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Hollywood vs. The Author Audiobook
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It’s no secret that authors have a love-hate relationship with Hollywood. The oft-repeated cliché that “the book was better than the movie” holds true for more reasons than the average reader will ever know. When asked about selling their book rights to Hollywood authors like to joke that they drive their manuscripts to the border of Arizona and California and toss them over the fence, driving back the way they came at breakneck speed. This is probably because Hollywood just doesn’t “get it.” Its vision for the film or TV series rarely seems to match the vision of the author. And for those rare individuals who’ve had the fortune of sitting across the desk from one of the myriad, interchangeable development execs praising the brilliance of their work while ticking off a never-ending list of notes for the rewrite, the pros of pitching their work to Hollywood rarely outweigh the cons.
Stephen Jay Schwartz has sat on both sides of that desk―first as the Director of Development for film director Wolfgang Petersen, then as a screenwriter and author pitching his work to the film and television industry. He’s seen all sides of what is known in this small community as “Development Hell.” The process is both amusing and heartbreaking. Most authors whose work contains a modicum of commercial potential eventually find themselves in “the room” taking a shot at seeing their creations re-visualized by agents, producers or development executives. What they often discover is that their audience is younger and less worldly as themselves. What passes for “story notes” is often a mishmash of vaguely connected ideas intended to put the producer’s personal stamp on the project.
Hollywood vs. The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand―some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen. They underscore the insanity of every crazy thing you’ve ever heard about Hollywood. For insiders and outsiders alike, Hollywood vs. The Author delivers the goods.
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About the Authors
Stephen Jay Schwartz spent a number of years as the director of development for film director Wolfgang Petersen. His career includes numerous feature-film writing assignments as well as work for the Discovery Channel.
Xe Sands has more than a decade of experience bringing stories to life through narration, performance, and visual art, including recordings of the Nightwalkers series from Jaquelyn Frank. She has received several honors, including AudioFile Earphones Awards and a coveted Audie Award, and she was named Favorite Debut Romance Narrator of 2011 in the Romance Audiobooks poll.
About the Narrators
Lawrence Block is the recipient of a Grand Master Award from the Mystery Writers of America and a New York Times bestselling author. His prolific career spans over one hundred books, including four bestselling series and dozens of short stories and articles. He has won multiple Edgar, and Shamus awards, two Falcon Awards from the Maltese Falcon Society of Japan, the Nero and Philip Marlowe Awards, the Cartier Diamond Dagger from the Crime Writers Association of America, and many others. Aside from being a mystery writer, he has also written a number of episodes for television, including two episodes of the ESPN series Tilt; he also cowrote the screenplay for the film My Blueberry Nights, starring Norah Jones. Block currently lives in New York City with his wife, Lynne.
P. J. Ochlan is an Audie Award–winning, multiple Earphones Award–winning, and Voice Arts Award–nominated narrator of hundreds of audiobooks. His acting career spans more than thirty years and has also included Broadway, the New York Shakespeare Festival under Joseph Papp, critically acclaimed feature films, and television series regular roles.
Rob Roberge is the author of four books of fiction, most recently The Cost of Living. He teaches creative writing and his work has been widely anthologized. He also plays guitar and sings with a Los Angeles-based band.
Simon Mattacks is an actor and voiceover artist who has worked on films such as The World Is Not Enough.
Alan Jacobson is the international bestselling author of several critically acclaimed novels. In order to take readers behind the scenes to places they might never go, Jacobson has embedded himself in many federal agencies, including spending several years working with two senior profilers at the Federal Bureau of Investigation’s vaunted Behavioral Analysis Unit in Quantico, where he edited four published FBI research papers on serial offenders, attended numerous FBI training courses, worked with the head firearms instructor at the academy, and received ongoing personalized instruction on serial killers. He has also worked with the Drug Enforcement Administration, the US Marshals Service, the New York Police Department, SWAT teams, local bomb squads, branches of the US military, chief superintendents and detective sergeants at Scotland Yard, criminals, armorers, helicopter pilots, chief executive officers, historians, and Special Forces operators. Jacobson has been interviewed extensively on television and radio, including on CNN, NPR, and multiple ABC, CBS, NBC, and Fox network affiliates.
Andrew Kaplan is an American author best known for his spy thriller novels. He worked as a freelance journalist and war correspondent for the International Herald Tribune in Paris, covering events around the world. He served in both the US Army and the Israeli Army during the Six Day War of 1967. He is the author of four international bestselling novels: Hour of the Assassins, Scorpion, Dragonfire, and War of the Raven. His film writing career includes the James Bond classic film GoldenEye.
Lee Goldberg, a New York Times bestselling author, is a two-time Edgar Award and two-time Shamus Award nominee and the recipient of the Poirot Award from Malice Domestic in 2012. He has written more than thirty novels, including the Fox & O’Hare books cowritten with Janet Evanovich. He has also written and/or produced many TV shows, including Diagnosis Murder, SeaQuest, and Monk, and is the co-creator of the Hallmark movie series Mystery 101. As an international television consultant, he has advised networks and studios in Canada, France, Germany, Spain, China, Sweden, and the Netherlands on the creation, writing, and production of episodic television series.
Naomi Hirahara is the Edgar Award–winning author of the Mas Arai mystery series, including Summer of the Big Bachi, which was a Publishers Weekly Best Book of the Year and one of Chicago Tribune’s Ten Best Mysteries and Thrillers. She is also the author of the Ellie Rush mysteries. She is a former editor of the Rafu Shimpo newspaper, and she has co-written nonfiction books like Life after Manzanar and the award-winning Terminal Island: Lost Communities of Los Angeles Harbor. She is a graduate of Stanford University.
Tess Gerritsen, a former phyisican, is the internationally bestselling author of Harvest, Life Support, The Silent Girl, and The Surgeon, a work for which she won the RITA Award and the Nero Award. She also wrote a screenplay, Adrift, which was made into a movie for television in 1993. Her series of novels featuring homicide detective Jane Rizzoli and medical examiner Maura Isles is the inspiration for the TNT television series Rizzoli & Isles. Gerritsen currently lives in Maine.
Alexandra Sokoloff is a Bram Stoker, Anthony, and Black Quill Award nominated author of the supernatural thrillers The Harrowing, The Price, The Unseen, Book of Shadows, The Shifters, The Space Between, and the bestselling Huntress/FBI Thrillers series. As a screenwriter she has sold original horror and thriller scripts and adapted novels for numerous Hollywood studios. She is a California native and a graduate of UC Berkeley.