Publisher Description
A woman returns home to find a stranger living in her house in this "suspenseful and moving" psychological drama from an Edgar Award-nominated author (Meg Gardiner) -- perfect for readers of Shari Lapena and Liane Moriarty.
There's a stranger living in Kimber Hannon's house. He tells the police that he has every right to be there, and he has the paperwork to prove it. But Kimber definitely didn't invite this man to move in. He tells her that he knows something about her, and he wants everyone else to know it, too.
"I was there. I saw what you did." These words reveal a connection to Kimber's distant past, and dark secrets she'd long ago left buried. This trespasser isn't after anything as simple as her money or her charming Craftsman bungalow. He wants to move into her carefully orchestrated life -- and destroy it.
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"Very entertaining! While there are some basic flaws in the storyline that had me scratching my head, this audiobook will nevertheless keep you entertained and listening to the end. Plummer's narration is, as always, flawless!"
—
Danna (4 out of 5 stars)
About Laura Benedict
Laura Benedict is the author of several dark suspense novels
including Bliss House, praised as
“Eerie, seductive, and suspenseful,” by Edgar award-winning author, Meg
Gardiner; and Devil’s Oven, a modern
Frankenstein tale. Her work has appeared in Ellery
Queen Mystery Magazine, PANK, and
numerous anthologies like Thrillers: 100
Must-Reads, and Slices of Flesh. A
Cincinnati, Ohio native, Laura grew up in Louisville, Kentucky, and claims both
as hometowns. She currently lives with her family in the southern wilds of a
Midwestern state, surrounded by bobcats, coyotes, and other less picturesque
predators.
About Thérèse Plummer
Thérèse Plummer is an actor, award-winning voice-over artist, and counselor. She has won eighteen AudioFile Earphones Awards and has been a finalist for the prestigious Audie Award for best narration. She has appeared in a variety of television and film roles. As a counselor for adolescents, she spent five years using drama therapy techniques in individual and group settings.