A November Book Pick from The New York Times
When archivist Nadia Fontaine is found dead of an apparent drowning, Emily Snow is hired by Regents University to finish the job she started—to organize and process the papers of Raymond West, a famous Pulitzer Prize–winning author who has been short-listed for the Nobel.
Emily’s job comes with its inherent pressures. West’s wife, Elizabeth, is an heiress who’s about to donate $25 million to the Memorial Library—an eight-story architectural marvel that is the crown jewel of the university. The inaugural event in just a few months will be a gala for the who’s who of San Diego to celebrate the unveiling of the Raymond West Collection and the financial gift that made it all possible.
As Emily sets to work on the West papers, it begins to dawn on her that several items have gone missing from the collection. To trace their whereabouts, she gains unsupervised access to the highly restricted “dark archives,” in which she opens a Pandora’s box of erotically and intellectually charged correspondence between Raymond West and the late Nadia Fontaine. Through their archived emails, Emily goes back a year in time and relives the tragic trajectory of their passionate love affair. Did Nadia really drown accidentally, as the police report concluded, or could it have been suicide, or, even worse, murder? Compelled to complete the collection and find the truth, Emily unwittingly morphs into an adult Nancy Drew and a one-woman archivist crusader on a mission to right the historical record.
Twisting slowly like a tourniquet, The Archivist turns into a suspenseful murder mystery with multiple and intersecting layers. Not just a whodunit, it is also a profound meditation on love, privacy, and the ethics of destroying or preserving materials of a highly personal nature.
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“Never underestimate an archivist. Rex Pickett’s The Archivist is a haunting and sometimes heartbreaking exploration of the truths and power records hold, the insidiousness of their erasure and destruction, and the redemption that can be found in their restoration and preservation. It captures the archival thrill of the hunt, the pursuit of all the pieces that will tell a story, no matter what the consequences. In this shattering thriller, Pickett’s Emily Snow shows that archivists are detectives, and relentless ones, at that. The Archivist surfaces the hidden and often ignored labor of the archival profession. Pickett captures the joys, hazards, and annoyances of being an archivist and renders a closely observed depiction of the politics and pecking orders of libraries, special collections, and archives. Archivists are at turns eavesdroppers and voyeurs, sometimes bonded to their subjects. Although often conflicted by competing obligations, they are driven by a singular mission to ensure that truths are preserved.”
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Caryn Radick, digital archivist, Rutgers University