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Streampunks: YouTube and the Rebels Remaking Media Audiobook
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Publisher Description
An entertainment and tech insider—YouTube’s chief business officer—delivers the first detailed account of the rise of YouTube, the creative minds who have capitalized on it to become pop culture stars, and how streaming video is revolutionizing the media world.
In the past ten years, the internet video platform YouTube has changed media and entertainment as profoundly as the invention of film, radio, and television did, more than six decades earlier. Streampunks is a firsthand account of this upstart company, examining how it evolved and where it will take us next.
Sharing behind-the-scenes stories of YouTube’s most influential stars—Streampunks like Tyler Oakley, Lilly Singh, and Casey Neistat—and the dealmakers brokering the future of entertainment like Scooter Braun and Shane Smith, Robert Kyncl uses his experiences at three of the most innovative media companies, HBO, Netflix, and YouTube, to tell the story of streaming video and this modern pop culture juggernaut. Collaborating with Google speechwriter Maany Peyvan, Kyncl explains how the new rules of entertainment are being written and how and why the media landscape is radically changing, while giving aspiring Streampunks some necessary advice to launch their own new media careers.
Kyncl persuasively argues that, despite concerns about technology impoverishing artists or undermining artistic quality, the new media revolution is actually fueling a creative boom and leading to more compelling, diverse, and immersive content. Enlightening, surprising, and thoroughly entertaining, Streampunks is a revelatory ride through the new media rebellion that is reshaping our world.
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“Discovering YouTube was the happiest accident of my life. It’s allowed me to share my comedy with the world and reach an entirely new global audience. Fans have even told me they’ve learned English from watching my show on YouTube—which is a mistake.”
— Conan O’Brien
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“I grew up in Cuba without access to the Internet. When I finally came to the United States, YouTube became my window to the world. Streampunks is an amazing description of experiences similar to mine.”
— Camila Cabello, singer-songwriter -
“Thinking of starting your own new media career? Read Streampunks first. It’s a revealing, thoughtful portrait of what success in the digital age really takes.”
— Michelle Phan, YouTube personality and entrepreneur -
“If you want to understand how media is changing, you need to understand YouTube. Streampunks is a fascinating look into the imaginative and determined minds of the people who are changing what we watch.”
— Brian Grazer, film producer and New York Times bestselling author -
“Robert’s vision is clear and compelling: the future of media will be one in which fans decide what matters.”
— Reed Hastings, CEO of Netflix
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About the Authors
Robert Kyncl is the chief business officer at YouTube. He was previously vice president of content at Netflix, where he spearheaded the company’s content acquisition for streaming TV shows and movies over the Internet. He holds a masters of business administration from Pepperdine University and a bachelor’s in international relations from SUNY New Paltz.
Maany Peyvan is a lead writer at Google, where he creates editorial and social content, advises on executive communications strategy, and leads speechwriting for YouTube. He was previously an appointee in the Obama administration, serving as chief speechwriter at the US Agency for International Development. He holds a bachelor of arts in behavioral biology and a master’s degree in international relations, both from Johns Hopkins University.
About Stephen Graybill
Stephen Graybill is an actor, producer, and award-winning voice-over artist. He was seen on television in The Girls Guide to Depravity, Law & Order: SVU, Law & Order, and HBO’s The Wire. He has also acted on stage and done voice-overs for commercials, winning both a Gold Clio Award and a Silver Effie Award. He has also worked on over fifty audiobooks, including Jesus Swagger by Jarrid Wilson.