Among the many "how-to" playwriting books that have appeared over the years, there have been few that attempt to analyze the mysteries of play construction. Lajos Egri's classic, The Art of Dramatic Writing, does just that, with instruction that can be applied equally well to a short story, novel, or screenplay.
Examining a play from the inside out, Egri starts with the heart of any drama: its characters. All good dramatic writing hinges on people and their relationships, which serve to move the story forward and give it life, as well as an understanding of human motives - why people act the way that they do. Using examples from everything from William Shakespeare's Romeo and Juliet to Henrik Ibsen's A Doll's House, Egri shows how it is essential for the author to have a basic premise - a thesis, demonstrated in terms of human behavior - and to develop the dramatic conflict on the basis of that behavior.
Using Egri's ABCs of premise, character, and conflict, The Art of Dramatic Writing is a direct, jargon-free approach to the problem of achieving truth in writing.
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" I have read this book in print several times. This audiobook is abridged and omits some great chapters. But worse than that, the recording itself is out of order, several of the chapters actually repeating. Part IV is presented before Part III. It's a mess. I actually brought all the mp3 files into some film editing software and cleaned it up and re-organized it. The actual running time is closer to 9 hours, 15 minutes. So caveat emptor. This is a great how-to book for writing, but this production is pretty bad. "
— mattmerk, 5/8/2024Troy Hudson trained his voice at the Defense Information School at Fort Benjamin Harrison in Indiana as a military broadcast journalist in the early 1980s. He transitioned to commercial radio and television in the early 1990s and has been an active professional in corporate and commercial voice work ever since.