The western Sahara is a baking hot and desolate place, home only to nomads and their camels, and to locusts, snails and thorny scrub -- and its barren and ever-changing coastline has baffled sailors for centuries. In August 1815, the US brig Commerce was dashed against Cape Bojador and lost, although through bravery and quick thinking the ship's captain, James Riley, managed to lead all of his crew to safety. What followed was an extraordinary and desperate battle for survival in the face of human hostility, starvation, dehydration, death and despair.
Captured, robbed and enslaved, the sailors were dragged and driven through the desert by their new owners, who neither spoke their language nor cared for their plight. Reduced to drinking urine, flayed by the sun, crippled by walking miles across burning stones and sand and losing over half of their body weights, the sailors struggled to hold onto both their humanity and their sanity. To reach safety, they would have to overcome not only the desert but also the greed and anger of those who would keep them in captivity.
From the cold waters of the Atlantic to the searing Saharan sands, from the heart of the desert to the heart of man, Skeletons on the Zahara is a spectacular odyssey through the extremes and a gripping account of courage, brotherhood, and survival.
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“Referencing Riley’s journals and those of crewman Robbin (which became bestsellers in their day), King writes an astoundingly researched treatise on Islamic customs, nomadic life, and desert natural history, as well as detailed descriptions of dehydration, starvation, and caloric intake…A wonderful, inspiring story of humankind’s will to survive in spite of inhospitable conditions and inhumane treatment, this work should be in all public libraries, maritime libraries, and African collections.”
— Library Journal
“Dean King has brought to life one of the great, true-life adventure stories—a riveting tale of suffering and redemption.”
— Nathaniel Philbrick, New York Times bestselling author of Bunker Hill“Genuinely gripping, full of twists and turns of fate…mesmerizing.”
— Daily Mail (London)“Enthralling…Skeletons on the Zahara [is] a perfectly entertaining bit of history that feels like a guilty pleasure.”
— Amazon.com, editorial review“[Skeletons on the Zahara] impresses with its pacing, thoroughness, and empathy for the plight of a dozen sailors heaved smack-hard into an unknown tribalism. By the time the surviving crew members make it back to their side of civilization, reader and protagonist alike are challenged by new ways of understanding culture clash, slaver,y and the place of Islam in the social fabric of desert-dwelling peoples.”
— Publishers Weekly (starred review)“The horrendous ordeal of eleven American seamen, shipwrecked on the Atlantic coast of North Africa and then sold into slavery, grippingly chronicled by adventure writer King…A jaw-dropping story kept on edge, along with the reader: exquisite and excruciating screw turning.”
— Kirkus Reviews (starred review)“A forcefully visceral and culturally astute account.”
— BooklistDean King is an award-winning author of ten nonfiction books. His writing has appeared in Garden & Gun, National Geographic Adventure, Outside, New York magazine, and the New York Times, among others. He is the chief storyteller in two History Channel documentaries and a producer of its series Hatfields & McCoys: White Lightning. He is an internationally known speaker, having appeared on NPR’s Talk of the Nation, ABC’s World News Tonight, PBS’s American Experience, and at TEDx. For more info, visit DeanHKing.com.
Michael Prichard is a Los Angeles-based actor who has played several thousand characters during his career, over one hundred of them in theater and film. He is primarily heard as an audiobook narrator, having recorded well over five hundred full-length books. His numerous awards and accolades include an Audie Award for Tears in the Darkness by Michael Norman and Elizabeth M. Norman and six AudioFile Earphones Awards. He was named a Top Ten Golden Voice by SmartMoney magazine. He holds an MFA in theater from the University of Southern California.