Celia Paul's Letters to Gwen John centers on a series of letters addressed to the Welsh painter Gwen John (1876–1939), who has long been a tutelary spirit for Paul. John spent much of her life in France, making art on her own terms and, like Paul, painting mostly women. John's reputation was overshadowed during her lifetime by her brother, Augustus John, and her lover Auguste Rodin. Through the epistolary form, Paul draws fruitful comparisons between John's life and her own: their shared resolve to protect the sources of their creativity, their fierce commitment to painting, and the ways in which their associations with older male artists affected the public's reception of their work.
Letters to Gwen John is at once an intimate correspondence, an illuminating portrait of two painters, and a writer/artist's daybook, describing Paul's first exhibitions in America, her search for new forms, her husband's diagnosis of cancer, and the onset of the global pandemic. Paul, who first revealed her talents as a writer with her memoir, Self-Portrait, enters with courage and resolve into new unguarded territory—the artist at present—and the work required to make art out of the turbulence of life.
Contains mature themes.
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“A portrait of two lives, entwined through time and space…Paul’s prose… glints and gleams on the page.”
— Daily Telegraph (London)
“Drawn to the parallels in their lives Paul meditates on aging, personhood, loneliness, art.”
— New York Times Book Review“Drawn to the parallels in their lives Paul meditates on aging, personhood, loneliness, art.”
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Celia Paul was born in 1959 and studied at the Slade School of Fine Art. Her work has been exhibited internationally and is in the collections of the British Museum, the UK National Portrait Gallery, and the Metropolitan Museum of Art. Her major solo exhibitions include Celia Paul, curated by Hilton Als, at both the Yale Center for British Art and the Huntington Art Gallery, Los Angeles; and Desdemona for Celia by Hilton at Gallery Met. Her work was included in the exhibition All Too Human at Tate Britain.
Rachel Bavidge, an AudioFile Earphones Award-winning narrator, was born in North Shields, England, and moved to Oxford in her early teens. She has narrated numerous audiobooks and completed six months as a member of the BBC Radio Drama Company. Theater credits include Mrs. Boyle in Whose Life is it Anyway? and Margaret in Much Ado, both directed by Peter Hall. Television credits include The Bill, Casualty, Doctors, The IT Crowd, Inspector Lynley, Wire in the Blood, and Bad Girls.