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How to describe Godwin? At once a minute, hilariously observed, and poignant workplace novel about Pittsburg, and a sweeping postcolonial picaresque novel about the grim fringes of the global soccer industry, replete with laugh-out-loud observations, gorgeously turned phrases, and exhilarating dialogue, pervaded by a winning sense of exasperated humanism. The whole time I was reading, I was thinking 'I wish there were more books like this.'
— Elif Batuman, author of Either/Or
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How to describe Godwin? At once a minute, hilariously observed, and poignant workplace novel about Pittsburg, and a sweeping postcolonial picaresque novel about the grim fringes of the global soccer industry, replete with laugh-out-loud observations, gorgeously turned phrases, and exhilarating dialogue, pervaded by a winning sense of exasperated humanism. The whole time I was reading, I was thinking 'I wish there were more books like this.'
— Elif Batuman, author of Either/Or
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Named a Most Anticipated Book of the Year by The Washington Post, LitHub, Publishers Weekly, and Publishers Lunch
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Exciting and incisive . . . As O’Neill artfully pairs the thrill of the hunt for Godwin with the complex politics of cooperative work, the driving force that connects the twinned narratives is the corruptive power of capitalism. This has all the velocity and swerve of an unstoppable free kick.
— Publishers Weekly (starred review)
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How to describe Godwin? At once a minute, hilariously observed, and poignant workplace novel about Pittsburg, and a sweeping postcolonial picaresque novel about the grim fringes of the global soccer industry, replete with laugh-out-loud observations, gorgeously turned phrases, and exhilarating dialogue, pervaded by a winning sense of exasperated humanism. The whole time I was reading, I was thinking 'I wish there were more books like this.'
— Elif Batuman, author of Either/Or
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Exciting and incisive . . . As O’Neill artfully pairs the thrill of the hunt for Godwin with the complex politics of cooperative work, the driving force that connects the twinned narratives is the corruptive power of capitalism. This has all the velocity and swerve of an unstoppable free kick.
— Publishers Weekly (starred review)
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How to describe Godwin? At once a minute, hilariously observed, and poignant workplace novel about Pittsburg, and a sweeping postcolonial picaresque novel about the grim fringes of the global soccer industry, replete with laugh-out-loud observations, gorgeously turned phrases, and exhilarating dialogue, pervaded by a winning sense of exasperated humanism. The whole time I was reading, I was thinking 'I wish there were more books like this.'
— Elif Batuman, author of Either/Or
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Exciting and incisive . . . As O’Neill artfully pairs the thrill of the hunt for Godwin with the complex politics of cooperative work, the driving force that connects the twinned narratives is the corruptive power of capitalism. This has all the velocity and swerve of an unstoppable free kick.
— Publishers Weekly (starred review)
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O’Neill has a gift for finding humor in emotional stress, and it shines . . . The [characters] go through twists and turns, culminating in an African odyssey . . . An astonishing marathon of storytelling . . . that highlights the avarice of sports recruitment and the legacy of colonialism . . . Another exceptional entry in the O’Neill corpus.
— Kirkus Reviews (starred review)
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How to describe Godwin? At once a minute, hilariously observed, and poignant workplace novel about Pittsburgh, and a sweeping postcolonial picaresque novel about the grim fringes of the global soccer industry, replete with laugh-out-loud observations, gorgeously turned phrases, and exhilarating dialogue, pervaded by a winning sense of exasperated humanism. The whole time I was reading, I was thinking 'I wish there were more books like this.'
— Elif Batuman, author of Either/Or
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No one will exit this pinwheeling novel unmoved by its tender and terrible surprises. Reading Godwin, I laughed out loud many times, I felt sick with grief and outrage, and I was shaken by ‘an intensification of reality so strong that I had a touch of vertigo.’ Every sentence is suffused with O’Neill’s capacious intelligence, humor, and care.
— Karen Russell, author of Swamplandia!
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O’Neill has a gift for finding humor in emotional stress, and it shines . . . The [characters] go through twists and turns, culminating in an African odyssey . . . An astonishing marathon of storytelling . . . that highlights the avarice of sports recruitment and the legacy of colonialism . . . Another exceptional entry in the O’Neill corpus.
— Kirkus Reviews (starred review)
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A wondrous novel, full of insights, one that leaves the reader questioning why there isn't more fiction about the world’s most popular sport.
— Booklist (starred review)