Housekeeping: A Novel Audiobook, by Marilynne Robinson Play Audiobook Sample

Housekeeping: A Novel Audiobook

Housekeeping: A Novel Audiobook, by Marilynne Robinson Play Audiobook Sample
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Read By: Thérèse Plummer, Becket Royce Publisher: Macmillan Audio Listen Time: at 1.0x Speed 3.67 hours at 1.5x Speed 2.75 hours at 2.0x Speed Release Date: August 2005 Format: Unabridged Audiobook ISBN: 9781593978419

Quick Stats About this Audiobook

Total Audiobook Chapters:

67

Longest Chapter Length:

06:40 minutes

Shortest Chapter Length:

02:34 minutes

Average Chapter Length:

04:57 minutes

Audiobooks by this Author:

14

Other Audiobooks Written by Marilynne Robinson: > View All...

Publisher Description

"[Narrator Therese] Plummer's talented performance is both illuminating and poignant." -- AudioFile Magazine Winner of the Pen/Hemingway Award Fortieth Anniversary Edition This program includes a bonus conversation with the author. A modern classic, Marilynne Robinson's Housekeeping is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother. The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death. It is a town "chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere." Ruth and Lucille's struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transcience. A Macmillan Audio production from Farrar, Straus and Giroux

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"I'll say it up front: Marilynne Robinson's 'Housekeeping' contains some of the most beautiful prose I've read. Ever. The previous owner of my paperback copy left dog-eared pages interspersed throughout its 219 page. Normally this would annoy the heck out of me, but I soon came to recognize the folded corners as a sign that I was about to encounter another stunning lyrical/philosophical meditation - on memory, isolation, or the passage of time - neatly nestled between pages of plot and dialogue. Robinson knows how to use words economically and carefully, too, and it's magical. This book has been looming on my to-read list for years. I look forward to reading her other two (only two?)."

— Matthew (5 out of 5 stars)

Quotes

  • “Robinson infuses the tale with offbeat humor, but the enduring impact of this book lies in its pervasive understanding of tragedy.”

    — People
  • “So precise, so distilled, so beautiful that one doesn’t want to miss any pleasure it might yield.”

    — New York Times
  • “Extraordinary…Marilynne Robinson uses the language so exquisitely…Every sentence is a wonderful sentence, made just right…Housekeeping proves that fine fiction is still being written.”

    — Washington Post Book World
  • “Robinson’s ability to show us the power of unconventional love and the lasting, although invisible, bonds between members of such an eccentric and apparently feckless family makes us smile with pleasure throughout the novel.”

    — Miami Herald
  • “Robinson literally seems to stretch her characters with insight she must have stockpiled for years…What Ruth says of Sylvie is true of Robinson: ‘She undertook the most ordinary things’ and ‘made them seem…remarkable.’”

    — Ms. Magazine
  • “Becket Royce has a friendly, inviting voice well-suited to Ruth’s long and thoughtful narrations of the story, though she’s equally good at creating the voices of Sylvie and Lucille, as well as incidental characters.”

    — AudioFile
  • “Housekeeping is a haunting dream of a story told in a language as sharp and clear as light and air and water.”

    — Walker Percy, New York Times bestselling author
  • “The richness and variety and the peculiarity of tone Marilynne Robinson sustains are masterful; I found the characters absorbing and disturbing.”

    — Mary Gordon, New York Times bestselling author
  • Our books today are the neatest little things you’ll see in the rest of 2015’s book-year: a set of Modern Classics from Picador Press, done up in a neat bow!

    — Open Letters Monthly
  • "These tiny little titles are pocket-sized, shiny, and gorgeous. Featuring authors like Marilynne Robinson and Jeffery Eugenides, they're the kind of books you'll have to own the entire set of, because they're just that pretty — and it happens to be lovely that they fit in just about every bag you own. You can't be caught anywhere without a book, of course.

    — Julia Seales, Bustle
  • “So precise, so distilled, so beautiful that one doesn't want to miss any pleasure it might yield.

    — The New York Times Book Review

Awards

  • Winner of the 1982 PEN/Ernest Hemingway Foundation Award
  • A New York Times Best Book of the Year in Fiction
  • A 1982 Pulitzer Prize Finalist for Fiction
  • A 1982 PEN/Faulkner Award Finalist
  • One of Time Magazine's Best 100 English-Language Novels from 1923–2005
  • A New York Public Library Staff Pick of Favorite Books of the Last 125 Years
  • Among shortlisted titles for Pulitzer Prize - Finalist, 1982
  • Nominated for Ernest Hemingway Foundation Award - Nominee, 1982

Housekeeping Listener Reviews

Overall Performance: 3.66666666666667 out of 53.66666666666667 out of 53.66666666666667 out of 53.66666666666667 out of 53.66666666666667 out of 5 (3.67)
5 Stars: 11
4 Stars: 4
3 Stars: 5
2 Stars: 6
1 Stars: 1
Narration: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Story: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Write a Review
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " This book is profoundly eloquent and poignantly illustrative. The emotional landscape of Finger Bone is painted hauntingly, and the story is completely captivating. However, although the story is penetrating, the conclusion left something to be desired for me. It is still well worth a read by my deduction. I tried reading Robinson's 2 other fictional tales subsequently, but found them dry, tedious, and challenging to get through, which was disappointing given the eloquence of her first book. "

    — Christina, 2/14/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " This is not so much a novel as a very long prose poem on the beauty of lakes, of flooding, of leaves rustling around the corners of houses, of sorrow, of surfaces and reflections and all the many forms water and loneliness can take. "

    — Sharon, 2/10/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Amazing, incredible. More like a poem, or a song, than a novel. Marilynne Robinson writes like a motherfucker, or an alien. No one had written a book before like this and no one's written one since. Holey moley. "

    — Julie, 2/2/2014
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " Beautifully written, but sad. "

    — June, 1/17/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Not sure what it all meant, but the writing was beautiful. Thousands of beautiful sentences. A dreamy, sad story. "

    — Steve, 1/11/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Don't know what to think about this book, but can't stop thinking about it. Patience required. "

    — Tim, 1/8/2014
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " A depressing read about two sisters orphaned by mother's suicide. First grandmother cares for them. Then two elderly great aunts and finally a confused aunt, the mother's sister. The aunt does not do an adequate job taking care of herself. So naturally, caring for two girls is a disaster. "

    — Shari, 12/12/2013
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " Definitely a somber, pensive read, which I don't necessarily mind. Gilead was much more digestible for some reason though... "

    — Marikka, 12/11/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " the title of the book is funny! The woman is a hoarder who keeps newspapers and tin cans stashed to the ceiling! About two girls taken care of by an aunt after their mother died. I would've rated it higher, but it was slow going. "

    — Janet, 12/8/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " This is one of my favorite books. The lyrical language, the characters, the place. It is, for more, essential. "

    — Mary, 11/17/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Housekeeping is a wonderful novel, with language a pure as the bright morning sun. It is unlike any other book I have read. "

    — Kripa, 11/6/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Wonderful writing. Every sentence is perfect and to be savored. The books recounts the wistful melancholic journey of an eccentric family drifting further and further from the norms of conventional society. "

    — Nicholas, 7/24/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " A fascinating story of the fragile separation between mental illness and mental health. It sadly identifies the lack of compassion that has been present historically. Shows how slippery the slope of maintaining a healthy family life can be for those who struggle with this disorder. "

    — Rhonda, 12/7/2012
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " I did not care for the plot but the writting was excellent. "

    — Anne, 5/25/2012
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " One of the most beautiful and evocative books I've ever read. "

    — Matt, 3/21/2012
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " One of my all-time favorites. Beautiful language, sad and funny in turn. "

    — Gail, 9/15/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " Robinson's writing style is effective and often beautiful, but I did like her novel Gilead better. "

    — Jpe90272, 7/1/2011
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " This book is full of religious allusions, and its writing is really dense, but also masterful and beautiful. It was kind of scary how much I identified with its characters and its story line. It's about outcasts, and society, individualism, conformity, religion, life, and death. "

    — Brianna, 5/25/2011
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5

    " Depressing story, difficult writing style "

    — Drew, 5/24/2011
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " I didn't really love this book but I loved the discussion we had at book club. However, I really loved the writing. Each sentence was beautiful-I'm not kidding. I loved the words but disliked the sad story they told. "

    — Jonellebeth, 5/15/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " This was a problematic read for me. For about three-quarters of the way, I found it one of the most boring books I've ever read. But about 40 pages to the end, the plot finally justified the ornate prose style and I found the ending beautiful and moving. "

    — Mark, 5/15/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " My third favorite of her three novels. Too metaphysical for my shallow head. "

    — Ctb, 5/7/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " I thought this would be better. The prose is delightful but the characters don't seem quirky, they seem depressed. I may read it again to see what I missed... "

    — Julie, 5/4/2011
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " A little self-consciously whimsical for my taste. "Fingerbone?" Really now. "

    — Gooby, 4/22/2011
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " The Observer lists this as one of the hundred best novels ever. I can quite see why. "

    — Pauline, 4/14/2011
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Definitely a ton ten on my list "

    — Andria.m.olson, 4/1/2011
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Beautifully written story, but often stark and depressing. "

    — Laura, 3/30/2011

About Marilynne Robinson

Marilynne Robinson is a recipient of the 2017 Chicago Tribune Literary Award for lifetime achievement. She has received the 2016 Library of Congress Prize of American Fiction and a 2012 National Humanities Medal, awarded by President Barack Obama for “her grace and intelligence in writing.” She is the author of Gilead, winner of the 2005 Pulitzer Prize for Fiction and the National Book Critics Circle Award; Home, winner of the Orange Prize and the Los Angeles Times Book Prize; and Lila, winner of the National Book Critics Circle Award. Her first novel, Housekeeping, won the Hemingway Foundation/PEN Award. Her nonfiction books include The Givenness of Things, When I Was a Child I Read Books, Absence of Mind, The Death of Adam, and Mother Country, which was nominated for a National Book Award. She teaches at the University of Iowa Writers’ Workshop.

About the Narrators

Thérèse Plummer is an actor, award-winning voice-over artist, and counselor. She has won eighteen AudioFile Earphones Awards and has been a finalist for the prestigious Audie Award for best narration. She has appeared in a variety of television and film roles. As a counselor for adolescents, she spent five years using drama therapy techniques in individual and group settings.

Becket Royce is an accomplished actor whose television credits include I’ll Be Home for Christmas, The Kennedys of Massachusetts, As the World Turns, One Life to Live, and numerous commercials. She has performed onstage in New York and regionally in the plays The Male Animal, Macbeth, and many others.