A luminary in the fantasy genre firmament, R. Scott Bakker returns fans to his acclaimed Prince of Nothing universe with The Judging Eye. Aspect-Emperor Kellhus is waging a terrifying war, subjugating all nations in his path. There are those willing to stand together against him, but these rebellious souls must act fast and decisively to thwart his mad schemes of power and domination.
Download and start listening now!
"Flash forward 20 years and see how the fight continues. Many old faces, some new and interesting ones to develop from scratch...I think Bakker is keeping his momentum as he embarks on the next trilogy - yay! We have had more than a few late nights not wanting to put this book down to go to sleep :)"
— Belen (4 out of 5 stars)
“Essential for Prince of Nothing fans.”
— Booklist" The change in scope and focus from the first trilogy manages to not be jarring. Bakker's writing is still plenty interesting. As he showed with his host of characters from the first series, he doesn't need to be details the adventures of a superman to show just how clever he is. "
— Dave, 2/20/2014" This is how to do bleak. This is the kind of book that makes me go outside and sit in the sun for a few minutes just to keep the unrelenting darkness from crushing me. "
— DMS, 2/17/2014" After reading the first series in roughly a week, I was hoping for more greatness. Cannot say that, its definitely good, but has a very "setup" feel. Loving the older crazier Akka. "
— Arik, 2/11/2014" ok i was a little disappointed, not crushed but esme annoyed the fuck out of me "
— Spinwallah, 2/11/2014" A bit of a stumble after the amazing first trilogy, but I still love the world and haven't read book 2 yet. "
— Scott, 2/5/2014" Better than the previous two books in the saga, nowhere near as good as 'The Darkness That Came Before' "
— Igor, 1/31/2014" This is probably the best of the books by R. Scott Bakker. He really shows a focus in the narrative and a greater depth in his characters than in the previous books. There is also a long, fantastic section that reminds me of Moria, but with his own dark, hopeless Bakker-ian flavor. "
— Jesse, 1/20/2014" Who is the great evil or the most evil continues to be allusive. A densely packed plot of characters, philosophy about what motivates religion and culture. "
— Joy, 1/13/2014" Full review on my podcast SFBRP #131. "
— Luke, 12/19/2013" This series continues to be my favorite. Fantastic "
— Gareth, 11/8/2013" I was disappointed by this book, especially since his first trilogy was well-written and made the reader want to read. This was still in-depth but paid too much attention to the surroundings and not the storyline. "
— Timmy, 9/16/2013" I felt that this was the best book in the series so far (with the possible exception of The Thousandfold Thought). I eagerly anticipate the next installment. "
— John, 9/5/2013" Nope. Don't do it. This is a complete pile of garbage with some of the same characters as the MASTERFUL "Prince of Nothing" series. Bad, bad, bad. "
— Brennon, 9/3/2013" Like The Prince Of Nothing trilogy, Bakker's writing is so good that his few flaws stand out all the more - in part because the parts I don't like are clumsily handled. Still, a great read. "
— Mike, 8/27/2013" i would give it five stars but the mines of moria was just a little too familiar in this setting... "
— jesse, 7/24/2013R. Scott Bakker’s previous books include the Prince of Nothing trilogy: The Darkness that Comes Before, The Warrior Prophet, and The Thousandfold Thought. He lives in London, Ontario.
Carolyn Seymour is a voice artist and audiobook narrator. She was born in England and grew up on a farm on the Isle of Wight. Her rather eccentric Russian Irish parents instilled in her a love of reading and a passion for the countryside.
Kevin Orton is a musician, composer, and actor. He performed in the 1999 Broadway revival of Amadeus and has appeared in numerous other New York and regional theater productions, as well as on television and in film. As a musician, he is most noted for composing and performing original music in the Tony Award–winning production of Shakespeare’s Twelfth Night.