A bewitchingly brilliant collection of never-before-published letters from the renowned author of “The Lottery” and The Haunting of Hill House
i must stop writing letters and get to writing a novel.
Shirley Jackson is one of the most important American authors of the last hundred years and among our greatest chroniclers of the female experience. This extraordinary compilation of personal correspondence has all the hallmarks of Jackson’s beloved fiction: flashes of the uncanny in the domestic, sparks of horror in the quotidian, and the veins of humor that run through good times and bad.
i am having a fine time doing a novel with my left hand and a long story—with as many levels as grand central station—with my right hand, stirring chocolate pudding with a spoon held in my teeth, and tuning the television with both feet.
Written over the course of nearly three decades, from Jackson’s college years to six days before her early death at the age of forty-eight, these letters become the autobiography Shirley Jackson never wrote. As well as being a bestselling author, Jackson spent much of her adult life as a mother of four in Vermont, and the landscape here is often the everyday: raucous holidays and trips to the dentist, overdue taxes and frayed lines of Christmas lights, new dogs and new babies. But in recounting these events to family, friends, and colleagues, she turns them into remarkable stories: entertaining, revealing, and wise. At the same time, many of these letters provide fresh insight into the genesis and progress of Jackson’s writing over nearly three decades.
The novel is getting sadder. It’s always such a strange feeling—I know something’s going to happen, and those poor people in the book don’t; they just go blithely on their ways.
Compiled and edited by her elder son, Laurence Jackson Hyman, in consultation with Jackson scholar Bernice M. Murphy, this intimate collection holds the beguiling prism of Shirley Jackson—writer and reader, mother and daughter, neighbor and wife—up to the light.
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"[Jackson’s] fiction, full of misanthropy, madness and murder, tends to be viewed through the lens of her personal torments and, more generally, of the misogyny of the age. What is striking about Jackson’s letters, however, is that while they testify to pretty outrageous domestic double standards . . . they show very little sign of unhappiness. The mood of the missives is buoyant, garrulous and eager to amuse, and while Jackson often seems stressed and exasperated, she’s rarely despairing. . . . The labors of domesticity and artistry are fused in these letters in a way that seems to me unique."
— The Wall Street Journal
“A vivid, engaging, and engrossing collection from one of American literature’s great letter writers.”
— Kirkus Reviews (starred review)“The life of Shirley Jackson—as a mother and a writer—emerges in vivid detail in this collection of correspondence…Full of wit and heartbreak, this volume shines, and Jackson’s singular prose never fails to entertain.”
— Publishers Weekly (starred review)A can’t-miss literary artifact from one of America’s most important authors.
— USA TodayShirley Jackson’s letters could make an errand more exciting than your entire life.
— Los Angeles TimesA work of art in its own right . . . as vivid and subversive as her fiction.
— Chicago Review of Books[These letters are] glorious additions to [Jackson’s] oeuvre. They are intimate, invigorating, essential.
— Toronto StarStartlingly vivacious.
— The New RepublicMany writers feel that the self who writes exists in a partially unknowable state, separate from the self who goes about her worldly business, talking with friends and colleagues, cooking dinner, ferrying her children around. With Jackson, the division seems especially vivid. . . . [Here], the inner world that writes gives voice to the outer world that doesn’t.
— The New York Times Book ReviewThis collection, edited by Jackson’s son, brings together one of Jackson’s other great literary loves apart from short stories: the letter. Written in a distinctive lowercase typewriter font on yellow paper, the correspondence offers another view of the wit that permeated Jackson’s fiction.
— The New York TimesThe breadth of Shirley Jackson’s artistry is still being recognized. This intimate collection of her correspondence makes us feel the odds against which this working mother, daughter, and wife accomplished what she did, and at what costs. This book is surely as much a feminist document as a literary one.
— Jonathan LethemThe Letters of Shirley Jackson offers so much more than a simple peek behind the curtain of one of the most important literary lives of the twentieth century. Her letters are full of warmth and insight while displaying her uncompromising wit and talent, as well as a melancholic, haunted vulnerability. . . . A book to be cherished and reread.
— Paul TremblayThis collection was invigorating and life-sustaining for me to read, coming to me exactly when I needed it, in a way that feels like a miracle (or like someone cast a spell). These letters are so warm and funny and thoughtful and wicked, revealing an unexpectedly rich way of looking at the world that makes space for both love and horror.
— Kristen RoupenianBe the first to write a review about this audiobook!
Shirley Jackson (1916–1965), a celebrated writer of horror, wrote such classic novels as We Have Always Lived in the Castle and The Haunting of Hill House, as well as one of the most famous short stories in the English language, “The Lottery.” Her work has been adapted to film, television, and theater and has influenced such writers as Neil Gaiman, Stephen King, and Richard Matheson.
Kirsten Potter has won several awards, including more than a dozen AudioFile Earphones Awards and been a three-time finalist for the prestigious Audie Award for best narration. Her work has been recognized by the National Foundation for Advancement in the Arts and by AudioFile magazine, among many others. She graduated with highest honors from Boston University and has performed on stage and in film and television, including roles on Medium, Bones, and Judging Amy.
Gary Bennett is an award-winning SAG-AFTRA audiobook narrator. He’s narrated over 120 audiobooks for publishers including Macmillan, Penguin Random House, Harper Audio, Hachette Audio, Tantor, Dreamscape, Podium Audio, Houghton Mifflin Harcourt, and others.
Mark Bramhall has won the prestigious Audie Award for best narration, more than thirty AudioFile Earphones Awards, and has repeatedly been named by AudioFile magazine and Publishers Weekly among their “Best Voices of the Year.” He is also an award-winning actor whose acting credits include off-Broadway, regional, and many Los Angeles venues as well as television, animation, and feature films. He has taught and directed at the American Academy of Dramatic Art.