The frank and revealing memoir of a writer who draws from her own creativity to heal.
"I believe our bodies are carriers of experience," Lidia Yuknavitch writes in her provocative memoir Reading the Waves. "I mean to ask if there is a way to read my own past differently, using what I have learned from literature: how stories repeat and reverberate and release us from the tyranny of our mistakes, our traumas, and our confusions."
Drawing on her background -- her father's abuse, her complicated dynamic with her disabled mother, the death of her child, her sexual relationships with men and women -- and her creative life as an author and teacher, Yuknavitch has come to understand that by using the power of literature and storytelling to reframe her memories, she can loosen the bonds that have enslaved her emotional growth. Armed with this insight, she allows herself to look with the eye of an artist at the wounds she suffered and come to understand the transformational power this has to restore her soul.
By turns candid and lyrical, stoic and forgiving, blunt and evocative, Reading the Waves reframes memory to show how crucial this process can be to gaining a deeper understanding of ourselves.
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"Reading the Waves is electrifying. In it, Lidia Yuknavitch interrogates memory, both as an act and a concept—remembering becomes a process of re-membering, of revivifying and reassembling a moment, a story, or a body. Yuknavitch invites us to dive deep into the waters of grief and imagination, love and violence, then guides us back up to the surface where we breathe a little freer and can see both the possibilities of the past and future horizons anew. Yuknavitch is a literary renegade, exploding the borders of genre and radically reimagining the stories we carry as acts of resistance."
— Suleika Jaouad, author of Between Two Kingdoms
What makes us return to Yuknavitch again and again is her searing honesty, wide-open compassion, and sensual engagement with this earthly realm. Reading the Waves is brilliant storytelling by one of our most adventurous creatives. It is an investigation into how our stories must shift to accommodate each age, each generation, even as they remain mythically rooted in the ancient archetypal shapes of human transformation. This is a book you will return to again and again for the wild astuteness of its wisdom.
— Joy Harjo, 23rd U.S. Poet LaureateYuknavitch is a lighthouse, strobing her insistent truth across any distance. I have learned so much from her about storytelling, survival, and the ways that tenderness and strength are siblings. I’ll read anything she writes.
— Melissa Febos, author of Girlhood“A master class on how to hold your body's stories with tenderness as well as how to let go, Reading the Waves is a sigh of compassion. This book bleeds empathy in the most vulnerable and profound of ways. It’s gorgeous.
— Stephanie Land, author of Maid and ClassA noted writer and teacher explores the uses of memoir to recast and heal the wounds of the past. . . [Reading the Waves is] full of the messy, moving, in-your-face inspiration and storytelling for which Yuknavitch is beloved.
— Kirkus ReviewsAt turns emotional and darkly hilarious … this memoir is rich ground and a magnificent narrative about memory, trauma, and healing. Fans of genre-bending or lyrical memoir will enjoy this multilayered meditation leveraging Yuknavitch's creativity, thoughtfulness, and sense of wonder.
— Booklist, starred reviewBe the first to write a review about this audiobook!
Lidia Yuknavitch is the author of the debut novel Dora: A Headcase, and the memoir The Chronology of Water, as well as three books of short fiction and a critical book on war and narrative, Allegories of Violence. Her writing has appeared in many publications including Ms., The Iowa Review, The Sun, and in numerous anthologies. She writes, teaches, and lives in Portland, Oregon with the filmmaker Andy Mingo and their son Miles.