One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.
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"Who was it who said that "writing about music is like dancing about architecture"? Well, if that's true, then Alex Ross can dance a Gothic cathedral. His writing about music is simply amazing. Of course, I'm writing as a musician, and that gives me a big advantage. But it's hard for me to imagine someone not admiring the way he writes. His 2 books are easily among the 100 best books I've ever read, perhaps among the 10 best books I've read."
— Barry (5 out of 5 stars)
“The triumph of Listen to This is that Ross dusts off music that’s centuries old to reveal the passion and brilliance that’s too often hidden from a contemporary audience. It’s a joy for a pop fan or a classical aficionado.”
— New York Times Book Review“[An] absorbing, illuminating, exciting collection.”
— San Francisco Chronicle“A collection of supremely eloquent essays, addressing a range of subjects from Bach to Björk.”
— Boston Globe“Brilliant…Ross offers timeless portraits that probe the ways that the powerful personalities of composers and musicians stamp an inherently abstract medium so that certain notes, songs, or choruses become instantly recognizable as the work of a certain artist.”
— Publishers Weekly (starred review)“Engaging.”
— Booklist“Vibrant … A celebration of what it means to be alive in a world of great music.”
— Kirkus Reviews“Ross is sincere and fluent, giving a reading that sounds honest and direct. The production has extras that the print book doesn't: more than 30 musical selections, which make it much easier to understand some of Ross's thought. For those with eclectic interests in music, this wonderful audiobook by one of today's most perceptive critics is a must-listen.
— AudiofileThe triumph of Listen to This is that Ross dusts off music that's centuries old to reveal the passion and brilliance that's too often hidden from a contemporary audience. It's a joy for a pop fan or a classical aficionado.
— New York Times Review of BooksEven at his most cerebral, Ross deftly draws in the ears of the seasoned and the uninitiated alike, demystifying the traditions of music while celebrating its ability to transform. . . Listen to This is undeniably essential.
— Doyle Armbrust, Time Out ChicagoA collection of supremely eloquent essays, addressing a range of subjects from Bach to Björk.
— Jeremy A. Eichler, The Boston GlobeEvery page of this collection is rich with vivid analysis and evocative vigor...Listen to This deserves to stand next to the best-written modern books on music: the collected works of Whitney Balliett, say, and Ross' own recent history of 20th century sounds, The Rest Is Noise.
— Tom Nolan, The San Francisco ChronicleVibrant . . . A celebration of what it means to be alive in a world of great music.
— Kirkus ReviewsIn this brilliant collection, music critic Ross utilizes a wide musical scale--classical music in China; opera as popular art; sketches of Schubert, Bjork, Kiki and Herb--as a way of understanding the world. Featuring mostly revised essays published in the span of his 12-year career at the New Yorker, Ross offers timeless portraits that probe the ways that the powerful personalities of composers and musicians stamp an inherently abstract medium so that certain notes, songs, or choruses become instantly recognizable as the work of a certain artist. The virtuoso performance comes in the one previously unpublished essay, Chacona, Lamento, Walking Blues, where Ross isolates three different bass lines as they wind through music history from the 16th-century chacona, a dance that promised the upending of the social order, through the laments of Bach, opera, and finally the blues. Ross nimbly finds the common ground on which 16th-century Spanish musicians, Bach, players from Ellington' s 1940 band and Led Zeppelin' s bassist John Paul Jones can stand, at least momentarily.
— Publishers Weekly (starred review)" Couldn't get into it -- sounded like a great idea, but I just couldn't get into it, and abandoned it without reading it. "
— Anne, 2/8/2014" Mostly already published essays by the New Yorker's music columnist, with some re-writing & editing for cohesion. Classical & pop. Writing skills + love of music + classical training = good stuff. "
— Sam, 2/6/2014" This book almost got me to listen to classical music. "
— Katherine, 1/30/2014" I admire Ross's writing on music. Overall, this book wasn't as cohesive, and it didn't teach as much as his _The Rest Is Noise_. "
— Joe, 1/17/2014" Excellent read. Ross is the consummate music writer. "
— Jon, 1/17/2014" Ross lets his personal feelings about music creep in... and his writing's the better for it. The essays compare pop and classical side by side, and why not? Music = music. "
— Josh, 12/21/2013" A collection of essays by the New Yorker's music critic "
— Jonathan, 12/14/2013" no comparison to the rest is noise. "
— William, 12/8/2013" Alex Ross is one of the music critics for THE NEW YORKER whom I read regularly. He's insightful, engaging, and knowledgeable. His commentary ranges from Bjork to Brahms and makes me want to listen to the music created by both of them. "
— Millie, 1/6/2013" A little too over analytical but good. "
— Alex, 12/29/2012" great as a check-list for some of the definitive classical performances found on LP/CD/youtube. "
— Iris, 12/2/2012" The chapter on Bjork is just wonderful; the Radiohead article is quite good too. "
— Chris, 11/27/2012" A wondwerfully fresh writer. I will gladly read anything he has written. Just can't say enough. I am going to go back and give him five stars. "
— Virginia, 7/25/2012" Compared to Ross' other similar book (The Rest is Noise) this was a disappointment, but there are some very interesting parts. I particularly enjoyed the essay on emerging Chinese composers. "
— Aaron, 5/1/2012" Like Prometheus Ross takes the treasures of musical enjoyment only known to initiates and experts and shares them with us mere mortals. A mind opening, fulfilling, and exciting read. "
— Mmetevelis, 1/7/2012" I may be alone in thinking this, but this loose collection of various essays on music and popular culture actually seems to me more insightful and original than the "grand narrative" approach to the 20th century taken in THE REST IS NOISE. "
— Yuval, 8/19/2011" Really brilliant first essay, somewhat disappointing that the remaining essays were all over the map. "
— Gary, 6/10/2011" Good book. Some chapters were more interesting to me than others, but that's to be expected in an anthology. "
— Jonathon, 4/10/2011" The chapter on Bjork is just wonderful; the Radiohead article is quite good too. "
— Chris, 1/30/2011" I may be alone in thinking this, but this loose collection of various essays on music and popular culture actually seems to me more insightful and original than the "grand narrative" approach to the 20th century taken in THE REST IS NOISE. "
— Yuval, 11/15/2010" Couldn't get into it -- sounded like a great idea, but I just couldn't get into it, and abandoned it without reading it. "
— Anne, 11/14/2010Alex Ross, music critic for the New Yorker, is the recipient of numerous awards for his work, including two ASCAP Deems Taylor Awards for music criticism. In 2008 he was a recipient of a MacArthur Foundation fellowship, given for achievements in creativity and potential for making important future cultural contributions.