In a marvelous debut novel that has been compared to Ralph Ellison's Invisible Man and Joseph Heller's Catch-22, Colson Whitehead has created a strangely skewed world of elevators and the people who control their ups and downs. Lila Mae Watson-the first black female inspector in the world's tallest city-has the highest performance rating of anyone in the Department of Elevator Inspectors. This upsets her superiors, because Lila is an Intuitionist: she inspects elevators simply by the feelings she gets riding in them. When a brand new elevator crashes, Lila becomes caught in the conflict between her Intuitionist methods and the beliefs of the power-holding Empiricists. Her only hope for clearing her name lies in finding the plans of an eccentric elevator genius for the "black box": a perfect elevator. A brilliant allegory for the interaction of the races, The Intuitionist is also an intriguing mystery, solidly grounded by the exceptional narration of Peter Jay Fernandez.
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"What you rate this depends on your ideas of what constitutes image, metaphor, allegory and synecdoche. The sentences alone have a range worth in-depth consideration. Unlike the American media, or movies, or novels there is a lack of sarcasm and irony. What is in front of you is so clean, so expunged of nonsense, it is hard to determine the meaning or to remember what directness means."
— David (5 out of 5 stars)
" This is the first Colson Whitehead that I've read and I'm in love with his writing - the way he packs hidden descriptions into a few words. The books can be confusing to read in small bursts, best to sit and read a chunk at a time because he moves between time periods, I found this one to be a fascinating study of race, politics (office and otherwise), gender, and has a sort of " solve the mystery before you get to the end" element to it. "
— Christine, 2/18/2014" Is this one of those books that I'm going to dislike at first but then years later figure out that it was totally amazing but I was missing too many things? That's sort of what it feels like. But today all I can say is that I didn't really enjoy reading this mystery novel about elevator inspectors in the dangerous city. I know it's not supposed to be literal- it's really a big racial allegory, right? But the elevator talk was still too much for me. "
— Ruth, 2/1/2014" Once I learned that this book might be categorized as speculative fiction, it sat well in my mind and got a little easier to read. Yet, I must say that I did not get used to his writing style. As a mystery story, everything started come together after 200 pages. I needed quite patience to stay with this book till reaching 200 page or so. "
— Kaz, 1/30/2014" This book bored the pants off of me. The idea was sort of clever, but I think it could have been a short story in a magazine. Yes, I think I understand what it's about (how we see the world/race relations & I'm not denigrating the importance of those things - my opinion is just about this book. I'm missing the bit of intelligence, I think, that might have allowed me to like this (just the way that I fail to appreciate Time's Arrow or The Mezzanine). "
— Tracy, 1/23/2014" Most people probably prefer his other books but this is my favorite. I like it more than Apex Hides The Hurt or the other one of which the name escapes me. "
— Snarky's, 1/10/2014" This is an amazing book by an amazing author. Truly one of the best works of fiction I have read, and the stunning point about it is that the work is based on being an elevator inspector. Whitehead's ability to take a profession that is not thought of very much and weave such an intricate story through his character is just wonderful. A must read. "
— Jeff, 1/7/2014" I would have liked this more, if I had been able to get over the fact that it was about elevators. That probably makes me really immature. Or something. "
— hanna, 1/4/2014" Library book group, June 2011 "
— Anne, 12/20/2013" This book offered an interesting perspective on some age old philosophical topics. Reason vs. Emotion, Perception vs. Truth both appear as main topics in this surprisingly good read. "
— PopcornMuncher, 12/19/2013" Of course I liked that it was a story about elevators (although that wasn't really what it was "about"). Very thought provoking. The author is a good story-teller as well. I look forward to reading other books of his. "
— Frances, 12/14/2013" So taught, so strong, so quick and such a surprisingly strong story about race. And a highly creative universe to fashion the world of the elevator inspector. "
— Vince, 12/9/2013" Using the idea of elevators as a platform for discussing not only race but society and personal identity is interesting. "
— Emily, 7/19/2013" Although The Colossus of New York is one of my favorite books of all time, this one didn't grab me. There is only so much I want or need to know about the politics of the elevator industry. "
— Melanie, 6/4/2013" Impressive debut. I do prefer my postmodernism these days to be a bit more Vonnegut and less Pynchon (more of the humor, less of the paranoia). "
— Patrick, 5/31/2013" A superbly executed allegory--at once haunting and hilarious. Who knew that the world of elevator inspection could be so full of intrigue? "
— Cody, 2/15/2013" One of my favorites, and I can't even really tell you why. "
— Kristina, 11/19/2012" I was excited by the beginning, the main character and the clash of elevator repair ideology, and the Melville homage in the discussion of elevator history; nonetheless it faded quietly after a strong beginning. "
— Jim, 7/12/2012" truly really excellent and worth seeking out his other books. "
— Dave, 6/3/2011" If Thomas Pynchon were interested in critical race studies. Wonderful both for its ideas and its narrative. "
— Eric, 5/13/2011" Loved this! So subtle and multi-layered and intelligent and such great use of language. Also very funny. in a very reticent way. "
— Joanna, 4/9/2011Colson Whitehead, the #1 New York Times bestselling author of eleven works of fiction and nonfiction, is a two-time winner of the Pulitzer Prize, for The Nickel Boys and The Underground Railroad, which also won the National Book Award. His other awards include the Anisfield-Wolf Book Award, the PEN Oakland Award, and the Young Lions Fiction Award, among others. His books have been named best books of the year by the New York Times, Washington Post, Time magazine, Boston Globe, and many more. He is a recipient of MacArthur and Guggenheim Fellowships.
Peter Jay Fernandez is an accomplished audiobook narrator who has won three AudioFile Earphones Awards and an Audie Award in 2009. He has also appeared on television, film, and stage. His appearances include roles in Law & Order, Law & Order: Criminal Intent, and the musical Thunder Knocking on the Door.