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“A frightening and wholly convincing evocation of life in Germany during the twilight of the Third Reich.”
— J. M. Coetzee, Nobel Prize–winning author
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“I find this book exhilarating—truly exciting, new, everything good—the
people, the clothes, the food: every word.”
— Joan Didion, National Book Award–winning author
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“This is a
deceptively simple novel that manages that uncanny trick of great fiction:
turning the familiar (ambitious provincial girl, World War II, glamorous
aristocrats) into a thrilling, enchanting story you’ve never encountered
before. Imagine Downton Abbey crossed with In the Garden of Beasts
as fashioned by a literary master at the peak of her powers.”
— Kurt Andersen, New York Times bestselling author
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“In The Life of
Objects, Susanna Moore tells the story of a young woman’s initiation into
the worlds of beauty, suffering, cynicism, and grace. What astounds me about
this work is its ability to attend with equal fidelity to the quiet nuances of
self-discovery and the deceptions and depravities of World War II. This is a
lyrical and courageous book.”
— Tracy K. Smith, winner of the Pulitzer Prize for poetry
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“The Life of
Objects isn’t long but it gives the full sweep of the Nazi reign and the
Soviet occupation. Its details are so convincing, it reads like a memoir not a
novel—a magnificent achievement.”
— Edmund White, National Book Critics Circle Award–winning author
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“A marvelous book, devastating in its simplicity. It’s a beautifully controlled examination of a life stripped, like a body in wartime, of inessentials. I love the fact that kindness—though not sentimentality—turns out to be an essential. But for me the heart of the matter is Moore’s language: as strong as plainchant, and as beautiful.”
— Nicola Griffith, World Fantasy Award–winning author
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“[A] subtle and acutely
written novel…[The protagonist] is drawn with razor sharpness.”
— Boston Globe
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“Undeniably powerful…Moore’s
an extremely assured novelist, and her themes here ring out.”
— Entertainment Weekly
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“There’s something reminiscent of a fairy tale
about Susanna Moore’s affecting new novel…Exquisitely written…a refined and
sensual treat.”
— Washington Post
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“A clear-eyed vision
of wartime…Unusual in its frankness, and the sparseness, and beauty of its
delivery.”
— NPR (Best Books of 2012)
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“Gripping…With fine
and taut prose…Moore has written a complex character to match her considerable
talents as a novelist.”
— St. Louis Post-Dispatch
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“If the Brothers Grimm had tackled the rise and
fall of the Third Reich, they might well have produced a tale that reads like The
Life of Objects…The Life of
Objects is not your father’s standard-issue World War II novel;
although Moore’s narrative angle on the war does remind me of Edmund de Waal’s
extraordinary 2010 memoir, The Hare with Amber Eyes…There’s a Jane Eyre feel to
Beatrice’s arrival at the fabulous Metzenburg mansion…The tension of this novel
arises out of [the] disjunction between the static, gorgeously adorned life of
the Metzenburgs and the depravity of war roiling just outside their gates.
Moore is rightly celebrated for her lithe style as a writer…Through Beatrice,
she speaks of all-too-familiar atrocities in such a spellbinding way that she
once again compels readers to, once again, listen.”
— NPR (Fresh Air)
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“The Life of Objects is absolutely gripping in the precision of its wartime narrative and chilling in its evocation of a fidelity to the sensuality of this world in the face of the most deeply cynical of the world’s capacities. This extraordinary novel speaks to class, emigration, and tragedy in our time as devastatingly as Buddenbrooks spoke to Thomas Mann’s own young century.”
— Susan Wheeler, winner of the Witter Bynner Prize for Poetry from the American Academy of Arts & Letters
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“It could be a fairy tale: Beatrice, a simple
Irish girl with a cold, mean mother, is swept up by a glamorous countess and
whisked off to live with a rich and kindly family in a house full of exquisite
things. Then reality kicks in…What unfolds in Susanna Moore’s novel The Life
of Objects is an unsparing look at a country’s disintegration.”
— More magazine
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“Award-winning author Moore delivers a heartrending portrait of the ravages of war, which is all the more poignant for Beatrice’s dispassionate narration. An elegant and moving tribute to the endurance of the human spirit.”
— Booklist
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“[Beatrice is] an appealing, sometimes touching guide to a world where luxury and devastation coexist; friends may be spies; a Cranach painting means less than the potatoes it buys; all kinds of refugees seek safety on the estate; relationships change; and safety, although not love, is illusory.”
— Publishers Weekly
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“This latest novel from Moore is a World War II story told from the perspective of a young Irishwoman…It’s fascinating to experience the buildup to World War II and the daily life of one wealthy German family at that time from the perspective of an outsider.”
— Library Journal
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“Moore focuses a narrow flashlight on World War II…Even when the subject matter is graphically horrendous, the narration remains as reserved and understated as the Metzenburgs, who prefer not to reveal how deeply they feel, how willingly they sacrifice, how daringly they risk.”
— Kirkus Reviews