Hotel on the Corner of Bitter and Sweet: A Novel Audiobook

Quotes

• "Fifth-grade scholarship students and best friends Henry and Keiko are the only Asians in their Seattle elementary school in 1942. Henry is Chinese, Keiko is Japanese, and Pearl Harbor has made all Asians-even those who are American born-targets for abuse. Because Henry's nationalistic father has a deep-seated hatred for Japan, Henry keeps his friendship with and eventual love for Keiko a secret. When Keiko's family is sent to an internment camp in Idaho, Henry vows to wait for her. Forty years later, Henry comes upon an old hotel where the belongings of dozens of displaced Japanese families have turned up in the basement, and his love for Keiko is reborn. In his first novel, award-winning short-story writer Ford expertly nails the sweet innocence of first love, the cruelty of racism, the blindness of patriotism, the astonishing unknowns between parents and their children, and the sadness and satisfaction at the end of a life well lived. The result is a vivid picture of a confusing and critical time in American history. Recommended for all fiction collections.

  — Library Journal

• Jamie Ford’s novel Hotel on the Corner of Bitter and Sweet is deeply informed by an intimate knowledge of Seattle during World War II, of the tribulations of Asian peoples during the time of Japanese internment, and even of the Seattle jazz scene of that time. His story of an innocent passion that crosses racial barriers–and then, of the whole life of a man who forsook the girl he loved–is told with an artistic technique that makes emotion inevitable.

  — Louis B. Jones, author of Particles and Luck

• I loved it! Hotel on the Corner of Bitter and Sweet is a beautiful and tender masterpiece. A book everyone will be talking about, and the best book you’ll read this year.

  — Anne Frasier, USA Today bestselling author of Garden of Darkness

• Hotel on the Corner of Bitter and Sweet tells a heartwarming story of fathers and sons, first loves, fate, and the resilient human heart. Set in the ethnic neighborhoods of Seattle during World War II and Japanese American internment camps of the era, the times and places are brought to life by the marvelous, evocative details.

  — Jim Tomlinson, winner of the 2006 Iowa Short Fiction Award and author of Things Kept, Things Left Behind

• Mesmerizing and evocative, Hotel on the Corner of Bitter and Sweet is a tale of conflicted loyalties, devotion, as well as a vibrant portrait of Seattle's Nihonmachi district in its heyday."

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• -- Sara Gruen, New York Times bestselling author of Water for Elephants

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• “A tender and satisfying novel set in a time and a place lost forever, Hotel on the Corner of Bitter and Sweet gives us a glimpse of the damage that is caused by war--not the sweeping damage of the battlefield, but the cold, cruel damage to the hearts and humanity of individual people. Especially relevant in today's world, this is a beautifully written book that will make you think. And, more importantly, it will make you feel.

  — Garth Stein, New York Times bestselling author of The Art of Racing in the Rain

• Jamie Ford's first novel explores the age-old conflicts between father and son, the beauty and sadness of what happened to Japanese Americans in the Seattle area during World War II, and the depths and longing of deep-heart love. An impressive, bitter, and sweet debut.

  — Lisa See, bestselling author of Snow Flower and the Secret Fan

• "Sentimental, heartfelt novel portrays two children separated during the internment of Japanese-Americans during World War II. In 1940s Seattle, ethnicities do not mix. Whites, blacks, Chinese and Japanese live in separate neighborhoods, and their children attend different schools. When Henry Lee’s staunchly nationalistic father pins an “I am Chinese” button to his 12-year-old son’s shirt and enrolls him in an all-white prep school, Henry finds himself friendless and at the mercy of schoolyard bullies. His salvation arrives in the form of Keiko, a Japanese girl with whom Henry forms an instant—and forbidden—bond. The occasionally sappy prose tends to overtly express subtleties that readers would be happier to glean for themselves, but the tender relationship between the two young people is moving. The older Henry, a recent widower living in 1980s Seattle, reflects in a series of flashbacks on his burgeoning romance with Keiko and its abrupt ending when her family was evacuated. A chance discovery of items left behind by Japanese-Americans during the evacuation inspires Henry to share his and Keiko’s story with his own son, in hopes of preventing the dysfunctional parent-child relationship he experienced with his own father. The major problem here is that Henry’s voice always sounds like that of a grown man, never quite like that of a child; the boy of the flashbacks is jarringly precocious and not entirely credible. Still, the exploration of Henry’s changing relationship with his family and with Keiko will keep most readers turning pages while waiting for the story arc to come full circle, despite the overly flowery portrait of young love, cruel fate and unbreakable bonds. A timely debut that not only reminds readers of a shameful episode in American history, but cautions us to examine the present and take heed we don’t repeat those injustices.

  — Kirkus Reviews