Made to Kill: A Ray Electromatic Mystery Audiobook, by Adam Christopher Play Audiobook Sample

Made to Kill: A Ray Electromatic Mystery Audiobook

Made to Kill: A Ray Electromatic Mystery Audiobook, by Adam Christopher Play Audiobook Sample
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Read By: Dan Bittner Publisher: Macmillan Audio Listen Time: at 1.0x Speed 4.33 hours at 1.5x Speed 3.25 hours at 2.0x Speed Release Date: November 2015 Format: Unabridged Audiobook ISBN: 9781427264886

Quick Stats About this Audiobook

Total Audiobook Chapters:

37

Longest Chapter Length:

17:16 minutes

Shortest Chapter Length:

42 seconds

Average Chapter Length:

10:39 minutes

Audiobooks by this Author:

6

Other Audiobooks Written by Adam Christopher: > View All...

Publisher Description

It was just another Tuesday morning when she walked into the office--young, as I suspected they all might be, another dark brunette with some assistance and enough eye black to match up to Cleopatra. And who am I? I'm Ray, the world's last robot, famed and feared in equal measure, which suits me just fine--after all, the last place you'd expect to find Hollywood's best hit man is in the plain light of day. Raymond Electromatic is good at his job, as good as he ever was at being a true Private Investigator, the lone employee of the Electromatic Detective Agency--except for Ada, office gal and super-computer, the constant voice in Ray's inner ear. Ray might have taken up a new line of work, but money is money, after all, and he was programmed to make a profit. Besides, with his twenty-four-hour memory-tape limits, he sure can keep a secret. When a familiar-looking woman arrives at the agency wanting to hire Ray to find a missing movie star, he's inclined to tell her to take a hike. But she had the cold hard cash, a demand for total anonymity, and tendency to vanish on her own. Plunged into a glittering world of fame, fortune, and secrecy, Ray uncovers a sinister plot that goes much deeper than the silver screen--and this robot is at the wrong place, at the wrong time. Made to Kill is the thrilling new speculative noir from novelist and comic writer Adam Christopher.

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“Made to Kill is yet more proof that we should all be thankful for Adam Christopher and his imagination. This tale of robot noir is unlike anything I’ve ever read?Adam’s is a weird and wonderful voice and we are lucky to have it."

— Chuck Wendig, New York Times bestselling author of Aftermath 

Quotes

  • “Robot noir in 60s Los Angeles? You had me at ‘Hello.’”

    — John Scalzi, New York Times bestselling author
  • “Made to Kill is yet more proof that we should all be thankful for Adam Christopher and his imagination. This tale of robot noir is unlike anything I’ve ever read―Adam’s is a weird and wonderful voice and we are lucky to have it."

    — Chuck Wendig, New York Times bestselling author of Aftermath

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About Adam Christopher

Adam Christopher was born in Auckland, New Zealand, and grew up watching Pertwee-era Doctor Who and listening to the Beatles, which isn’t a bad start for a child of the 80s. In 2006, Adam moved to the sunny northwest of England, where he now lives in domestic bliss with his wife and cat in a house next to a canal, although he has yet to take up any fishing-related activities. Adam’s short fiction has appeared in Pantechnicon, Hub, and Dark Fiction magazine, and has been nominated for the British Science Fiction Association, British Fantasy Society, and Parsec awards. In 2010, as an editor, Adam won a Sir Julius Vogel award, New Zealand’s highest science fiction honor. When not writing Adam can be found drinking tea and obsessing over DC Comics, Stephen King, and the Cure. He is also a strong advocate for social media, especially Twitter, where he spends far too much time avoiding work.

About Dan Bittner

Dan Bittner is an actor and voice talent and winner of several AudioFile Earphones Awards for audio narration. He has starred on stage and on the screen, in movies such as Men in Black, Adventureland, and the Producers: The Movie Musical. He has also appeared onstage as Macbeth and Sherlock Holmes in the Edinburgh Fringe Festival.