LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION “Bold, virtuosic, addictive, erotic – there is nothing like The Pisces. I have no idea how Broder does it, but I loved every dark and sublime page of it.” —Stephanie Danler, author of Sweetbitter Lucy has been writing her dissertation on Sappho for nine years when she and her boyfriend break up in a dramatic flameout. After she bottoms out in Phoenix, her sister in Los Angeles insists Lucy dog-sit for the summer. Annika's home is a gorgeous glass cube on Venice Beach, but Lucy can find little relief from her anxiety — not in the Greek chorus of women in her love addiction therapy group, not in her frequent Tinder excursions, not even in Dominic the foxhound's easy affection. Everything changes when Lucy becomes entranced by an eerily attractive swimmer while sitting alone on the beach rocks one night. But when Lucy learns the truth about his identity, their relationship, and Lucy’s understanding of what love should look like, take a very unexpected turn. A masterful blend of vivid realism and giddy fantasy, pairing hilarious frankness with pulse-racing eroticism, THE PISCES is a story about falling in obsessive love with a merman: a figure of Sirenic fantasy whose very existence pushes Lucy to question everything she thought she knew about love, lust, and meaning in the one life we have.
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“When Lucy finds her life spiraling out of control, she grasps at the chance for a change of scene at her sister’s beach house. Melissa Broder narrates her first novel with a staccato rhythm that suits her short sentences and the abruptness of her main character. Her brash tone also highlights Lucy’s somewhat abrasive personality and reckless choices. While Lucy’s decision to embrace a new relationship with a mysterious ‘mer-man’ may bring some listeners a wild sense of freedom, others may find themselves uncomfortable with the lengths Lucy goes to explore this new opportunity. Broder’s blunt, graphic language and explicit erotic scenes may be overwhelming for some, while others may revel in the audiobook’s unique story.”
— AudioFile
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Melissa Broder is the author of the essay collection So Sad Today and four poetry collections, including Last Sext. Her poetry has appeared in POETRY, the Iowa Review, Tin House, and Guernica, and she is the recipient of a Pushcart Prize. She writes the “So Sad Today” column at Vice, the astrology column for Lenny Letter, and the “Beauty and Death” column on Elle.com. She lives in Los Angeles.