Publisher Description
Footloose and broke, the unnamed narrator of Gone Tomorrow hops on a plane without asking questions when his director friend offers him a role in a film set in Colombia. But from the moment he arrives at the airport in Bogotá, only to witness a policeman beat a beggar half to death, it becomes clear that this will not be the story of gritty bohemians triumphing against the odds. The director, Paul Grosvenor, seems more interested in manipulating his cast than in shooting film. The cult star, Irma Irma, is a vamp too bored and boring to draw blood. And the beautiful, nymph-like Michael Simard doesn't seem to be putting out. Meanwhile, the film's shady financier is sleeping with his mother, while a serial killer skulks about the area killing tourists. Everything comes to a head when the carnaval celebration begins. But once the fiesta is over, all that's left are ghostly memories and the narrator's insistence on telling the tale. "Unlike the majority of pointedly AIDS-era novels," writes Dennis Cooper, "Gone Tomorrow is neither an amoral nostalgia fest nor a thinly veiled wake-up call hyping the religion of sobriety. It's a philosophical work devised by a writer who's both too intelligent to buy into the notion that a successful future requires the compromise of collective decision and too moral to accept bitterness as the consequence of an adventurous life."
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About Gary Indiana
Gary Indiana—novelist, playwright, actor, art critic, and film historian—is one of the most supple and imaginative figures in contemporary American culture. He is the author of numerous plays, novels, and works of nonfiction, including Horse Crazy, Rent Boy, and Utopia’s Debris. Formerly the chief art critic for the Village Voice, Indiana has also written for the Los Angeles Times Book Review, New York magazine, Artforum, and the London Review of Books. He lives in New York City.
About Lee Osorio
JD Jackson is a theater professor, aspiring stage director, and award-winning audiobook narrator. He is a classically trained actor, and his television and film credits include roles on House, ER, Law & Order, Hack, Sherrybaby, Diary of a City Priest, and Lucky Number Slevin. He is the recipient of more than a dozen Earphones Awards for narration and an Odyssey Honor for G. Neri’s Ghetto Cowboy, and he was also named one of AudioFile magazine’s Best Voices of the Year for 2012 and 2013. An adjunct professor at Los Angeles Southwest College, he has an MFA in theater from Temple University.