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The Serpent on the Crown 'International Edition' Audiobook
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Theatre Library Association—Freedley Award FinalistThe New York Times bestselling “Grande Dame of historical mystery” (Washington Post) returns with another thrilling tale of mystery.As the 1921–22 season begins, the Emersons are enjoying a busy period of excavation in Egypt, when they hear a lurid description of a man’s mysterious death. His widow is convinced he died of a curse, and implores the Emersons to return the “deadly” little statue that killed him to the tomb from which it was stolen—before it adds her to its list of victims. Clearly, it would be a serious error for the Emersons to start chasing tomb robbers, just when they have finally received permission to return to the Valley of the Kings, from which they were barred several years earlier. But the family soon realizes that the curse may be more real than they ever imagined … and they may be the next victims.
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About Elizabeth Peters
Elizabeth Peters (1927–2013) was a pen name of Barbara Mertz, who earned her PhD in Egyptology from the University of Chicago’s famed Oriental Institute. Over the course of her fifty-year career she wrote more than seventy mystery and suspense novels and three nonfiction books on Egypt, of which many were New York Times bestsellers. She was the recipient of numerous writing awards, including grandmaster and lifetime achievement awards from the Mystery Writers of America, Malice Domestic, and Bouchercon. In 2012 she was given the first Amelia Peabody Award, created in her honor and named after her major fictional character, at the Malice Domestic convention. She also wrote books under the names Barbara Mertz and Barbara Michaels.
About Barbara Rosenblat
Barbara Rosenblat, one of the most awarded narrators in the business, was selected by AudioFile magazine as one of the Golden Voices of the Twentieth Century. She has received the prestigious Audie Award multiple times and has earned more than fifty AudioFile Earphones Awards. She has also appeared in film, television, and theater, both in London’s West End and on Broadway.