The Assassination of Margaret Thatcher: Stories Audiobook

Quotes

• “A cunning and visionary new collection…[Mantel] intends to expose what is really in her characters’ hearts, no matter how benign they appear on the surface. In these ten stories, she ingeniously succeeds, managing to simultaneously startle and seduce by juxtaposing horror and humor, derision and empathy, passivity and aggression.”

  — O, The Oprah Magazine

• “Some of the stories are so brief and twisted…they have a hint of the cruelty of Roald Dahl’s short stories (the ones that were definitely for grown-ups)…Mantel’s narrators never tell everything they know, and that’s why they’re worth listening to, carefully.”

  — USA Today (4 stars)

• “The Assassination of Margaret Thatcher is a daring but frustrating collection. There are only ten stories after all, a few of them quite spare, but all so chock-full of vivid detail and devilish wit that it leaves the reader wanting more…Many of the stories mine the baser sides of humanity, but Mantel does it with a wink…They don’t hand out Man Bookers like candy, and these stories further explain why Mantel has two on her mantel (so far).”

  — Amazon.com, editorial review

• “The stories are artfully constructed and share a muted gothic tone marked by the same ‘heightened, crawling quality’ that one of Mantel’s narrators, a writer, finds at a moldering hotel.”

  — New Yorker

• "[Mantel] evokes a shadowy region where boundaries blur and what might have happened has equal weight with what actually occurred…Even the most straightforward of Mantel’s tales retain a faintly otherworldly air.”

  — Washington Post

• “Hers is a brusque and brutal world leavened with humor—humor that’s available in one shade only: black…Makes a permanent dent in a reader’s consciousness because of Mantel’s striking language and plots twists, as well as the Twilight Zone-type mood she summons up…breathtaking.”

  — NPR

• "[Mantel’s] writing is cinematically exquisite…you can’t help but get sucked in.”

  — Chicago Tribune

• “Mantel proves herself a skilled practitioner of short fiction…‘What would Anita Brookner do?’ asks one of Mantel’s protagonists. The answer, we’d like to think, is this: She’d read Mantel’s latest, and she’d delight in it.”

  — Kirkus Reviews (starred review)

• “Elegantly clipped and beautifully precise, Jane Carr’s delivery…captures the diverse tales with a unifying reserve that frees the listener to embrace and ponder Mantel’s distinctive style…Carr’s accessible voice and delivery are well employed throughout the collection. Somehow Carr maintains a brisk pace, yet her momentum makes the words and images even more lively, more real…Mantel’s words and Carr’s voice combine to create an enriching listening experience.”

  — AudioFile

• A new Hilary Mantel book is an Event with a capital 'E'.... Heads always tend to roll - figuratively and otherwise - in Mantel's writing. Hers is a brusque and brutal world leavened with humor - humor that's available in one shade only: black.... makes a permanent dent in a reader's consciousness because of Mantel's striking language and plots twists, as well as the Twilight Zone-type mood she summons up...breathtaking.

  — Maureen Corrigan, NPR

• [Mantel's] writing is cinematically exquisite... you can't help but get sucked in.

  — The Chicago Tribune

• The Assassination of Margaret Thatcher delivers on its promises: the promise built by Mantel's reputation as one of the unquestionably great contemporary writers, the promise made by its shocking title, and the promise inherent in the genre of short stories…Mantel pokes and prods and scratches at our tiny collective wounds, opening them into something much bigger. Readers may find the stories uncomfortable, but also hard to put down.

  — A.V. Club

• A book of her short stories is like a little sweet treat…. Some of the stories are so brief and twisted…they have a hint of the cruelty of Roald Dahl’s short stories (the ones that were definitely for grown-ups)…. Mantel’s narrators never tell everything they know, and that’s why they’re worth listening to, carefully.

  — USA Today (4 stars)

• Here is the Mantel of her earlier, darker kitchen-sink novels: harsh and comic, even derisive.

  — Los Angeles Times

• Mantel] evokes a shadowy region where boundaries blur and what might have happened has equal weight with what actually occurred…. Despite the plethora of sharply observed social detail, her short stories always recognize other potential realities…. Even the most straightforward of Mantel's tales retain a faintly otherworldly air.

  — Washington Post

• [A] barnburner of a title story...It's not the plot that matters as much as the superb little touches with which Ms. Mantel punctuates it.

  — New York Times

• Hilary Mantel has escaped from King Henry VIII’s court.

  — The Wall Street Journal

• Mantel is not just a novelist, however, but a great political novelist at the top of her game.

  — Salon

• Genius.

  — The Seattle Times

• The stories are artfully constructed and share a muted gothic tone marked by the same ‘heightened, crawling quality' that one of Mantel's narrators, a writer, finds at a moldering hotel.

  — New Yorker

• The Assassination of Margaret Thatcher, untied from the historical record, she gives her characters freer rein to rattle their chains, and the results…are satisfyingly chilling.

  — The Daily Beast

• Here are stories in which horror shudders between the high gothic of Grimm and the menacing quotidian. Oppression comes from air conditioners that ‘labor and hack' and from ‘the smell of drains.' Cruelty is made manifest by a wayward young girl who finds an even more outcast target in the form of a severely deformed child…. These are Ms. Mantel's signature strokes – freaks made human and humans made freakish, and always with the expiation of a dark and judgmental humor

  — Pittsburg Post-Gazette

• With ten stories unique, strange and tantalizing, Mantel shares her views poetically, harshly and with great love. A have to read.

  — Bustle.com

• Best known for historical novels such as Wolf Hall (2009) and Bring up the Bodies (2012), Mantel proves herself a skilled practitioner of short fiction as well…. ‘What would Anita Brookner do?' asks one of Mantel's protagonists. The answer, we'd like to think, is this: She'd read Mantel's latest, and she'd delight in it.

  — Kirkus