Margaret Wolf is a dark, fascinating character study that will stay with you long after its final page.
— Rowan Beaird, author of The DivorcéesArsén’s sophomore effort is equal parts sultry and cultured, featuring two Shakespearian actors in a unusual but emotionally fulfilling marriage of convenience who find themselves in a sticky situation.
— CrimeReadsThis historical novel may be of interest to readers who enjoy fiction about theater and the United States at midcentury . . . A good pick for fans of Patti Callahan Henry and Marie Benedict.
— Orange County RegisterBe the first to write a review about this audiobook!
Saskia Maarleveld is an experienced voice-over actress and Earphones Award–winning narrator. Raised in New Zealand and France, she is highly skilled with accents and dialects, and many of her books have been narrated entirely in accents other than her own. In addition to audiobooks, her voice can be heard in animation, video games, and commercials.