The essays of The Loneliest Places began as a chronicle of Rachel Dickinson’s life after her son’s suicide. The pieces became much more.
Dickinson writes the unimaginable and terrifying facts of heart-breaking loss. In The Loneliest Places she tells stories from her months on the run, fleeing her grief and herself, as she escapes to Iceland and the Falkland Islands―as far as possible from the memories of her dead son, Jack. She frankly relates the paralyzing emotion that sometimes left her trapped in her home, confined to a single chair, helplessly isolated.
The tales from these years are bleak, and Dickinson’s journey home, back to her changed self and fractured family, is lonely. Conjuring Emily Dickinson, she describes, though, how hope was sighted, allowed to perch, and then, remarkably, made actual.
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“Dickinson is at heart a travel writer who, with a deft hand and discerning eye, leads us through a ruined landscape of grief. Her journey to make sense of this new territory created by her son’s death is, at turns, meditative, heartbreaking, and beautiful. I could not look away.”
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Sarah Rose, author of D-Day Girls