-
“From start to finish, Loyd's prose flows exquisitely through the story, as she limns the depths of the protagonist's mind, the complexity of human intimacy, and the idiosyncrasies of each new character with the grace of a seasoned novelist.
— Vanity Fair
-
[A] mesmerizing debut…. beautifully, even feverishly described. As Celia discovers, the magnetic pull of other people's everyday experiences proves impossible to resist.
— Entertainment Weekly (A-)
-
Moody, sensual…Loyd succeeds at the most difficult task for such a circumscribed setting--making the granular details of her characters' travails feel as though they added up to more than the sum of their parts. Celia's emotional breakthrough, when it comes, reads as both important and true.
— The New Yorker
-
Celia's journey is beautifully charted in this debut, with prose that mirrors her existence in her barely furnished apartment--confined, spare, but swirling with fierce emotion and insights.
— People (3 ½ stars)
-
For first-time novelist Amy Grace Loyd, an apartment building is not simply housing. It is also a metaphor for the paradoxical isolation and proximity we feel among others...With forceful, sensual prose (the author is captivated by the scents of people and places), Loyd allows Celia to discover that ‘life had as many gains as losses as long as we were willing to tally them.'
— O, The Oprah Magazine
-
A riveting, raw debut…. Loyd brilliantly keeps us holding our breath as Celia's barriers disintegrate, her rules fall away, and the shield she holds so tightly over her heart slowly lowers….Stunningly rendered, acutely emotional.
— Redbook
-
Buy, read on the subway, and try not to smile as you're reading something infinitely more scandalous than Fifty Shades… and no one knows!
— Book Riot
-
Lloyd's burnished, spare sentences conceal hidden volumes of emotion, and in its different moods, the book may put readers in mind of Joseph O'Neill's Netherland or of a more hopeful version of Claire Messud's recent The Woman Upstairs.
— The Millions, "Most Anticipated Books of 2013"
-
An impressive debut.
— Chicago Tribune
-
It is hard to read through Loyd's novel without stopping to digest her lovely prose. Nearly every sentence has layers of meaning…. Loyd's words read like the best kind of poetry. There are lines that leave you thinking about larger truths.
— New York Daily News
-
Loyd is acute and unsparing in her portrayal of Celia's grief over the loss of her husband. Though the chapters are short and the radius of action is small, Affairs still feels substantial. Celia moves almost ghostlike through her own apartment, her building, the streets of Brooklyn and the reaches of her mind, with the reader being just as absorbed in her thoughts as she is.
— Minneapolis Star Tribune
-
This is a book filled with larger-than-life feelings, raw nerves, and sexual intrigue. Small details of everyday life become fraught with as much passion as stolen moments in presumed privacy… Remarkably, Loyd creates a dramatic tension that gives the most domestic of concerns a lusty weight because of what they mask--betrayal, love, and violence.
— The Daily Beast
-
A splendid debut novel about a grief-stricken, very private woman learning to trust and take comfort, even joy, from her surroundings and peers…. The Affairs of Others is paced like a suspense novel, but while there are dark doings and violent events, the tone is less like a thriller and more like a character study of a woman who thinks she knows herself but is stunned to learn what she is capable of feeling. Loyd's prose is beautifully controlled, with rich descriptions.
— Sarah Weinman, Maclean's
-
Grief is a heavy thing. And the literary debut of Amy Grace Loyd…provides a glimpse of one woman's journey back to joy…. It reels you in with longing and passion.
— The Daily Candy
-
[Amy Grace Loyd has] developed her own confident and refined style of storytelling and shows it in her sensuous debut novel, The Affairs of Others. In expansive and precise language, Loyd explores the rhythms and sensations of human arrangements and exposes layers of time, grief, and love in contemporary urban life.
— The Millions
-
Loyd's writing is rich and elegant, with elements of allusion and allegory and beguiling characters to draw readers in. Dark and sensual, with just a touch of suspense, this first novel offers a heartwrenchingly honest story about grief while still allowing for a glimmer of hope.
— Booklist
-
An intimate portrayal of the walls erected by a woman after her husband's death, and how impulsive encounters with others break them down….Loyd's character study is narrow in scope but long on intensity and emotion.
— Publishers Weekly
-
A wonderful novel, beautifully written and sensuous, rich with emotion and psychological truth. Amy Grace Loyd's prose hums with desire as she creates a Brooklyn walk-up that comes alive with the yearning of its tenants and moves them toward an unforgettable ending--suspenseful, erotic, and ultimately hopeful.
— Jess Walter, author of Beautiful Ruins
-
Debut novels don't come any more sure-handed and deftly written than The Affairs of Others. But it's the damaged, brokenhearted Celia--Amy Grace Loyd's brave, all-in protagonist--who latches on to us and refuses to loosen her grip.
— Richard Russo, author of Empire Falls
-
Amy Grace Loyd has written an uncommonly accomplished first novel. Beautifully written, suspenseful and often disturbing.
— Jennifer Haigh, author of Faith
-
Hypnotic, beautiful, and dangerously erotic, this book trembles with feeling, every sentence a breath, every sentence a seismographic wonder of observation. Scuba diving once, I watched minute sea grass oscillate with the motion of the sea, and this is how I think of the narrator of this magnificent novel---she sways with every movement of the world, both interior and exterior, registering it all, and always you wonder, with an aching heart, what will become of her.
— Jonathan Ames, author of Wake Up, Sir!
-
Rich and fresh...The writing is just so wonderfully good: What other authors labor over, Loyd seems to just toss off. Throughout there are sentences to linger over, or for me to grin at with envy. Loyd has written a Rear Window story of a confined society described with Hitchcockian, voyeuristic detail.
— Ron Hansen, author of Mariette in Ecstasy
-
The Affairs of Others is a deft, cinematic take on privacy and trespass. Look forward to watching it soar this fall.
— Eric Lundgren, author of The Facades
-
“A wonderful novel,
beautifully written and sensuous, rich with emotion and psychological truth.
Amy Grace Loyd’s prose hums with desire as she creates a Brooklyn walk-up that
comes alive with the yearning of its tenants and moves them toward an
unforgettable ending—suspenseful, erotic, and ultimately hopeful.”
— Jess Walter, #1 New York Times bestselling author of Beautiful Ruins
-
“Debut novels don’t
come any more sure-handed and deftly written than The Affairs of Others.
But it’s the damaged, brokenhearted Celia—Amy Grace Loyd’s brave, all-in
protagonist—who latches on to us and refuses to loosen her grip.”
— Richard Russo, New York Times bestselling author of Empire Falls
-
“Amy Grace Loyd has
written an uncommonly accomplished first novel. Beautifully written,
suspenseful, and often disturbing.”
— Jennifer Haigh, New York Times bestselling author
-
“For first-time
novelist Amy Grace Loyd, an apartment building is not simply housing. It is
also a metaphor for the paradoxical isolation and proximity we feel among
others…With forceful, sensual prose, Loyd allows Celia to discover that ‘life
had as many gains as losses as long as we were willing to tally them.’”
— O, The Oprah Magazine
-
“[A] mesmerizing
debut…beautifully, even feverishly described. As Celia discovers, the magnetic
pull of other people’s everyday experiences proves impossible to resist.”
— Entertainment Weekly (A-)
-
“From start to finish,
Loyd’s prose flows exquisitely through the story, as she limns the depths of
the protagonist’s mind, the complexity of human intimacy, and the
idiosyncrasies of each new character with the grace of a seasoned novelist.”
— Vanity Fair
-
“Loyd is acute and
unsparing in her portrayal of Celia’s grief over the loss of her husband.
Though the chapters are short and the radius of action is small, Affairs still
feels substantial. Celia moves almost ghostlike through her own apartment, her
building, the streets of Brooklyn, and the reaches of her mind, with the reader
being just as absorbed in her thoughts as she is.”
— Minneapolis Star Tribune
-
“It is hard to read
through Loyd’s novel without stopping to digest her lovely prose. Nearly every
sentence has layers of meaning…Loyd’s words read like the best kind of poetry.
There are lines that leave you thinking about larger truths.”
— New York Daily News
-
“A riveting, raw
debut…Loyd brilliantly keeps us holding our breath as Celia’s barriers
disintegrate, her rules fall away, and the shield she holds so tightly over her
heart slowly lowers…Stunningly rendered, acutely emotional.”
— Redbook
-
“Loyd’s burnished,
spare sentences conceal hidden volumes of emotion, and in its different moods
the book may put readers in mind of Joseph O’Neill’s Netherland or
of a more hopeful version of Claire Messud’s recent The Woman Upstairs.”
— The Millions, “Most Anticipated Books of 2013”
-
“An intimate portrayal
of the walls erected by a woman after her husband’s death and how impulsive
encounters with others break them down…Loyd’s character study is narrow in
scope but long on intensity and emotion.”
— Publishers Weekly
-
“Loyd’s writing is
rich and elegant, with elements of allusion and allegory and beguiling
characters to draw readers in. Dark and sensual, with just a touch of suspense,
this first novel offers a heartwrenchingly honest story about grief while still
allowing for a glimmer of hope.”
— Booklist
-
“Hypnotic, beautiful,
and dangerously erotic, this book trembles with feeling, every sentence a
breath, every sentence a seismographic wonder of observation. Scuba diving
once, I watched minute sea grass oscillate with the motion of the sea, and this
is how I think of the narrator of this magnificent novel—she sways with every
movement of the world, both interior and exterior, registering it all, and
always you wonder, with an aching heart, what will become of her.”
— Jonathan Ames, author of Wake Up, Sir!
-
“Rich and fresh…The
writing is just so wonderfully good: What other authors labor over, Loyd seems
to just toss off. Throughout there are sentences to linger over, or for me to
grin at with envy. Loyd has written a Rear
Window story of a confined society described with Hitchcockian, voyeuristic
detail.”
— Ron Hansen, author of Mariette in Ecstasy
-
“The Affairs of
Others is a deft, cinematic take on privacy and trespass. Look forward
to watching it soar.”
— Eric Lundgren, author of The Facades