Some years into the twenty-first century, a newly devised weapon of mass destruction will do far worse than kill; it will disrupt time and space. Suddenly, land, buildings, animals, and people are falling through "timeslips" and being transported briefly back to earlier eras. One of these inadvertent time travelers, Joe Bodenland, is shocked when he finds himself parked outside a villa on the shore of Lake Geneva—and soon after, unbelievably, in the presence of nineteenth-century literary luminaries Lord Byron and Percy Shelley, along with Shelley's very enticing fiancée, budding author Mary.
But when Joe comes face to face with a real, flesh-and-blood Victor Frankenstein and the monster the mad doctor brought into this world, the visitor from the future realizes that not only has time been disrupted, reality itself has been transmogrified. And this Frankenstein, it seems, is far from finished with his unholy endeavors, leaving it up to Joe to make it right for the sake of history—and for the bewitching lady novelist who has stolen his heart—before he is rudely thrust back to his own time.
An absolutely stunning reinvention of a cherished literary classic, Frankenstein Unbound proves once more that there are no limits to the unparalleled creative genius of science fiction Grand Master W. Brian Aldiss.
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Brian W. Aldiss (1925–2017) wrote acclaimed science fiction novels that won two Hugo Awards, a Nebula Award, and the John W. Campbell Memorial Award. He also wrote bestselling popular fiction, including the three-volume Horatio Stubbs saga and the four-volume the Squire Quartet, experimental fiction such as Report on Probability A and Barefoot in the Head , and many other iconic and pioneering works, including the Helliconia Trilogy. He edited many successful anthologies and published groundbreaking nonfiction, including a magisterial history of science fiction. Among his many short stories, perhaps the most famous was "Super-Toys Last All Summer Long," which was adapted for film by Stanley Kubrick and produced and directed after Kubrick's death by Steven Spielberg as A. I. Artificial Intelligence.
Paul Woodson has won SOVAS & Earphones awards, and has recorded close to 350 audiobooks in many different genres—including romance, fiction, history, biography, and mystery—in American and British accents—and received his BFA in acting at Boston University. In his theater days, he worked in many NYC shows, toured the USA and Europe, and starred in NYC as Vincent van Gogh in the sung-through, OOBR Award–winning musical Vincent. He enjoys backpacking the Appalachian Trail and visiting national parks in his spare time. He is a member of SAG-AFTRA.