Universally acclaimed as a musical genius, Miles Davis was one of the most important and influential musicians in the world. Here, Miles speaks out about his extraordinary life.
Miles: The Autobiography, like Miles himself, holds nothing back. For the first time Miles talks about his five-year silence, he speaks frankly and openly about his drug problem and how he overcame it, he condemns the racism he encountered in the music business and in American society in general, and he discusses the women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus, and many others.
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"Are you fascinated by Jazz? Then hear the whole story directly from the greatest - Miles Davis. From Parker to Gillespie, Coltrane, Shorter, Evans, Zawinul, Corea, Jarret, Hancock, Williams...he played with them all, and discovered the greatest, most talented jazzmen of all time. He invented cool jazz, jazz rock, fusion, in a span of time (from the '40 to the '90) no other artis has ever crossed with such clearness of vision and innovative power. Extremely funny at times, but also tragic and poetic, in this book Miles speaks his mind and opens his heart without reserves of any kind."
— Fabio (5 out of 5 stars)
“Superior jazz writing that ranks with that of the best practitioners of the art.”
— Ishmael Reed“This is not just any book. As with everything else he has done, Davis’s work as writer is likely to raise controversy. The book could well be subtitled ‘Miles Tells All’ for this volume is crammed with juicy gossip about most of the key figures in modern jazz.”
— San Francisco Chronicle“This is not just any book…This volume is crammed with juicy gossip about most of the key figures in modern jazz.”
— San Francisco Chronicle“With Miles, Davis proves to be his own most perceptive critic.”
— Atlantic“[Miles] was and is the master, and his book is must reading for any student or fan of music.”
— Clive Davis, president of Arista Records“Dion Graham mimics the raspy, gravelly voice of jazz great Miles Davis to perfection…This epic story of one of the world’s greatest musicians intrigues and engrosses from first page to last, greatly aided by the sure talents of Graham.”
— AudioFile“In this compelling oral history of the life of the legendary and creative jazz trumpeter, Graham channels Davis in a reading that is so natural and true that we feel as if we are hearing the story from Davis himself…The emphasis is on the music, and the narrative leaves no doubt about Davis’ genius and his ability to adapt to changes and perform at the top of his skills. Graham’s stellar performance of this 1989 biography will captivate.”
— Booklist (starred audio review)" one of the funniest books i have ever read. "
— Doug, 2/20/2014" This lengthy autobiography is comprehensive, honest, and defensive. What's not to like? It takes you through five decades of jazz music and lets you in on the lifestyle of the musicians who made jazz a national asset to our country. It's longwinded, and perhaps one-sided, but it begs you for forgiveness the whole time. As for the main character, Miles Davis was not a prototypical street musician who got by on pure talent. He was well-educated, wealthy, and driven to succeed at trumpet like nobody else. Most people agree that he achieved his goals. It's the path he travelled that makes this an interesting read. "
— Nathan, 2/12/2014" You NEED to read this. An incredible life. "
— Todd, 2/9/2014" miles gave the history o Jazz "
— Hans, 2/2/2014" For any fans of any type of music, jazz/bebop or otherwise. Opens a door to the old school way of playing gigs and living the "starving/junkie artist" life. "
— chris, 1/25/2014" This was an exciting book... so exciting I questioned if what I was reading was fact or fiction much of the time. "
— Thomas, 1/18/2014" One of my all time favorites. A colloquial, briliiant life story of the greatest jazzman/bandleader of all time (in my opinion). I love his insights into each of his bands and eras. He uses "Motherfucker" like most use "The". The quickest read of my life. ABSOLUTELY CLASSIC! "
— Waceted, 1/15/2014" Miles Davis was a dick and this book does a good job of showing that. Other then that, it's a pretty good read for anyone interested in learning more about the artist. "
— Ben, 12/13/2013" Poor grammar and racist undertones made this book unbearable past my mandatory page 100. Two stars just on the merit of Davis' music an the insight this book could provide. "
— Adam, 12/8/2013" Miles Davis drops the F-bomb frequently. "
— Matthew, 12/7/2013" this book made me understand what jazz is all about. not to mention, miles was just the coolest motherfucker around. he wasn't perfect but he doesn't pretend to be. the best biography i've read to date and one my favorite books, period. "
— Tishon, 12/6/2013" don't bother...sort of interesting, but very difficult to follow "
— Trish, 11/22/2013" Strong story in simple and rhythmical English. "
— Ryota, 11/21/2013" A favorite autobiography of mine. It could have been called "Fun and Misery With Heroin, Cocaine and Jazz." The history of jazz, this book is a motherfucker. "
— Larry, 10/20/2013" Like an alternate history of the twentieth century. Miles was there and tells it like it is. A great book. "
— Mark, 8/16/2013" So much name dropping. It seemed like a catalog of band mates and recording sessions. I'm a big fan of his music and I think he was a musical genius, but the book was a tough read. "
— Stuart.teicherhotmail.com, 6/30/2013" Fascinating life, amazing music, but what a jerk! "
— E, 4/29/2013" Required reading for anyone with a serious interest in jazz. "
— Aaron, 12/30/2012" 9/10. Frank account of an amazing life. "
— Ian, 12/13/2012" If you are interested in Miles and his music, please read this. Be ready for frank examples of Miles' sexism, strong reactions to racism, very well-developed ego, and tendancy to take credit for things which should have been given to others. I love Miles...but Miles is Miles. "
— Rob, 10/2/2012" Gets the trophy for most uses of the word "Motherfucker" of any book ever published. Becomes almost rhythmic, eventually. A fascinating life, beautifully rendered - I can't think of too many autobios that are as unafraid to be as hard on themselves. "
— Chris, 8/18/2012" Effervescent and mesmerizing: Miles birthing himself the fiction of his legendary life. "
— Ana, 8/2/2012" The only book I know to use the word 'motherfucker' on every page. Often multiple times within a sentence. Often with a different meaning for each usage. And I thought Miles only had a gift for the horn.... "
— Mike, 3/14/2012" Sometimes I like to open this book to a random page and see if I can find the word "motherfucker." I don't think I've failed yet. "
— Michael, 3/8/2012" You can see, feel, hear, and almost touch Miles! "
— Emon, 3/3/2012Miles Davis (1926–1991), is one of the key figures in the history of jazz, and his place in vanguard of that pantheon is secure. As a trumpeter Davis was far from virtuosic, but he made up for his technical limitations by emphasizing his strengths: his ear for ensemble sound, unique phrasing, and a distinctively fragile tone. Drugs were prevalent on the club scene in this era, and by 1949 he had become a heroine addict. His disease kept his career in low gear until he cleaned up six years later, after which he collaborated with other musicians and formed numerous groups that went on to make highly acclaimed music. It is hard to overstate Davis’ contributions to jazz. In 1990 he received the Grammy Award for Lifetime Achievement, and jazz and rock musicians continue to regularly gather and record or perform pieces from Davis’ cannon.
Dion Graham is an award-winning narrator named a “Golden Voice” by AudioFile magazine. He has been a recipient of the prestigious Audie Award numerous times, as well as Earphones Awards, the Publishers Weekly Listen Up Awards, IBPA Ben Franklin Awards, and the ALA Odyssey Award. He was nominated in 2015 for a Voice Arts Award for Outstanding Narration. He is also a critically acclaimed actor who has performed on Broadway, off Broadway, internationally, in films, and in several hit television series. He is a graduate of Rutgers University’s Mason Gross School of the Arts, with an MFA degree in acting.