MacArthur "genius" and Booker Prize winner George Saunders returns with a collection of short stories that make sense of our increasingly troubled world, his first since the New York Times bestseller and National Book Award finalist Tenth of December
The “best short story writer in English” (Time) is back with a masterful collection that explores ideas of power, ethics, and justice, and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose--wickedly funny, unsentimental, and perfectly tuned--Saunders continues to challenge and surprise: here is a collection of prismatic, deeply resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality.
“Love Letter” is a tender missive from grandfather to grandson, in the midst of a dystopian political situation in the not-too-distant future, that reminds us of our obligations to our ideals, ourselves, and each other. “Ghoul” is set in a Hell-themed section of an underground amusement park in Colorado, and follows the exploits of a lonely, morally complex character named Brian, who comes to question everything he takes for granted about his “reality.” In “Mother’s Day,” two women who loved the same man come to an existential reckoning in the middle of a hailstorm. And in “Elliott Spencer,” our eighty-nine-year-old protagonist finds himself brainwashed--his memory “scraped”--a victim of a scheme in which poor, vulnerable people are reprogrammed and deployed as political protesters.
Together, these nine subversive, profound, and essential stories coalesce into a case for viewing the world with the same generosity and clear-eyed attention as Saunders does, even in the most absurd of circumstances.
Cover painting: René Magritte, Man in a Bowler Hat, 1964 (detail), © 2022 C. Herscovici/Artists Rights Society (ARS), New York
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"Saunders has revealed himself to be nothing less than an American Gogol: funny, pointed, full of nuance, and always writing with a moral heart. This, his first book of short fiction in nearly a decade, only cements the validity of such a point of view. The nine pieces here are smart and funny, speculative yet at the same time written on a human scale, narratives full of love and loss and longing and the necessity of trying to connect."
— Kirkus Reviews (starred review)
“An immersive, inventive treat full of dark humor and uncomfortable truths.”
— Time“Worth reading for ‘Love Letter’ alone.”
— The Independent (London)“One of our most inventive purveyors of the form returns with pitch-perfect, genre-bending stories that stare into the abyss of our national character… An exquisite work from a writer whose reach is galactic.”
— Oprah Daily“By turn exhilarating, sad, mindbendingly bizarre and wickedly funny. All are stamped with Saunders’s quirky, profoundly moral sensibility and his fury at repression and coercion.”
— Sunday Times (London)“Each of these flawless fables inspires reflection on the fragility of freedom and the valor of the human spirit.”
— Booklist (starred review)“The nine pieces here are smart and funny, speculative yet at the same time written on a human scale, narratives full of love and loss and longing and the necessity of trying to connect…A tour de force.”
— Kirkus Reviews (starred review)It’s that equilibrium of groundbreaking craft and bone-deep compassion—plus his rangy, tilt-a-whirl voice—that raises Saunders above other masters of the form.
— The Boston GlobePart of the Saunders elixir is that we feel more empathetic after reading his work.
— The San Francisco ChronicleLiberation Day is great art … winningly readable … Whether exploring recognisable social and political dilemmas, taking us somewhere else entirely, or doing both at the same time, Saunders never denies us the solid satisfactions of plot, jokes, character, pacing and lovely phrasemaking.
— The Daily Telegraph (UK)The nine stories in Liberation Day are by turn exhilarating, sad, mindbendingly bizarre and wickedly funny. All are stamped with Saunders’s quirky, profoundly moral sensibility, and his fury at repression and coercion.
— The Sunday Times (UK)Utterly moving … terrific … Worth reading for ‘Love Letter’ alone.
— The Independent (UK)Masterful
— i paper (UK)Saunders’s vision of diabolically intrusive tyranny undermining democracy possesses the keen absurdity of Kurt Vonnegut, while his more subtle stories align with the gothic edge of Shirley Jackson. . . . Each of these flawless fables inspires reflection on the fragility of freedom and the valor of the human spirit.
— Booklist (starred review)Be the first to write a review about this audiobook!
George Saunders is the #1 New York Times bestselling author of ten books, including Lincoln in the Bardo, which won the Man Booker Prize; Tenth of December, a finalist for the National Book Award; and others. He teaches in the creative writing program at Syracuse University.
Michael John McKean is an American actor, comedian, writer, composer, and musician well known for his portrayal of Squiggy’s friend Leonard “Lenny” Kosnowski on the sitcom Laverne & Shirley; and for his work in the Christopher Guest ensemble films, particularly as David St. Hubbins, the lead vocalist and rhythm guitarist of the fictional rock band Spinal Tap from the eponymous film.
Tina Fey is a wildly popular actress and comedian best known for her involvement with Saturday Night Live. She made history there by becoming the show’s first female head writer. Tina lives in Manhattan, where she is the third funniest person in her household, after her husband and five-year-old daughter.
Bleak December Inc. is a multimedia company founded by Canadian actor and filmmaker Anthony D.P. Mann.