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Download Rules for Werewolves Audiobook

Extended Audio Sample Rules for Werewolves, by Kirk Lynn Click for printable size audiobook cover
0 out of 50 out of 50 out of 50 out of 50 out of 5 0.00 (0 ratings) (rate this audio book) Author: Kirk Lynn Narrator: Nick Podehl, Lauren Ezzo Publisher: Brilliance Audio Format: Unabridged Audiobook Delivery: Instant Download Audio Length: Release Date:
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In the tradition of Colson Whitehead’s Zone One, a visionary debut novel about shelter, escape, family, violence, and dumpster-diving

It’s the story of a restless group of young squatters. They’ve run away from their families and their pasts, questing after knowledge of their most wild selves, roaming the half-empty suburbs of America, occupying the homes of the foreclosed or vacationing, never staying in one place long enough to attract attention, while shoplifting beer at the local Speedy Stop. They’re building a new society with new laws, and no one will stand in their way.

But utopias are hard work, and as Rules for Werewolves unfolds, these young revolutionaries discover that it’s much easier to break laws than to enforce them. Narrated in the shifting perspectives of the pack, Rules for Werewolves follows a community of drifters on the move, who seek a life in a wilderness that, by definition, has no room for them, and a freedom for which they may not be entirely prepared.

Kirk Lynn’s debut novel is a hilarious and deeply moving story of people trying—and failing—to create a new life. At once a fractured fairy tale and a haunting vision of American disaffection, Rules for Werewolves marks the arrival of a fierce new talent.

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Quotes & Awards

  • “Austin playwright Lynn makes his fiction debut with a novel, told entirely in dialogue, about a group of teenage squatters who have convinced themselves they’re revolutionaries. The book combines humor, horror, pop culture references, and a healthy dose of satire.”

    Men’s Journal

  • “Lynn’s compelling debut novel is a parable about loneliness, violence, and modern malaise. It is one of the first post-recession, post-housing-crisis American novels of truly alienated youth and suburban fear.”

    Publishers Weekly

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