This is the third of the best Stephen Crane short stories,
with “The Open Boat” and “The Blue Hotel” being the other two. The story starts
in an interesting way as the older sheriff has gone to another town to marry a
not so young and not so beautiful woman who he is obviously devoted to. They
have a kind of grown up love not common in American fiction. They are on the
train ride back to their new home, the Sheriff’s house.
The Sheriff is concerned he didn't let the locals know. But
he has a far bigger problem in front of him. Scratchy Wilson, an OK man when
sober, but riled up and dangerous when drunk which he is when the Sheriff and
his new bride arrive in town. Alcohol here, as in “The Blue Hotel,” drives
people to dangerous spots. The moment occurs when the Sheriff and the bride
come upon Scratch who is pointing his gun at the Sheriff. In traditional
westerns, and as in “The Blue Hotel,” the scene is set for the Sheriff to die
and the bride abandoned. Instead, the Sheriff points out he has no gun,
Scratchy considers this through his alcoholic haze, and decides this isn't fair
and walks away. Not what one expects. Yet, the danger, immediacy of death at
any moment, and the fear remain after Scratchy walks away. A stunning reversal
of expectation.
As with “The Blue Hotel,” Scratch walking away has all the
importance of a key moment in people’s lives that Sherwood Anderson describes
in Winesburg, Ohio and Edgar Lee Masters in Spoon River, all
written within a few years of each other.
Download and start listening now!