In this enchanting first novel, an irrepressibly optimistic oddball orphan is thrust into the wilds of postwar New York City after an extraordinary childhood in a theater—Candide by way of John Irving, with a hint of Charles Dickens
Abandoned as an infant by his actress mother in her theater dressing room, August March was raised by an ancient laundress. Highly intelligent, a tad feral, August is a true child of the theater –able to recite Shakespeare before he knew the alphabet.
But like all productions, August’s wondrous time inside the theater comes to a close, and he finds himself in the wilds of postwar New York City, where he quickly rises from pickpocket street urchin to star student at the stuffiest boarding school in the nation.
To survive, August must rely upon the kindness of strangers, only some of whom have his best interests at heart. As he grows up, his heart begins to yearn for love—which he may or may not finally find in Penny, a clever and gifted con artist.
Aaron Jackson has crafted a brilliant, enchanting story at once profound and delightfully entertaining. Like The Curious Case of Benjamin Button, The World According to Garp, and Be Frank with Me, this razor-sharp debut—a classic tale of a young innocent who finally finds his way, reminds us that everyone can find love. Even August March.
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“A delirious, fantastical romp behind the curtain of New York’s theater society—cue applause!”
— Abbi Jacobson, New York Times bestselling author
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Aaron Jackson is a writer and comedian. With Josh Sharp, he optioned and adapted a screenplay of their stage musical Fucking Identical Twins for 20th Century Fox. He was recently a cast member on Comedy Central’s The Opposition with Jordan Klepper, and has also appeared on Broad City, The Detour, Crashing, and Funny or Die’s Jared and Ivanka, a series he also cowrote. He was born in Fort Worth, Texas, and currently resides in New York City.
Joel Froomkin is a UK transplant, having grown up with American parents in a British commonwealth. He is often cast for his unique ability to deliver native, authentic combinations of both American and British sounds. His wit and comedic timing also appeal to producers. He has developed a strong body of work for young audience, historical, fantasy, new-adult, romance, and m/m fiction.