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Download Politics and Performance: Theater in the 20th Century Audiobook

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0 out of 50 out of 50 out of 50 out of 50 out of 5 0.00 (0 ratings) (rate this audio book) Author: Megan Lewis Narrator: Megan Lewis Publisher: Recorded Books, LLC Format: Recorded Seminar Audiobook Delivery: Instant Download Audio Length: Release Date:
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For most theatergoers today, realism is the standard. We are accustomed to seeing characters on stage who walk, talk, and sound just like real people. Everyday speech is commonplace in theatrical scripts, as are stage sets that look and feel and smell like real places—complete with running water and electric lights that work exactly as if we were in a real apartment, or office, or kitchen. But it wasn’t always this way. In fact, realism was once an avant-garde movement; a cutting edge, revolutionary idea that disrupted the way theater had always been done up until the dawn of the twentieth century. It was at this time that a number of social, political, and artistic movements began to influence theater artists and lead them to create the theater most of us recognize today. 

In this enlightening series of lectures, Professor Megan Lewis of the University of Massachusetts, Amherst takes us on an engaging journey through the history of theater in the twentieth century. She explores some of the century’s early movements such as symbolism, expressionism, and Dada, which arose amid political turmoil and quickly began to fuel rapid change in the way playwrights, directors, and actors where approaching theater. In subsequent lectures, Professor Lewis also explores how currents such as politics, race relations, and the women’s movement also began to influence theater and use it as a force for social change. Her analysis takes us to the dawn of the twenty-first century as theater artists continue to reenvision and expand the definition of theater itself. She discusses topics such as performance studies, which expands the idea of performance beyond the theater; sports as theater, which radically reimagines the role of the audience; creative ways of trying to reach underrepresented audiences; and new ways of making theater for a new century.

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About the Author

Dr. Megan Lewis is a South African American theater, performance, and film scholar concerned with the staging of national identity, gender, and race in a variety of performance media, including monuments and public pageants, traditional staged texts, and documentary and narrative films. She is an assistant professor at the University of Massachusetts–Amherst.