From an early age, Jonathan Hullah developed “a high degree of cunning” in concealing what his true nature might be. He kept himself on the outside, watching and noticing, most often in the company of those who bore watching.
As the Cunning Man takes us through his own long and ardent life, chronicling his varied adventures in the worlds of theatre, art, and music, in the Canadian Army during World War II, and in the doctor’s consulting room, his preoccupation is not with sorrow but with the comedic canvas of life.
Just as Dr. Hullah practices a type of psychosomatic medicine “by which I attempt to bring about changes in the disease syndromes through language,” so does Robertson Davies intertwine language and story, as perhaps never before, to offer us profound truths about being human.
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“A novel in which Davies’ clear-sighted humanism, irony, and grasp of character are on vivid display…Davies’ command of both his material and his elegant first-person narration is absolute. He achieves a remarkable sense of uncloying elegy in his vision of a group of people who are far more complicated than they appear, yet always utterly believable. To call a book the work of an infinitely civilized mind might seem starchy; to add that it is also wonderfully funny, poignant, and never less than totally engrossing should redress the balance.”
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Publishers Weekly (starred review)