When we talk about technology we always talk about tomorrow and the future—which makes it hard to figure out how to even get there. In Future Histories, public interest lawyer and digital specialist Lizzie O'Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and progressive social movements with modern theories of the mind, society, and self, O'Shea constructs a "usable past" that can help us determine our digital future.
What, she asks, can the Paris Commune tell us about earlier experiments in sharing resources—like the Internet—in common? How can Frantz Fanon's theories of anti colonial self-determination help us build digital world in which everyone can participate equally? Can debates over equal digital access be helped by American revolutionary Tom Paine's theories of democratic, economic redistribution? What can indigenous land struggles teach us about stewarding our digital climate? And, how is Elon Musk not a future visionary but a steampunk throwback to Victorian-era technological utopians?
In engaging, sparkling prose, O'Shea shows us how very human our understanding of technology is, and how when we draw on the resources of the past, we can see the potential for struggle, for liberation, for art and poetry in our technological present.
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Lizzie O’Shea is a lawyer, writer, and broadcaster. An experienced lawyer in Australia and internationally, specializing in human rights and Aboriginal rights in Australia, she has represented refugees, activists, and people targeted by national security legislation. O’Shea is regularly featured on national television programs and radio to comment on law, digital technology, corporate responsibility, and human rights, and her writing has appeared in the New York Times, the Guardian, and the Sydney Morning Health, among other publications. An experienced lawyer in Australia and internationally, specializing in human rights and Aboriginal rights in Australia, O’Shea has represented refugees, activists, and people targeted by national security legislation. She holds degrees from the University of Melbourne and an Masters in Law from Columbia University, specializing in corporate responsibility and digital technology, and sits on the boards of numerous non-profit community organizations, including Digital Rights Watch Australia.
Cat Gould grew up in Sydney, Australia, and after extensive travel moved to the United States in 1990. A classically trained actress with a BFA from Southern Oregon University, she has performed in many regional productions.