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Shakespeare's Sisters: How Women Wrote the Renaissance Audiobook
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This remarkable work about women writers in the English Renaissance explodes our notion of the Shakespearean period by drawing us into the lives of four women who were committed to their craft long before anyone ever imagined the possibility of “a room of one’s own.”
In an innovative and engaging narrative of everyday life in Shakespeare’s England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the seventeenth century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist who fought for decades against a patriarchy that tried to rob her of her land in one of England’s most infamous inheritance battles.
These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Targoff flings those doors open, revealing the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare’s day.
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"Ramie Targoff has written a vivid, finely crafted portrait of four extraordinary Renaissance women whose writing, long buried in archives, defied all the rules. Mary Sidney’s translations, Ameilia Lanyer’s poems, Anne Clifford’s diaries, and Elizabeth Cary’s dramas contained radical messages of autonomy at a time when women had few legal rights and almost no access to education. Raised to keep quiet and obey their husbands, these writers kept diaries, created female heroines, and gave women starring roles on the stage and page. Targoff, an esteemed scholar of Renaissance literature, restores these women to the starring roles they deserve in this fresh, galavanting, and indispensable history of Renaissance England. Shakespeare’s Sisters challenges and expands our historical memory in sweeping, cinematic prose. Scholarly storytelling at its finest."
— Heather Clark, author of Red Comet: The Short Life and Blazing Art of Sylvia Plath
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In her new book, Ramie Targoff has done something extraordinary -- written a sterling work of feminist history that is never narrowly ideological nor loses sight of the particular lives and language of her heroines. We meet an extraordinary cast of unknown characters, and live more richly in a time we thought we knew.
— Adam Gopnik, -
Targoff delivers a vibrant group portrait of four women writers in Elizabethan England, most of whom were ignored or obscured for centuries but were 'resurrected' by feminist scholars in the 19th and 20th centuries . . . Targoff’s narrative is full of vivid personalities and intriguing tales of court alliances and rivalries. It’s an enlightening study of the era’s literary scene and the women who persevered despite their exclusion from it.
— Publishers Weekly -
In her new book, Ramie Targoff has done something extraordinary -- written a sterling work of feminist history that is never narrowly ideological nor loses sight of the particular lives and language of her heroines. We meet an extraordinary cast of unknown characters, and live more richly in a time we thought we knew.
— Adam Gopnik -
Targoff delivers a vibrant group portrait of four women writers in Elizabethan England, most of whom were ignored or obscured for centuries but were 'resurrected' by feminist scholars in the 19th and 20th centuries. . . . Targoff’s narrative is full of vivid personalities and intriguing tales of court alliances and rivalries. It’s an enlightening study of the era’s literary scene and the women who persevered despite their exclusion from it.
— Publishers Weekly -
In her new book, Ramie Targoff has done something extraordinary—written a sterling work of feminist history that is never narrowly ideological nor loses sight of the particular lives and language of her heroines. We meet an extraordinary cast of unknown characters, and live more richly in a time we thought we knew.
— Adam Gopnik -
In this decidedly feminist take on the literature of the English Renaissance, Targoff profiles four women who wrote during Shakespeare’s lifetime: Mary Sidney, Aemilia Lanyer, Elizabeth Cary, and Anne Clifford. Targoff colorfully captures these women who followed their passion for writing at a time when women were considered property and did not always receive any formal education . . . The inclusion of historical art and texts gives readers the flavor of the Renaissance.
— Library Journal -
Featuring crisp, engaging prose, Targoff’s eye-opening book welcomes general readers.
— Kirkus Reviews
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About Ramie Targoff
Ramie Targoff is a professor of English, cochair of Italian studies, and the Jehuda Reinharz Director of the Mandel Center for the Humanities at Brandeis University. Her books include Common Prayer: The Language of Public Devotion and John Donne, Body and Soul.
About Hannah Curtis
Hannah Curtis is an actress known for her appearances in The Shadow, Hollyoaks, and The Heavy. She graduated from Elmhurst School of Performing Arts and is involved with organizations such as the Actors Center in London and the Howard Fine Acting Studio in Los Angeles.