What role did the queen play in governor-general Sir John Kerr’s plans to dismiss prime minister Gough Whitlam in 1975, unleashing one of the most divisive episodes in Australia’s political history? And why weren’t we told?
Under the cover of being designated as private correspondence, the letters between the queen and the governor-general about the dismissal have been locked away for decades in the National Archives of Australia, and embargoed by the queen—potentially forever. This ruse has furthered the fiction that the queen and the Palace had no warning of or role in Kerr’s actions.
In the face of this, Professor Jenny Hocking embarked on a four-year legal battle to force the Archives to release the letters. In 2015, she mounted a crowd-funded campaign, securing a stellar pro bono team that took her case all the way to the High Court of Australia.
Now, drawing on never-before-published material from Kerr’s archives and her submissions to the court, Hocking traces the collusion and deception behind the dismissal, and charts the secret role of High Court judges; the leader of the opposition, Malcolm Fraser; and the Queen’s private secretary in fostering and supporting Kerr’s actions.
Hocking also reveals the obstruction, intrigue, and duplicity she faced, raising disturbing questions about the role of the National Archives in preventing access to its own historical material and in enforcing royal secrecy over its documents.
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Jenny Hocking is emeritus professor at Monash University, Distinguished Whitlam Fellow at the Whitlam Institute at Western Sydney University, and Gough Whitlam’s award-winning biographer. Her appeal against the decision of the Federal Court in the Palace letters case was upheld by the High Court on May 29, 2020.
Caitlin Kelly, an Earphones Award–winning narrator, is a seasoned voice-over artist with experience in Japan and the United States. She has a BFA in drama and studied musical theater at the Collaborative Arts Project 21, an off-Broadway theater company and musical theater training conservatory. She got started in voice-over work in 2009 while living in Japan where she toured with Disney’s World of English and World Family Club as a performer and a puppeteer.