Ten-year-old Judith McPherson is a believer. She sees the world with the clear Eyes of Faith. Where others might see rubbish, Judith finds possibility and traces of the divine.
But at school Judith’s difference marks her only for persecution at the hands of her classmates. And lately, even at home she struggles to find connection in a house filled with relics of a mother she’s never known. To escape, Judith makes things in the Land of Decoration, a model in miniature of the Promised Land made of collected scraps. Piece by piece, the world in her room mirrors the town outside: a discarded shoelace is a garden hose, an orange peel a slide. But in the Land of Decoration, nothing is what it once was, and nothing is quite as it seems.
As ominous forces disrupt the monotonous everyday—a strike threatens her father’s factory job, and the taunting at school slips into dangerous territory—Judith makes a miracle in the Land of Decoration that solidifies her blossoming convictions. She is God’s chosen instrument. But such a gift is difficult to control, its origins uncertain, and its consequences may threaten the very foundations of Judith’s world.
A debut as intimate and original as it is electrifying, The Land of Decoration casts startling light on how far one extraordinary young girl will go to protect the people she loves most.
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"Judith is a ten-year-old girl who has embellished her bedroom with all manner of everyday items to transform it into 'The Land of Decoration.' She makes use of whatever she can find, turning ordinary bits and bobs that are essentially rubbish, into people, buildings, landscapes; whatever she imagines, she conjures it up somehow, and this is the place she retreats to. She lives with her father, her mother having passed away, and they have a fairly simple existence. They are fervently religious, regularly attending their meeting house every Sunday, believing that the End is on its way, and taking their message door-to-door. With only her father for company, eventually Judith beings to converse directly with God. One day Judith transforms the land she has created to look as if it has snowed, and wishes for it to snow the next day in the real world. When this actually happens, Judith believes she has performed a miracle, and that further miracles are possible. At school she is bullied for being different, by one boy in particular, and she begins to wonder if she can influence this too, with another miracle thought out in the Land of Decoration. Meanwhile her father has troubles of his own, as a strike at the factory where he works threatens to bring further problems to the family.
This is a delightfully inventive and unusual story, and I loved Judith’s voice, at times sad, but always honest. There is such an innocence to her at times, yet the fatalistic beliefs that she has grown-up with via her father and their faith give her thoughts a much darker edge too, especially later in the book. Her father evidently also carries a deep sadness, despite his beliefs, and it is moving to see if, and how, their relationship will change. Whilst not intending to compare the two, or suggest they are the same, it reminded me a little of 'Room' by Emma Donoghue, in the way that the child narrator is key to the story. What happens to Judith affects everything, and it's through her insights into the confusing world around her that we experience her world. The chapters are for the most part very short and it's easy to get pulled into Judith's story. I was a little hesitant after reading some reviews and discovering the extent of the religious content, but actually this didn't affect the experience for me. In fact, there is a wonderful passage as she describes how she first hears God respond, and likens it to a long-distance telephone call. This novel may not answer all the questions it asks, and definitely leaves the reader wondering about certain elements of the story. It's a fresh, unconventional debut novel, and I found it an enjoyable, effortless and interesting reading experience."
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Lindsay (4 out of 5 stars)