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Letters Audiobook
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The letters of one of the greatest observers of the human species, revealing his passion for life and work, friendship and art, medicine and society, and the richness of his relationships with friends, family, and fellow intellectuals over the decades, collected here for the first time
“Here is the unedited Oliver Sacks—struggling, passionate, a furiously intelligent misfit. And also endless interesting. He was a man like no other.” —Atul Gawande, author of Being Mortal
Dr. Oliver Sacks—who describes himself in these pages as a “philosophical physician” and a “neuropathological Talmudist”—wrote letters throughout his life: to his parents and his beloved Auntie Len, to friends and colleagues from London, Oxford, California, and around the world. The letters begin with his arrival in America as a young man, eager to establish himself away from the confines of postwar England, and carry us through his bumpy early career in medicine and the discovery of his writer’s voice; his weight-lifting, motorcycle-riding years and his explosive seasons of discovery with the patients who populate his book Awakenings; his growing interest in matters of sight and the musical brain; his many friendships and exchanges with writers, artists, and scientists (to say nothing of astronauts, botanists, and mathematicians), and his deep gratitude for all these relationships at the end of his life.
Sensitively introduced and edited by Kate Edgar, Sacks’s longtime editor, the letters deliver a portrait of Sacks as he wrestles with the workings of the brain and mind. We see, through his eyes, the beginnings of modern neuroscience, following the thought processes of one of the great intellectuals of our time, whose words, as evidenced in these pages, were unfailingly shaped with generosity and wonder toward other people.
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"Kate Edgar, Sacks’s longtime editor and assistant, has produced in Letters a meticulous, thorough and loving selection that constitutes not only a series of reflections and explorations but also a gripping memoir, a Bildungsroman at one remove. Here, Sacks the physician becomes his own patient, alert to fluctuations in mood and energy, aware of an unstable tendency in his emotional weather that lasted until the very end. Sacks the writer lays out the trajectory of a life—a trajectory that also appeared in his autobiographical books and essays. Reading these letters, one sees it develop differently, first in the present tense and then, as he aged, retrospectively, as the writer traces his experiences and emotions from his young adulthood through his final years."
— The Wall Street Journal
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Oliver Sacks’s letters are superb—fluent, brilliant, candid, intimate—and some of them are deliriously passionate. Oliver could write a multi-page love letter as well as a lengthy analysis of a drug state or a neurological condition. Taken together, over more than fifty years, they constitute an autobiography in epistolary form.
— Paul Theroux -
Kate Edgar, Sacks’s longtime editor and assistant, has produced in Letters a meticulous, thorough and loving selection that constitutes not only a series of reflections and explorations but also a gripping memoir, a Bildungsroman at one remove. Here, Sacks the physician becomes his own patient, alert to fluctuations in mood and energy, aware of an unstable tendency in his emotional weather that lasted until the very end. Sacks the writer lays out the trajectory of a life—a trajectory that also appeared in his autobiographical books and essays. Reading these letters, one sees it develop differently, first in the present tense and then, as he aged, retrospectively, as the writer traces his experiences and emotions from his young adulthood through his final years.
— The Wall Street Journal -
Be prepared to discover a world of human treasures in the letters of Oliver Sacks. Sacks wrote copiously to family and friends, as expected, but he also wrote abundantly to several colleagues in the universe of biology, neuroscience and psychology, during a seminal period (which includes the last two decades of the twentieth century and the first two decades of the twenty-first). One marvel here is that Sacks’ literary genius manages to reveal both sides of a conversation, although we are only made privy to his perspective on the issues.
— Antonio Damasio, author of Feeling and Knowing -
Oliver Sacks’s letters are superb—fluent, brilliant, candid, intimate—and some of them are deliriously passionate. Oliver could write a multi-page love letter as well as a lengthy analysis of a drug state or a neurological condition. Taken together, over more than fifty years, they constitute an autobiography in epistolary form.
— Paul Theroux, author of The Mosquito Coast and Burma Sahib -
Here is Oliver Sacks annealed. All his largehearted curiosity, all his childlike wonder at how everything coheres, all the self-doubt trembling beneath his brilliance, come alive on these pages. One is left magnified just by bearing witness to this vast and solitary mind, searching for connection and discovering himself.
— Maria Popova, author of Figuring -
Here is the unedited Oliver Sacks—struggling, passionate, a furiously intelligent misfit. And also endless interesting. He was a man like no other.
— Atul Gawande, author of Being Mortal -
Edgar—the longtime assistant, editor, and researcher for Sacks (1933–2015)—provides an intimate window into the neurologist’s personal and professional lives in this expansive collection of his correspondence. Sacks’s trademark lyricism is evident throughout. . . . What emerges is a pointillistic portrait of an incredible intellect with all-too-human frailties and an insatiable curiosity about the human condition. This is an essential resource for understanding Sacks.
— Publishers Weekly -
Very enjoyable. . . . A lifetime of correspondence adds new dimensions to a brilliant mind’s oeuvre.
— Kirkus Reviews -
The first 200 pages of Oliver Sacks’s letters are among the best things I’ve read all year. He was new in America, not long out of Oxford University, writing to family and friends back home, and his observations were electric—wild and funny and befuddled and frank.
— Dwight Garner, The New York Times -
A neurologist by trade, Sacks was insatiably curious and wrote ceaselessly and joyfully about anything that caught his interest, which was just about everything. Readers get a new glimpse into his mind this year, nearly a decade after his death, thanks to a handsome new collection of the doctor’s letters compiled and annotated by his longtime editor, Kate Edgar. To read these letters is to be reminded of the deeply felt humanism and ebullience that Sacks brought to his prose. . . . The letters can be read as an autobiography written in real time, as they portray the play of his mind as his life played out. They function as a kind of biography of Sacks’ inner life and the felicitous and rigorous nature of his thought.
— Los Angeles Times
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About Oliver Sacks
Oliver Sacks (1933–2015) was the author of more than a dozen books, including The Mind’s Eye, Musicophilia, The Man Who Mistook His Wife for a Hat, and Awakenings, which inspired both the Oscar-nominated film and a play by Harold Pinter. The New York Times has referred to him as “the poet laureate of medicine,” and he was a frequent contributor to the New Yorker and the New York Review of Books. He lived in New York City, where he was professor of neurology at the NYU School of Medicine for many years.
About James Langton
James Langton, an Earphones Award–winning narrator, trained as an actor at the Royal Scottish Academy of Music and Drama and later as a musician at the Guildhall School in London. He has worked in radio, film, and television, also appearing in theater in England and on Broadway. He is also a professional musician who led the internationally renowned Pasadena Roof Orchestra from 1996 to 2002.