Redemption in Indigo: A Novel Audiobook, by Karen Lord Play Audiobook Sample

Redemption in Indigo: A Novel Audiobook

Redemption in Indigo: A Novel Audiobook, by Karen Lord Play Audiobook Sample
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Read By: Robin Miles Publisher: Random House Audio Listen Time: at 1.0x Speed 4.50 hours at 1.5x Speed 3.38 hours at 2.0x Speed Release Date: June 2024 Format: Unabridged Audiobook ISBN: 9780593946909

Quick Stats About this Audiobook

Total Audiobook Chapters:

28

Longest Chapter Length:

24:51 minutes

Shortest Chapter Length:

14 seconds

Average Chapter Length:

14:42 minutes

Audiobooks by this Author:

7

Other Audiobooks Written by Karen Lord: > View All...

Publisher Description

The enchanting tale of mischief and myth—inspired by West African folklore—that became a fantasy classic, from the award-winning author of The Blue, Beautiful World

Paama is a marvelous cook who’s had the bad fortune to marry Ansige. He was the least eligible bachelor in his village: self-centered, foolish, and food-obsessed. Paama has had enough of this miserable life with her gluttonous husband, and so leaves him to return to her old life with her family.

But Paama does not know that this is the beginning of a remarkable adventure. Because the Undying Ones are watching her. These spirits observe the follies of mortal life . . . and sometimes meddle and make mischief.

One of these beings presents her with a magical artifact known as the Chaos Stick, which he says is “great for stirring things up.” As Paama gets to know the powers of this marvelous gift, she learns that the Chaos Stick was stolen from a rival spirit, who decides to stir up some trouble of his own.

But mastering this magical artifact is only the beginning of Paama’s quest. Although Paama has been granted great power by the Undying Ones, her real journey is to find the magic that lies within herself.

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"It took me longer than expected to get into the voice of this story. I've read varying reviews on the narrator, but while some of the interjections were distracting, mostly it reminded me that this was a storyteller's oral tale from another country and not a traditional fantasy novel. I think it was the fable format in the beginning that threw me off...fables are concise and the story of Ansige fell right into that type of pattern. I was waiting for the moral and the fable to wrap up and unsure where the rest of the book was going. Ansige's story was fleshed out a tiny bit further at the end of the book, giving an expanation of sorts as to his ridiculous actions and sketchy motivations, but in the beginning he is simply a bad joke who gives Paama a chance to show her wit in getting him out of the situations he eats his way into. Then we get Paama's sister's tale, which introduces the 'indigo lord', but also seems like it's own stand alone vignette with a love story, confused identities, and a touch of trickster. Once Paama heads off to the House of the Sisters, it starts to grow from a collection of small stories to a fairy tale style start of the adventures, getting wisdom and magical gifts from her fairy godmothers. That is where there story started to draw me in. I found that the fable-style storytelling and the narration put some distance between the characters and me, but I still cared about what would happen to them. I was trying to figure out how Paama and the indigo lord might continue a relationship in the future, as their characters bond over the lessons they learn from one another, not sure that a love interest was the right fit. I was pleased with how it all worked out, though once they mentioned Paama's future and Chance and Trickster's change of paths, it was clear how that would pan out. But the epilogue wrapped everything up perfectly for me. I had read one review about disliking morals and comparing this book to the Alchemist, which was funny since the narrator blatently addressed that issue. But to me the Alchemist beat me over the head to make sure I learned the lesson it wanted to teach me. This, oddly, seemed more subtle in it's lessons even though the narrator sometimes explains things outright to us. But because they state it and move on, it didn't seem as preachy and repetitive as I felt the Alchemist was. In the end, if there had been a bit more of Ansige's motivations, more of the lessons Paama learned other than what she taught, more of the Sister's and their magic, etc, I would have felt more involved in and connected to the story. But it was a good one nevertheless."

— Jill (4 out of 5 stars)

Redemption in Indigo Listener Reviews

Overall Performance: 4.20833333333333 out of 54.20833333333333 out of 54.20833333333333 out of 54.20833333333333 out of 54.20833333333333 out of 5 (4.21)
5 Stars: 10
4 Stars: 11
3 Stars: 1
2 Stars: 2
1 Stars: 0
Narration: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Story: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Write a Review
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " This book gives you exactly the same feeling of enchantment you get from listening to a really great storyteller, which is a very hard thing to capture in print. It's got all the right pauses and asides, the right amounts of humor and suspense and romance and intrigue, and an uplifting but uncheesy moral. Absolutely magical. "

    — Sarah, 2/13/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Satisfying and surreal. "

    — Keith, 1/23/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " A surprising, inventive story told beautifully. "

    — Kathryn, 1/13/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " A wonderful book. I suspect anyone who enjoyed Barry Hughart's Bridge of Birds or Tutoula'a Palm Wine Drinkard would also enjoy this warm and clever little novel. "

    — Paul, 12/30/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Not sure quite where this should go, fiction, fantasy, storytelling? What happens: when the Gods walk around and interfere in human lives; When a god that is supposed to be helping humans to learn life lessons but instead becomes arrogant and sneering of humans, how does one control a God?, or punish a God? enjoyed this book, but I think it would be better listened to, rather than read. "

    — Bronwen, 12/15/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " I'd heard this was good, but I still wasn't really prepared for what a beautiful, moving story this was. Wow. "

    — Betsy, 9/20/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Yet another original voice from Small Beer Press! A contemporary Caribbean fairy tale packed with humor. Omg, featuring a character whose defining characteristic is unending gluttony. He is so upsetting. Some of the immortal/human dynamics reminded me of Sandman. "

    — Pamster, 8/28/2013
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " I loved the first three chapters (the ones based on the original folk tale). After that, though, the book seemed to lose its drive. "

    — Julia, 6/4/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Wonderful fairy tale quality. "

    — Eric, 2/12/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " This book is a lovely treat -- beautifully written, imaginative, and vibrant. It is a must for anyone who enjoys modern fairy tales and new folklore-like offerings. "

    — Betsy, 2/7/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " A total sleeper. Just picked this up at random while percrusing the new books at the library. Once Louise Gikow gave it the thumbs up, I jumped right in. A delightful magical realist fairy tale. I cannot recommend it enough. "

    — Sally, 12/2/2012
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Nice fusion of African style folklore and fantasy fiction. "

    — Fern, 2/3/2012
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " The narrative style is very catching.... "

    — Carol, 9/27/2011
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " This one has a deceptively simple narrative style that grew on me as the story progressed. It really felt like there was someone in the room with me telling the story. "

    — Melanti, 9/25/2011
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Nice fusion of African style folklore and fantasy fiction. "

    — Fern, 4/3/2011
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " I'm not sure what to make of this book. The story was interesting, but it was confusing at times with all the jumping around that Paama did. And it was told with an omniscient narrator who frequently addressed the reader; not something I come across often. Overall a fun quick read. "

    — Emily, 2/18/2011
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " A fable; should have known it was not my thing but the reviews were so gushing!! Great writing, not a thing against the author -- just not my cup of tea!! "

    — Lisa, 1/13/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " Pretty excellent trickster fantasy. I enjoyed the protagonist a lot while feeling any other character was left lacking. "

    — Evan, 1/6/2011
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Delightful. A tale like none I've ever read. "

    — Miriam, 12/14/2010
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " This one has a deceptively simple narrative style that grew on me as the story progressed. It really felt like there was someone in the room with me telling the story. "

    — Melanti, 12/12/2010
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " A great deceptively simple story with lovely touches of quiet humour. Whilst I was reading it, my 84 year old father stayed for the weekend and finished it that weekend. What better review? "

    — Andrew, 12/9/2010
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " A total sleeper. Just picked this up at random while percrusing the new books at the library. Once Louise Gikow gave it the thumbs up, I jumped right in. A delightful magical realist fairy tale. I cannot recommend it enough. "

    — Sally, 11/22/2010
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Totally delightful. Write on, Karen Lord!! "

    — Louise, 11/21/2010
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " A charming retold Sengalese folktale, very lighthearted and magical. A whiff of Tutula, a sprinkle of Okri, a dash of LIKE WATER FOR CHOCOLATE, told in a witty, wise storytellers voice. Tricksters and magic and morality tales abound in this colorful story. "

    — Craig, 7/23/2010

About Karen Lord

Karen Lord was born in Barbados in 1968. She holds a science degree from the University of Toronto and a PhD in the sociology of religion from the University of Wales.

About Robin Miles

Robin Miles, named a Golden Voice by AudioFile magazine, has twice won the prestigious Audie Award for Best Narration, an Audie Award for directing, and many Earphones Awards. Her film and television acting credits include The Last Days of Disco, Primary Colors, Law & Order: Criminal Intent, Law & Order, New York Undercover, National Geographic’s Tales from the Wild, All My Children, and One Life to Live. She regularly gives seminars to members of SAG and AFTRA actors’ unions, and in 2005 she started Narration Arts Workshop in New York City, offering audiobook recording classes and coaching. She holds a BA degree in theater studies from Yale University, an MFA in acting from the Yale School of Drama, and a certificate from the British American Drama Academy in England.