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Killer Looks: The Forgotten History of Plastic Surgery in Prisons Audiobook
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Killer Looks is the definitive story about the long-forgotten practice of providing free nose jobs, face-lifts, breast implants, and other physical alterations to prisoners, the idea being that by remodeling the face you remake the man. From the 1920s up to the mid-1990s, half a million prison inmates across America, Canada, and the UK willingly went under the knife, their tab picked up by the government.
In the beginning, this was a haphazard affair—applied inconsistently and unfairly to inmates, but entering the 1960s, a movement to scientifically quantify the long-term effect of such programs took hold. And, strange as it may sound, the criminologists were right: recidivism rates plummeted.
In 1967, a three-year cosmetic surgery program set on Rikers Island saw recidivism rates drop 36% for surgically altered offenders. The program, funded by a $240,000 grant from the Department of Health, Education, and Welfare, was led by Dr. Michael Lewin, who ran a similar program at Sing-Sing prison in 1953.
Killer Looks draws on the intersectionality of socioeconomic success, racial bias, the prison industry complex and the fallacy of attractiveness to get to the heart of how appearance and societal approval creates self-worth, and uncovers deeper truths of beauty bias, inherited racism, effective recidivism programs, and inequality.
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"Gripping from the very beginning! I was surprised at how much history there was, and how deftly it was interwoven with the story. We all need to do lots more work confronting bias. I LOVE the narrator, her voice sings to me and makes the story pulse."
— Genna Martin (5 out of 5 stars)
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“Stone’s exhaustively researched, eminently readable book offers a unique look at the criminal justice system and how we can reform it.”
— Dr. Gary Brucato, coauthor of The New Evil -
“Killer Looks is an eye-opener, and essential reading in criminology.”
— Dr. Katherine Ramsland, professor of forensic psychology and author of Confession of a Serial Killer -
“Through her engaging and insightful reporting, Zara Stone reveals a dark side of the history of plastic surgery. This thought-provoking read encourages us to examine the systemic problems of the criminal justice system that exist today.”
— Dr. Sam P. Most, chief, Division of Facial Plastic & Reconstructive Surgery, Stanford University School of Medicine -
“In Killer Looks, Zara Stone shines a Sing Sing-wattage searchlight on the relationship between ugliness and criminality. She brilliantly flips the subject to investigate why the public would prefer higher recidivism to giving felons a “beauty bonus.” Killer Looks, capturing the nuances of a seven-decade social experiment with convicts, is a tour de force.”
— Joan Kron, former beauty editor, Allure; director of Take My Nose... Please!; author of Lift -
“One surgeon’s unconventional project provides the narrative spine for a fascinating, often-shocking look inside the American prison system. Expertly and rigorously researched, Killer Looks takes the reader through the little-known practice of testing surgeries on prisoners, the rise and fall of the rehabilitation movement, the surprising economics of lookism, and the ingrained racism at the heart of all of it. Stone writes with compassion and authority. I won’t soon forget this book.”
— Mary Roach, New York Times bestselling author -
“Graceful prose bolsters this fascinating account. This is essential reading for anyone interested in criminal rehabilitation.”
— Publishers Weekly
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About Zara Stone
Zara Stone is an award-winning journalist who has been published and has appeared in The Atlantic, The Washington Post, Vice, Forbes, Wired, The Wall Street Journal, The New York Post, ABC News, the BBC, OZY Media, and BuzzFeed. As a reporter she covers technology and culture, and the eccentricities of the startup world. She was born in London, England, and moved to the US for graduate school. She lives in San Francisco.
About Kirsten Potter
Kirsten Potter has won several awards, including more than a dozen AudioFile Earphones Awards and been a three-time finalist for the prestigious Audie Award for best narration. Her work has been recognized by the National Foundation for Advancement in the Arts and by AudioFile magazine, among many others. She graduated with highest honors from Boston University and has performed on stage and in film and television, including roles on Medium, Bones, and Judging Amy.