This program is read by the author. The critically acclaimed author of In the Wake, "Christina Sharpe is a brilliant thinker who attends unflinchingly to the brutality of our current arrangements . . . and yet always finds a way to beauty and possibility" (Saidiya Hartman). A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages, sometimes about language, beauty, memory; sometimes about history, art, photography, and literature—always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life. At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. “I learned to see in my mother’s house,” writes Sharpe. “I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words.” Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method,” collects entries from a community of thinkers toward a “Dictionary of Untranslatable Blackness,” and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces. A Macmillan Audio production from Farrar, Straus and Giroux.
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Christina Sharpe’s Ordinary Notes is an extraordinary gift to readers, gathering between its covers all manner of reading, as it explores, with formal daring and analytical aplomb, history, society, politics, and culture, particularly where and when they intersect with Black lives, including the writer’s own. Among the many achievements here, these exemplary notes—which include a stirring recounting of the author’s intellectual and aesthetic formation, and a tribute to motherly and familial love in the face of this country’s and world’s relentless brutalities—show how one might combine memoir, memorial, literary criticism, political and cultural critique, and theoretical accounting in order to imagine a new model, suffused with grace, subtlety, rigor, and care, for how to read and think with and against, which is to say, to produce true and lasting knowledge.
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John Keene, author of Counternarratives