The Red and the Black Audiobook, by Stendhal Play Audiobook Sample

The Red and the Black Audiobook

The Red and the Black Audiobook, by Stendhal Play Audiobook Sample
FlexPass™ Price: $13.95
$9.95 for new members!
(Includes UNLIMITED podcast listening)
  • Love your audiobook or we'll exchange it
  • No credits to manage, just big savings
  • Unlimited podcast listening
Add to Cart
$9.95/m - cancel anytime - 
learn more
OR
Regular Price: $27.95 Add to Cart
Read By: Frederick Davidson Publisher: Blackstone Publishing Listen Time: at 1.0x Speed 12.33 hours at 1.5x Speed 9.25 hours at 2.0x Speed Release Date: March 2011 Format: Unabridged Audiobook ISBN: 9781483071480

Quick Stats About this Audiobook

Total Audiobook Chapters:

75

Longest Chapter Length:

37:36 minutes

Shortest Chapter Length:

06:41 minutes

Average Chapter Length:

14:42 minutes

Audiobooks by this Author:

4

Other Audiobooks Written by Stendhal: > View All...

Publisher Description

One of the great novels of the nineteenth century, The Red and the Black is a powerful character study of Julien Sorel, a clever and idealistic young opportunist who attempts to rise above his station through a combination of talent, deception, and hypocrisy. Sorel uses his powers of seduction and charm to secure advancement, only to find himself betrayed by his own passions and outwitted by the larger political and social intrigues of post-Napoleonic France. His doomed quest for fortune and love is both heroic and satirical, reflecting the inner tensions and outer pretensions that result from desiring what is not ours. Stendhal’s complex portrayal of his characters’ thoughts and feelings was far ahead of his time, earning The Red and the Black recognition as the first modern psychological novel, with Julien as his most brilliant creation and one of the greatest characters in all of literature.

Download and start listening now!

"I found reading The Red and the Black, a tale of chicanery-brimming, post-revolutionary France, a little like taking sips of anise tea. Julien Sorel--sensitive, inquisitive, and abused by his father--invites hope that he might use his books and intelligence to develop some elevated sense of himself along with insights into his society. His books, it seems, are but fodder for a script full of peculiar notions on valor and love. The script drives Julien to mad lengths--for loves exclusively designed and self-aggrandizing. No character is terribly likeable, and Julien himself despises the aristocrats he courts. His sympathy for his father and fellow plebeians comes off as Julien piling on another layer of self-congratulatory emotion. Deep into this novel, I sank into a sense that a clear look at myself would reveal the same contradictions, pettiness, and self delusion. Although I'm not sure why or to what end, I suppose that was the writer's intention."

— Finley (4 out of 5 stars)

Quotes

  • “In The Red and the Black...Stendhal foreshadowed alienation and disaffection. He made them as sexy as a lipstick trace on a wine glass by embodying them in Julien Sorel.”

    — Salon
  • “The Red and the Black is a shocking novel...it was a novel ahead of its time...the author pulled no punches in his depiction of comtemporary society.”

    — Roger Pearson, Fellow and Praelector in French and The Queen's College, Oxford
  • “That Stendhal liked women helps explain why he is such a great portrayer of women characters. His portait of Mathilde de La Mole in The Red and the Black is clearly drawn by a man who understood women.”

    — Diane Johnson
  • “A work of literature that one views as difficult, or as an undertaking, demands the best-quality narration. This re-released production of Stendhal’s finest work, a progenitor of the psychological novel, easily meets this requirement. The late David Case’s pacing lends itself to the themes of class, ambition, and desire. His delivery makes this seemingly dusty work of literature an engrossing story and helps one understand the new ground Stendhal broke in writing it. As Case portrays the archetypal characters, he fully inhabits both their struggles and the satire of the story.”

    — AudioFile

The Red and the Black Listener Reviews

Overall Performance: 3.9047619047619 out of 53.9047619047619 out of 53.9047619047619 out of 53.9047619047619 out of 53.9047619047619 out of 5 (3.90)
5 Stars: 10
4 Stars: 3
3 Stars: 5
2 Stars: 2
1 Stars: 1
Narration: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Story: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Write a Review
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " I loved it in high school, but now all I can say is, "what was I thinking?" "

    — MJ, 2/17/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Brilliant! Absolutely marvelous book and one of my all time favourite in literature classes. And Julien Sorel is a spectacular character. "

    — Tempi, 2/14/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Assigned reading, and I'm glad it was. This was a really fun story about one young man's attempt to drag himself up the social ladder. He starts with nothing but heroic dreams and ambition and struggles to attain what he believes is important. The ending is fantastic. "

    — Joel, 1/31/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " I almost quit halfway through. Really glad I read all the way to the end. "

    — Bonnie, 1/9/2014
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " I listened to this because it's a classic, and supposedly one of the first "psychological" novels, but I felt the same way about it that I did about The Bonfire of the Vanities, which I couldn't get through: It's a book about unlikeable self-obsessed people who have no redeeming social value, but who also actually never lived and thus have had no real effect on society -- in which case, why do we want to read about them? "

    — Lenore, 1/4/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Young people need. "

    — Zöe, 12/28/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " So far, the best translation, but I'm still looking. Any recommendations? "

    — Paul, 12/20/2013
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5

    " Sorel has no discernable redeeming qualities and so the tragedy of his downfall fails to be tragic. This book makes tax forms seem scintillating. "

    — CB, 11/14/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " It has been a long time since I read this book, but I have never forgotten it. A revolutionary and tragic book. "

    — Kathryn, 10/27/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " how people can be cheated. again - how few has changed during the generations of people and priests. "

    — Smaranda, 8/5/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " very dry writing style and sense of humor, but i enjoy that sort of thing. solid characterization "

    — Nate, 5/11/2013
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " It has some good parts, but it's a LONG read! "

    — Ashley, 3/27/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " This book walks a line between dark comedy and just plain freakishness as you see overarching ambition reach its logical conclusion. "

    — Shaheen, 2/6/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " The story of the rise and downfall of a very confused boy. A Machiavellian tragedy. "

    — Anthea, 1/2/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " One of the most curious heroes in literature. Not exactly faultless, but then neither were his women! "

    — David, 3/1/2012
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " Apparently burying your husband's decapitated head is a mighty noble thing to do... "

    — Kellie, 2/1/2012
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Great book. Fast-paced, incisive, exciting, sprawling, sloppy, brilliant. "

    — Taylor, 5/23/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " Stendahl didn't like the aristocracy or the clergy. And he thought ambition was a no-win way to behave. "

    — Bill, 4/10/2011
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Like this reader, Julien Sorrel is a fool, a hypocrite, and melancholic. Stendhal manages to make everyone and everything seem bovine. Thumbs up! "

    — Mpho3, 4/3/2011
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " This is the book that I got me hooked in French Literature. Ended up majoring French Literature in college back in Japan many many years ago. "

    — Maki, 2/23/2011
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " I believe this is Stendhal's best book - beautifully written and great subject matter. "

    — Sara, 2/20/2011

About Stendhal

Stendhal, the pen name of Marie-Henri Beyle (1783–1842), was a nineteenth-century French writer. Known for his acute analysis of his characters’ psychology, he is considered one of the earliest and foremost practitioners of realism in his two novels, Le Rouge et le Noir (The Red and the Black, 1830) and La Chartreuse de Parme (The Charterhouse of Parma, 1839).

About Frederick Davidson

Frederick Davidson (1932–2005), also known as David Case, was one of the most prolific readers in the audiobook industry, recording more than eight hundred audiobooks in his lifetime, including over two hundred for Blackstone Audio. Born in London, he trained at the Royal Academy of Dramatic Art and performed for many years in radio plays for the British Broadcasting Company before coming to America in 1976. He received AudioFile’s Golden Voice Award and numerous Earphones Awards and was nominated for a Grammy for his readings.