The Singer Sisters: A Novel Audiobook

Quotes

• "Taking the reader from Greenwich Village folk scene of the 1960s to the casually misogynistic L.A. pop-rock world of the late 1990s and early 2000s, The Singer Sisters is a superb novel—inventive, original, and extremely intelligent. It is also fast-paced, absorbing and full of heart, with a well-drawn and appealing cast of characters whose fates the reader comes to care about deeply. I felt bereft when it was over.

  — Adelle Waldman, author of The Love Affairs of Nathaniel P.

• The Singer Sisters, which follows a multigenerational folk-rock family, is a breezy, compelling read with momentous questions at its core. What does it mean to be parented sufficiently—to be loved well? What is worth sacrificing for the sake of artistic ambition? Does the muse work on a timeframe, or will it wait? Ultimately, Seltzer presents an entrancing vision not of having it all at the same time, but of finding satisfaction, even triumph, anyway.

  — Jessica Gross, author of Hysteria

• You’ll be drawn in by the music and the free-wheeling folk scene Seltzer so deftly and convincingly creates, but what will stay with you long after the novel’s end are the main characters—Judie, Emma, Sylvia and Rose—four vibrant women bound, and sometimes tormented by, their fierce ties.

  — Kitty Zeldis, author of The Dressmakers of Prospect Heights

• An expertly-imagined family drama, suffused with hard truths, deep betrayal, and a most generous, surprisingly steadfast love.

  — Elisa Albert, author of Human Blues

• In prose as musical as its subject matter, Sarah Seltzer takes us into an unforgettable family of singer-songwriters, exploring maternal ambivalence, the call of art, and the messy, vibrant, ever-changing state of family life. I was sad to reach the final page.

  — Elizabeth Graver, author of Kantika

• What a pleasure to read this book! A delightful journey through the folk and rock scenes from the 60s through the early aughts, told through the kaleidoscopic voices of one family. I loved dipping down into the early folk scenes of Cambridge and New York, the feminist rock of the 90s, the pop industry of the 2000s, and seeing how a family can be torn apart, and stitched back together, via the miracle of song.

  — Robin MacArthur, author of Half Wild and Heart Spring Mountain