The Double Game (Unabridged) Audiobook, by Dan Fesperman Play Audiobook Sample

The Double Game Audiobook (Unabridged)

The Double Game (Unabridged) Audiobook, by Dan Fesperman Play Audiobook Sample
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Read By: Peter Berkrot Publisher: Brilliance Audio Listen Time: at 1.0x Speed 8.33 hours at 1.5x Speed 6.25 hours at 2.0x Speed Release Date: July 2012 Format: Unabridged Audiobook ISBN:

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Publisher Description

A few years before the fall of the Berlin Wall, spook-turned-novelist Edwin Lemaster revealed to up-and-coming journalist Bill Cage that he'd once considered spying for the enemy. For Cage, a Foreign Service brat who grew up in the very cities where Lemaster's books were set, the news story created a brief but embarrassing sensation and heralded the beginning of the end of his career in journalism.

More than two decades later, Cage, now a lonely, disillusioned PR man, receives an anonymous note hinting that he should have dug deeper into Lemaster's pronouncement. Spiked with cryptic references to some of Cage's favorite spy novels, the note is the first of many literary bread crumbs that lead him back to Vienna, Prague, and Budapest, each instruction drawing him closer to the complex truth, each giving rise to more questions: Why is beautiful Litzi Strauss back in his life after 30 years? How much of his father's job involved the CIA? As the events of Lemaster's past eerily - and dangerously - begin intersecting with those of Cage's own, a long stalemate of secrecy may finally be coming to an end.

A story about spies and their secrets, fathers and sons, lovers and fate, duplicity and loyalty, The Double Game ingeniously taps the espionage classics of the Cold War to build a spellbinding maze of intrigue. It is Dan Fesperman's most audacious, suspenseful, and satisfying novel yet.

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"I really enjoyed "The Double Game" by Dan Fesperman. I received this book from Knopf Publishers through a first reads giveaway. I was hooked in the first chapter. I have not read a lot of cold war spy novels but really enjoyed the use of the genre as a framework for this thriller. I felt the book was strong throughout and enjoyed that the plot twists were not predictable. I look forward to reading more from Mr. Fesperman."

— Brooke (4 out of 5 stars)

The Double Game (Unabridged) Listener Reviews

Overall Performance: 3.05882352941176 out of 53.05882352941176 out of 53.05882352941176 out of 53.05882352941176 out of 53.05882352941176 out of 5 (3.06)
5 Stars: 2
4 Stars: 2
3 Stars: 9
2 Stars: 3
1 Stars: 1
Narration: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
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4 Stars: 0
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2 Stars: 0
1 Stars: 0
Story: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
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  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " A spy novel in the style of John Le Carre with reference to a lot of spy/thriller books in the story, engaging at times but overall slightly disappointing "

    — Darren, 2/18/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " If you enjoy spy novels, you will like this book. The author pulls story lines from many different spy novels and weaves them throughout. Very fun to read! "

    — Andi, 2/13/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " Loved the spy book references/homage but not as compelling as those books were. Fun to read but confusing, without great purpose. "

    — Cynthia, 2/4/2014
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5

    " This was a bad book. It could be the gold standard by which band books are measured. The author attempts to rekindle the Cold War but fails miserably. In the end i found myself hoping the Cold War relics would off the main characters. The premise. Of the book is good whereby the protagonist is lead on his quest by excerpts from some of the greatest spy-genre authors of all time. Unfortunately for Fesperman, these excepts--the parts he did not write-- were the best parts of the book. The second best part was the ending. Not that the ending was good. I mean this literally that the book ended. "

    — Bobby, 1/17/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " I made it though about half this book before I finally admitted I just wasn't enjoying it. Perhaps if I were a fan of Cold War era mystery/spy novels, I would have felt more connected to this book. Instead, it was just a big yawn for me, not enough mystery or puzzle to keep me going. "

    — Kim, 1/16/2014
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " Perhaps I should read this when I'm in a different mood. "

    — Meregoddess, 1/8/2014
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " Was okay, but didn't hold my interest. I'll pick it up at a later time. "

    — Autumn, 1/5/2014
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " hated all the characters and could not finish the audiobook. some great ideas and lovely use of a bookshop, but that could not sustain my interest. the reader of the audiobook was a bit droning as well. "

    — Juliette, 12/28/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Great book for spy novel lovers! I look forward to reading the classic novels mentioned throughout the book. "

    — Lidia, 12/23/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " It is rare that I dip into this spy genre but this was fun even if there were parts of the or that seemed too simplistic "

    — Pearl, 11/30/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Very enjoyable read -- espionage, spy games, and a double (double double?) agent. I'm not normally a fan of spy genres, but this definitely kept my interest. "

    — Kari, 11/4/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " He's written better. Too convoluted. "

    — Jemera, 11/2/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " This was a pretty good spy novel, not overly predictable but not overly complex either, with a couple of good twists. If you like spy novels, this is a good read. "

    — Rick, 10/17/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " If you like spy novels - this was excellent! "

    — Jen, 10/8/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " A strange combination of great writing, an unfollowable plot, and middling character development. "

    — Joe, 3/27/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " Lots of character names to remember. Took awhile to get through, but glad I finished it. "

    — Beth, 1/4/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " Danger, intrigue and spies lurking around every corner. A good read with a nice appendix list of many other espionage novels/authors. "

    — Gary, 8/28/2012

About Dan Fesperman

Dan Fesperman served as a foreign correspondent based in Berlin for the Baltimore Sun. His coverage of the siege of Sarajevo led to his debut novel, Lie in the Dark, which won Britain’s John Creasey Memorial Dagger Award for best first crime novel. Subsequent books have won the Ian Fleming Steel Dagger Award for best thriller, the Dashiell Hammett Prize from the International Association of Crime Writers, the Barry Award for best thriller, and as a selection by USA Today as the year’s best mystery/thriller novel.

About Peter Berkrot

Peter Berkrot, winner of Audie and Earphones Awards for narration, is a stage, screen, and television actor and acting coach. He has narrated over 450 works that span a range of genres, including fiction, nonfiction, thriller, and children’s titles. His audiobook credits include works of Alan Glynn, Eric Van Lustbader, Nora Roberts and Dean Koontz. In film and television, he appeared in Caddyshack, America’s Most Wanted, and Unsolved Mysteries. He performs in regional and New York theaters and directs the New Voices acting school.