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No Crying in Baseball: The Inside Story of A League of Their Own: Big Stars, Dugout Drama, and a Home Run for Hollywood Audiobook
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The inside story of how A League of Their Own—one of the most beloved baseball movies of all time—developed from an unheralded piece of American history into a perennial cinematic favorite. Featuring exclusive interviews and behind the scenes memories from the original cast and creators.
No Crying in Baseball is a rollicking, revelatory deep dive into a one‑of‑a‑kind film. Before A League of Their Own, few American girls could imagine themselves playing professional ball (and doing it better than the boys). But Penny Marshall's genre outlier became an instant classic and significant aha moment for countless young women who saw that throwing like a girl was far from an insult.Part fly‑on‑the‑wall narrative, part immersive pop nostalgia, No Crying in Baseball is for readers who love stories about subverting gender roles as well as fans of the film who remain passionate thirty years after its release. With key anecdotes from the cast, crew, and diehard fanatics, Carlson presents the definitive, first‑ever history of the making of the treasured film that inspired generations of Dottie Hinsons to dream bigger and aim for the sky.
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“With its title coming from one of the most iconic film lines ever, this audiobook tells the story of the making of the famed 1992 movie…Mia Hutchinson–Shaw gives an emotional narration that reflects the energy and happenings on and off the set…[and] brings the author’s fine research to light with her engaged narration.”
— AudioFile
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About Erin Carlson
Erin Carlson has covered the entertainment industry for The Hollywood Reporter and AP. Her work has appeared in Glamour, Fortune, and the LA Times. She compiled and wrote an oral history of You've Got Mail for Vanity Fair. She holds a masters in magazine journalism from Northwestern, and has been profiled in the New York Times.
About Mia Hutchinson-Shaw
Mia Hutchinson-Shaw is a queer actor and voice artist based in NYC. She came to narration with a background in classical and period-drama theater and trained in the UK at the Royal Conservatoire of Scotland.