Taming the Street: The Old Guard, the New Deal, and FDRs Fight to Regulate American Capitalism Audiobook, by Diana B. Henriques Play Audiobook Sample

Taming the Street: The Old Guard, the New Deal, and FDR's Fight to Regulate American Capitalism Audiobook

Taming the Street: The Old Guard, the New Deal, and FDRs Fight to Regulate American Capitalism Audiobook, by Diana B. Henriques Play Audiobook Sample
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Read By: Karen Murray Publisher: Random House Audio Listen Time: at 1.0x Speed 10.67 hours at 1.5x Speed 8.00 hours at 2.0x Speed Release Date: September 2023 Format: Unabridged Audiobook ISBN: 9780593790588

Quick Stats About this Audiobook

Total Audiobook Chapters:

23

Longest Chapter Length:

75:14 minutes

Shortest Chapter Length:

09 seconds

Average Chapter Length:

42:01 minutes

Audiobooks by this Author:

3

Other Audiobooks Written by Diana B. Henriques: > View All...

Publisher Description

The “extraordinary” (New York Times Book Review, Editors’ Choice) story of FDR’s fight for the soul of American capitalism—from award-winning journalist Diana B. Henriques, author of The Wizard of Lies: Bernie Madoff and the Death of Trust

“I thought I was well versed in the New Deal, but it turns out I knew next to nothing. Diana Henriques’s chronicle is meticulous, illuminating, and riveting.”—Kurt Andersen, New York Times bestselling author of Evil Geniuses and Fantasyland

Taming the Street describes how President Franklin D. Roosevelt battled to regulate Wall Street in the wake of the 1929 stock market crash and the ensuing Great Depression. With deep reporting and vivid storytelling, Diana B. Henriques takes readers back to a time when America’s financial landscape was a jungle ruled by the titans of vast wealth, largely unrestrained by government. Roosevelt ran for office in 1932 vowing to curb that ruthless capitalism and make the world of finance safer for ordinary savers and investors. His deeply personal campaign to tame the Street is one of the great untold dramas in American history. 

Success in this political struggle was far from certain for FDR and his New Deal allies, who included the political dynasty builder Joseph P. Kennedy and the future Supreme Court justice William O. Douglas. Wall Street’s old guard, led by New York Stock Exchange president Richard Whitney, fought every new rule to the “last legal ditch.” That clash—between two sharply different visions of financial power and federal responsibility—has shaped how “other people’s money” is managed in the United States to this day. 

As inequality once again reaches Jazz Age levels, Henriques brings to life a time when the system worked—an idealistic moment when ordinary Americans knew what had to be done and supported leaders who could do it. A vital history and a riveting true-life thriller, Taming the Street raises an urgent and troubling question: What does capitalism owe to the common good?

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This is historical storytelling at its best! With vivid characters, cinematic settings, and nonstop pacing, Diana Henriques brings to life a political battle from the 1930s that is still deeply relevant almost a century later.

— Joe Berlinger, award-winning documentary filmmaker and director of the Netflix series Madoff: The Monster of Wall Street 

Quotes

  • I thought I was well versed in the New Deal, but it turns out I knew next to nothing. Diana Henriques’s chronicle is meticulous, illuminating, and riveting.

    — Kurt Andersen, New York Times bestselling author of Evil Geniuses and Fantasyland
  • Diana Henriques’s gripping narrative of unbridled capitalism in the Jazz Age and its consequences is beyond timely—it’s urgent.

    — James B. Stewart, Pulitzer Prize–winning journalist and co-author of Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy
  • This compelling, brilliantly told story of the fierce battle to rein in Wall Street excesses in the FDR era couldn’t be more timely.

    — James B. Steele, Pulitzer Prize–winning journalist and co-author of America: What Went Wrong?
  • Diana Henriques takes us on the incredible—and rarely explored—journey of what led to the vital Wall Street regulations we take mostly for granted today.

    — William D. Cohan, author of the New York Times bestselling Power Failure: The Rise and Fall of an American Icon
  • Diana Henriques is one of our most astute writers about the world of finance, and with Taming the Street, she once again tells a thrilling and essential story.

    — Bethany McLean, New York Times bestselling co-author of The Smartest Guys in the Room: The Amazing Rise and Scandalous Fall of Enron
  • Astute readers have long known that Diana Henriques is a fine writer and a powerful reporter. Here, though, she demonstrates a new skill: superb historian. . . . Simply outstanding.

    — Daniel Okrent, New York Times bestselling author of Last Call and The Guarded Gate
  • Taming the Street is a most timely work of meticulously researched market history that echoes loudly today.

    — Ron Insana, CNBC senior analyst
  • Henriques makes the potentially dry subject of SEC regulation fascinating, and the vivid prose evokes the dynamic personalities involved. . . . It’s a skillful account of a pivotal era in America’s economic history.

    — Publishers Weekly

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About Diana B. Henriques

Diana B. Henriques is the author of The White Sharks of Wall Street and Fidelity’s World. A senior financial writer for the New York Times, she is a George Polk Award winner and a Pulitzer Prize finalist. Her work has also received Harvard’s Goldsmith Prize for Investigative Reporting and the Worth Bingham Prize, among other honors.

About Karen Murray

Adenrele Ojo is an actress, dancer, and audiobook narrator, winner of over a dozen Earphones Awards and the prestigious Audie Award for best narration in 2018. She made her on-screen debut in My Little Girl, starring Jennifer Lopez, and has since starred in several other films. She has also performed extensively with the Philadelphia Dance Company. As the daughter of John E. Allen, Jr., founder and artistic director of Freedom Theatre, the oldest African American theater in Pennsylvania, is no stranger to the stage. In 2010 she performed in the Fountain Theatre’s production of The Ballad of Emmett Till, which won the 2010 LA Stage Alliance Ovation Award and the Los Angeles Drama Critics Award for Best Ensemble. Other plays include August Wilson’s Jitney and Freedom Theatre’s own Black Nativity, where she played Mary.