“Exquisitely written…An understated
masterpiece…that unfolds with great emotional power…Destined to endure.”
San Francisco Chronicle
Finalist for the 2011 National Book Award in Fiction
Winner of the 2012 PEN/Faulkner Award in Fiction
Acclaim for Julie Otsuka’s The Buddha in the Attic
“A lovely prose poem that gives a bitter history
“Unforgettable and essential both for readers
“Precise, focused…Penetrating…A boldly imagined
work that takes a stylistic risk more daring and exciting than many brawnier
books five times its size. Even the subject matter is daring…Specific, clear,
multitudinous in its grasp and subtly emotional.”
“Daring…Frequently mesmerizing…Otsuka has the
moves of cinematographer, zooming in for close-ups, then pulling back for wide
lens group shots…[Otsuka is] a master of understatement and apt detail…Her
stories seem rooted in curiosity and a desire to understand.”
“[Otsuka] brazenly writes in hundreds of voices
that rise up into one collective cry of sorrow, loneliness, and confusion…The
sentences are lean, and the material reflects a shameful time in our nation’s
past…Otsuka winds a thread of despair throughout the book, haunting the reader
at every chapter…Otsuka masterfully creates a chorus of the unforgettable
voices that echo throughout the chambers of this slim but commanding novel,
speaking of a time that no American should ever forget.”
“A gorgeous mosaic of the hopes and dreams that
propelled so many immigrants across an ocean to an unknown country…Otsuka
illuminates the challenges, suffering, and occasional joy that they found in
their new homeland…Wrought in exquisite poetry, each sentence spare in words,
precise in meaning and eloquently evocative, like a tanka poem, this book is a
rare, unique treat…Rapturous detail…A history lesson in heartbreak.”
Washington Independent Review of Books
“With great daring and spectacular success, she
has woven countless stories gleaned from her research into a chorus of the
women’s voices, speaking their collective experience in a plural ‘we,’ while
incorporating the wide range of their individual lives…The Buddha in the Attic moves forward in waves of experiences, like
movements in a musical composition…By its end, Otsuka’s book has become
emblematic of the brides themselves: slender and serene on the outside; tough,
weathered, and full of secrets on the inside.”
“Spare and stunning…By using the collective ‘we’
to convey a constantly shifting, strongly held group identity within which
distinct individuals occasionally emerge and recede, Otsuka has created a
tableau as intricate as the pen strokes her humble immigrant girls learned to
use in letters to loved ones they’d never see again.”
O, The Oprah Magazine
“Mesmerizing…Told in a first-person plural voice
that feels haunting and intimate, the novel traces the fates of these nameless
women in America…Otsuka extracts the grace and strength at the core of
immigrant (and female) survival and, with exquisite care, makes us rethink the
heartbreak of eternal hope. Though the women vanish, their words linger.”
“A fascinating paradox: brief in span yet
symphonic in scope, all-encompassing yet vivid in its specifics. Like a
pointillist painting, it’s composed of bright spots of color: vignettes that
bring whole lives to light in a line or two, adding up to a vibrant group
“Otsuka’s incantatory style pulls her prose
close to poetry…Filled with evocative descriptive sketches…and hesitantly
New York Times Book Review
Shockingly brilliant. . . . It will make you gasp. . . . Undoubtedly one of the most effective, memorable books to deal with the internment crisis. . . . The maturity of Otsuka’s . . . prose is astonishing.
Terry Hong, The Bloomsbury Review
Potent, spare, crystalline—Julie Otsuka’s new novel is an exquisite debut. The novel’s voice is as hushed as a whisper.
Francine Prose, O, The Oprah Magazine
A timely examination of mass hysteria in troubled times. . . .Otsuka combines interesting facts and tragic emotions with a steady, pragmatic hand.
At once delicately poetic and unstintingly unsentimental.
Mindi Dickstein, St. Petersburg Times
Her voice never falters, equally adept at capturing horrific necessity and accidental beauty. Her unsung prisoners of war contend with multiple front lines, and enemies who wear the faces of neighbors and friends. It only takes a few pages to join their cause, but by the time you finish this exceptional debut, you will recognize that their struggle has always been yours.
Colson Whitehead, author of John Henry Days
Heartbreaking. . . . A crystalline account.
John Marshall, The Seattle Post-Intelligencer
Heartbreaking, bracingly unsentimental. . . .rais[es] the specter of wartime injustice in bone-chilling fashion. . . . The novel’s honesty and matter-of-fact tone in the face of inconceivable injustice are the source of its power. . . . Dazzling.
Publishers Weekly (starred review)
Otsuka . . . demonstrates a breathtaking restraint and delicacy throughout this supple and devastating first novel. . . . [She] universalizes their experience of prejudice and disenfranchisement, creating a veritable poetics of stoicism.
Donna Seaman, Booklist (starred review)
Spare yet poignant. . . . clear, elegant prose.
Reba Leiding, Library Journal (starred review)
“A stunning feat of empathetic imagination and
emotional compression, capturing the experience of thousands of women.”
“Arresting and alluring…A novel that feels
expansive yet is a magical act of compression.”
[A] crystalline debut novel. . . . [Otsuka has] lyric gifts and narrative poise, her heat-seeking eye for detail, her effortless ability to empathize with her characters. . . . [A] resonant and beautifully nuanced achievement.
Michiko Kakutani, The New York Times
Exceptional. . . . Otsuka skillfully dramatizes a world suddenly foreign. . . . [Her] incantatory, unsentimental prose is the book’s greatest strength.
The New Yorker
Spare, incisive. . . . The mood of the novel tensely reflects the protagonists’ emotional state: calm surfaces above, turmoil just beneath.
Amanda Heller, The Boston Globe
[A] gentle, understated novel. . . . A story that has more power than any other I have read about this time.
Susan Salter Reynolds, The Los Angeles Times
With her gift for compression and her feel for a child’s-eye view of disrupted family life, Otsuka neatly sidesteps any checklist predictability as she covers her ground. . . . While you’re reading this accomplished novel, what impresses you most is how much Otsuka is able to convey—in a line, in a paragraph—about her characters’ surroundings, about their states of mind and about the mood of our country at a time of crisis.
Michael Upchurch, The New York Times Book Review
A beautiful little book. . . . Otsuka’s writing is accomplished, absorbing and tight. Her spare prose is complemented by precise details, vivid characterization and a refusal to either flinch at or sentimentalize.
Kate Washington, San Francisco Chronicle
Otsuka masterfully creates a chorus of unforgettable voices that echo throughout the chambers of this slim but commanding novel, speaking of a time that no American should ever forget.
Meganne Fabrega, Minneapolis StarTribune
The novel comprises a gorgeous mosaic of the hopes and dreams that propelled so many immigrants across an ocean to an unknown country. The author, Julie Otsuka, illuminates the challenges, suffering and occasional joy that they found in their new homeland. . . . A social history of the Japanese immigrant experience wrought in exquisite poetry, each sentence spare in words, precise in meaning and eloquently evocative, like a tanka poem, this book is a rare unique treat.
Alice Stephens, Washington Independent Book Review
An amazing, wonderful book that will surprise and delight you. . . . Otsuka keeps the language sparse yet evocative, her Hemmingway-like descriptions of scenery and events are lyric and transfixing. . . . Once you engage with this book, it won’t let you leave it, not until you enjoy the last word in the last sentence.
Greg Langly, Baton Rouge Advocate.
A delicate, heartbreaking portrait . . . beautifully rendered . . . Otsuka’s prose is precise and rich with imagery. Readers will be . . . hopelessly engaged and will finish this exceptional book profoundly moved.
Publishers Weekly (starred review)
An incantatory and haunting group portrait . . . Drawing on extensive research and profoundly identifying with her characters, Otsuka crafts an intricately detailed folding screen depicting nearly five decades of change as the women painstakingly build meaningful lives, only to lose everything after Pearl Harbor. This lyrically distilled and caustically ironic story of exile, effort, and hate is entrancing, appalling, and heartbreakingly beautiful.
Donna Seaman, Booklist (starred review)
A luminous second novel . . . Otsuka works an enchantment upon her readers . . . and leaves us haunted and astonished at the powers of her subtlety and charms. . . . Unforgettable.
Margaret Heilbrun, Library Journal (starred review)
A lovely prose poem that gives a bitter history lesson.
Daring . . . Mesmerizing . . . Otsuka has the moves of a cinematographer . . . A master of understatement and apt detail.
Laura Reynolds Adler, Bookpage
Julie Otsuka paints and sculpts elegant and vivid art with a pencil and words. . . . Succinct and stylish.
Tony Sauro, Stockton Record
Daring as well as formally unique…spare, precise, and often pitch perfect.
Women’s Review of Books
One of Philadelphia Inquirer’s 2011 Staff Favorites
One of San Francisco Chronicle’s Best of 2011—100 Recommended Books
One of Chicago Tribune’s top picks from 2011
One of Library Journal’s Top Ten from 2011
Acclaim for Julie Otsuka's When the Emperor Was Divine
Poetic . . . Otsuka combines the tragic power of a Greek chorus with the intimacy of a confession. She conjures up the lost voices of a generation of Japanese American women without losing sight of the distinct experience of each. . . . An understated masterpiece . . . The distillation of a national tragedy that unfolds with great emotional power . . . The Buddha in the Attic seems destined to endure. —Jane Ciabattari, San Francisco Chronicle
Otsuka’s incantatory style pulls her prose close to poetry.
Alida Becker, The New York Times Book Review
A stunning feat of empathetic imagination and emotional compression, capturing the experience of thousands of women.
Megan O’Grady, Vogue
Spare and stunning . . . Otsuka has created a tableau as intricate as the pen stokes her humble immigrant girls learned to use in letters to loved ones they’d never see again.
Celia McGee, O, The Oprah Magazine
A lithe stunner.
Lisa Shea, Elle
Haunting and intimate . . . Otsuka extracts the grace and strength at the core of immigrant (and female) survival and, with exquisite care, makes us rethink the heartbreak of eternal hope.
Susanna Sonnenberg, More
Otsuka’s book has become emblematic of the brides themselves: slender and serene on the outside, tough, weathered and full of secrets on the inside.
Jim Higgins, Milwaukee Journal Sentinel
An exceptional short novel. . . . A story that is elegiac and representative. . . . When the Emperor Was Divine carves out its own special place in style and substance. The book is shaped like a parable: Short, unadorned sentences say less while signifying more. . . . Stunning economy. . . . An exceptional piece of fiction.
Ellen Emry Heltzel, The Chicago Tribune
Prose so cool and precise that it’s impossible not to believe what [Otsuka] tells us or to see clearly what she wants us to see. . . . A gem of a book and one of the most vivid history lessons you’ll ever learn.
Ann Stephenson, USA Today
With a matter-of-fact brilliance, and a poise as prominent in the protagonist as it is in the writing, When the Emperor Was Divine is a novel about loyalty, about identity, and about being other in America during uncertain times.
Nathan Englander, author of The Ministry of Special Cases