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Notes from a Black Womans Diary: Selected Works of Kathleen Collins Audiobook, by Kathleen Collins Play Audiobook Sample

Notes from a Black Woman's Diary: Selected Works of Kathleen Collins Audiobook

Notes from a Black Womans Diary: Selected Works of Kathleen Collins Audiobook, by Kathleen Collins Play Audiobook Sample
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Read By: Nina Collins, Bahni Turpin, Robin Miles, January LaVoy, Adenrele Ojo, Mari , various narrators, Nina Lorez Collins Publisher: HarperAudio Listen Time: at 1.0x Speed 6.67 hours at 1.5x Speed 5.00 hours at 2.0x Speed Release Date: February 2019 Format: Unabridged Audiobook ISBN: 9780062892270

Quick Stats About this Audiobook

Total Audiobook Chapters:

21

Longest Chapter Length:

76:25 minutes

Shortest Chapter Length:

21 seconds

Average Chapter Length:

28:40 minutes

Audiobooks by this Author:

2

Other Audiobooks Written by Kathleen Collins: > View All...

Publisher Description

A RECOMMENDED BOOK OF 2019 FROM

Vanity Fair * Vogue * The Huffington Post

A stunning multi-cast audio collection of fiction, diary entries, screenplays, and scripts by the brilliant African-American artist and filmmaker, featuring the voices of Nina Collins, Mari, Bahni Turpin, Adenrele Ojo, January LaVoy, and Robin Miles.

Relatively unknown during her life, the artist, filmmaker, and writer Kathleen Collins emerged on the literary scene in 2016 with the posthumous publication of the short story collection Whatever Happened to Interracial Love? Said Zadie Smith, “To be this good and yet to be ignored is shameful, but her rediscovery is a great piece of luck for us.”

That rediscovery continues in Notes from a Black Woman’s Diary, which spans genres to reveal the breadth and depth of the late author’s talent. The compilation is anchored by more of Collins’s short stories, which, striking and powerful in their brevity, reveal the ways in which relationships are both formed and come undone. Also collected here is the work Collins wrote for the screen and stage: the screenplay of her film Losing Ground, in which a professor discovers that the student film she’s agreed to act in has uncomfortable parallels to her own life; and the script for The Brothers, a play about the potent effects of sexism and racism on a midcentury middle-class black family. And finally, it is in Collins’s raw and prescient diaries that her nascent ideas about race, gender, marriage, and motherhood first play out on the page.

Kathleen Collins’s writing brings to life vibrant characters whose quotidian concerns powerfully illuminate the particular joys, challenges, and heartbreaks rendered by the African-American experience. By turns empowering, exuberant, sexy, and poignant, Notes from a Black Woman’s Diary is a brilliant compendium of an inimitable talent, and a rich portrait of a writer hard at work.

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“Collins limns incisive portraits of artistic, intellectual Black women stretched to their limits that glimmer against a background of racism, sexism, and just plain life. A timely reclamation of a remarkable voice.”

— Booklist

Quotes

  • “This compilation will add appreciation for a talented writer whose life was cut too short as well as provide hope for the recovery of her previously unpublished work.”

    — Library Journal (starred review)
  • “Reading Collins work the same themes over again and again across mediums is a rare pleasure—as close as most of us will ever come to her spectacular mind.”

    — Kirkus Reviews

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About Kathleen Collins

Kathleen Collins (1942–1988) was an African-American playwright, writer, filmmaker, director, and educator from Jersey City. She was the first black woman to produce a feature-length film.

About the Narrators

Bahni Turpin, winner of numerous AudioFile Earphones Awards and several prestigious Audie Awards for her narrations, was named a “Golden Voice” by AudioFile magazine in 2019. Publishers Weekly magazine named her Narrator of the Year for 2016. She is an ensemble member of the Cornerstone Theater Company in Los Angeles. She has guest starred in many television series, including NYPD Blue, Law & Order, Six Feet Under, Cold Case, What about Brian, and The Comeback. Film credits include Brokedown Palace, Crossroads, and Daughters of the Dust. She is also a member of the recording cast of The Help, which won numerous awards.

Robin Miles, named a Golden Voice by AudioFile magazine, has twice won the prestigious Audie Award for Best Narration, an Audie Award for directing, and many Earphones Awards. Her film and television acting credits include The Last Days of Disco, Primary Colors, Law & Order: Criminal Intent, Law & Order, New York Undercover, National Geographic’s Tales from the Wild, All My Children, and One Life to Live. She regularly gives seminars to members of SAG and AFTRA actors’ unions, and in 2005 she started Narration Arts Workshop in New York City, offering audiobook recording classes and coaching. She holds a BA degree in theater studies from Yale University, an MFA in acting from the Yale School of Drama, and a certificate from the British American Drama Academy in England.

January LaVoy, winner of numerous awards for narration, was named a Golden Voice by AudioFile magazine in 2019. She is an American actress best known for her character Noelle Ortiz on the ABC daytime drama One Life to Live. In addition to working extensively in narration and television, including roles on Law & Order and All My Children, she has worked on and off Broadway as well as in regional theater.

Adenrele Ojo is an actress, dancer, and audiobook narrator, winner of over a dozen Earphones Awards and the prestigious Audie Award for best narration in 2018. She made her on-screen debut in My Little Girl, starring Jennifer Lopez, and has since starred in several other films. She has also performed extensively with the Philadelphia Dance Company. As the daughter of John E. Allen, Jr., founder and artistic director of Freedom Theatre, the oldest African American theater in Pennsylvania, is no stranger to the stage. In 2010 she performed in the Fountain Theatre’s production of The Ballad of Emmett Till, which won the 2010 LA Stage Alliance Ovation Award and the Los Angeles Drama Critics Award for Best Ensemble. Other plays include August Wilson’s Jitney and Freedom Theatre’s own Black Nativity, where she played Mary.