The Double, written in Dostoevsky's youth, was a sharp turn away from the realism of his first novel, Poor Folk. The first real expression of his genius, The Double is a surprisingly modern hallucinatory nightmare in which a minor official named Goliadkin becomes aware of a mysterious doppelgänger—a man who has his name and his face and who gradually and relentlessly begins to displace him with his friends and colleagues. In the dilemma of this increasingly paranoid hero, Dostoevsky makes vividly concrete the inner disintegration of consciousness that would become a major theme of his work.
The Gambler was written twenty years later, under the pressure of crushing debt. It is a stunning psychological portrait of a young man's exhilarating and destructive addiction, a compulsion that Dostoevsky—who once gambled away his young wife's wedding ring—knew intimately from his own experience. In the disastrous love affairs and gambling adventures of his character, Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.
The two strikingly original short novels brought together here—in new translations by award-winning translators—were both literary gambles of a sort for Dostoevsky.
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Fyodor Mikhailovich Dostoevsky (1821–1881) was a Russian novelist, journalist, and short-story writer whose psychological penetration into the darkest recesses of the human heart had a profound and universal influence on the twentieth-century novel. He was born in Moscow, the son of a surgeon. Leaving the study of engineering for literature, he published Poor Folk in 1846. As a member of revolutionary circles in St. Petersburg, he was condemned to death in 1849. A last-minute reprieve sent him to Siberia for hard labor. Returning to St. Petersburg in 1859, he worked as a journalist and completed his masterpiece, Crime and Punishment, as well as other works, including The Idiot and The Brothers Karamazov.
Michael Page has been recording audiobooks since 1984 and has over two hundred titles to his credit. He has won numerous Earphones Awards and the prestigious Audie Award for best narration. As a professional actor, he has performed regularly since 1998 with the Peterborough Players in Peterborough, New Hampshire. He is a professor of theater at Calvin College in Grand Rapids, Michigan.